Duoddara árbi

An essay film about how it may feel to grow up as a young Sami in Sweden, with poetry written by Ella-Maria Nutti and graphics by Irma Bergdahl. The partying of a typical teenager together with the labels put on you that wont go away, the questions which are thrown on you as knives in the back. A tribute to our ancestors who fought for our rights and a declaration of love to the young Samis who continues to fight

The traditional salmon weir of the River Sámi of Deatnu represents the symbiotic architecture of humans and ecosystems that also bears deeply on the international politics, global interests and changes of dynamics. As an architect, the director is also interested in the archetypal form of the weirs that also has things in common with other places and indigenous nations worldwide.

In the north country there are helpers. People with special gifts and abilities. In the Sámi heritage they have existed for centuries. They healed, relieved pain and stopped bleeding. And much more. The good helpers are still here. Out there in our modern world, they are hidden, sometimes hard to find - but not gone. What kind of knowledge do they possess - is it a gift, or could anyone learn how to heal?

Ritni Pieski wishes it was easier for Sámi queer youth to grow up in their community. In this short film, Pieski addresses the lack of representation and information about queer people and rights within the Sámi people.

A documentary about Sami comic artist Mats Jonsson and his relative Stor-Stina. Her remains were long believed to have been lost in a fire but were recently found and returned to her home town of Malå to be buried.

1902, cinematography by Frank Ormiston-Smith

A drama about the manager Håkan Dahlin who has just been discharged from a clinic where he was treated for his alcoholism. In an outbreak of jealousy, Dahlin abuses his wife Inga and after that he is forcibly interned again. Inga is a nurse and she is now moving to a mountain village to work at a district clinic. During an emergency visit, she encounters her childhood sweetheart, the doctor Gunnar, and old feelings between them begin to flare up again.

A troubled nature photographer risk his family and himself in the fight against a mining project in the Nordic wilderness, when he faces strong political and economical forces, local rivals and a Sámi collective that hesitate to accept him as one of them.

The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.

Loving someone of the same gender is frowned upon in Sami communities. Sparrooabbán (Me and my little sister) shows what it’s like to be a minority within a minority. Suvi describes how her little sister Kaisa wishes to be accepted as she is. Like her sister, Kaisa is a Sami, but also in a relationship with a woman, and she also works as a deacon. There are obviously more constricting communities in the film than only one.

A movie about the struggle in Gállok, a struggle against british Beowulf Mining Plc. For clean water and a mine free Sápmi.

What would be another meeting for those involved in the Queering Sápmi project instead became the world’s first Sami pride festival, Sápmi Pride. In mid-October 2014, queer Sami gathered in Kiruna for seminars and workshops. The first Sami pride parade attracted around 300 people. Filmed for the Sami channel Márkomáilbmi.

Lemet from Karasjok in Norway is 18 and homosexual. All his life, he has been bullied for being different. Some days were so hard that he was thinking of suicide. The film is dealing with a life in double minority both as a sami and as a homosexual.

Mari Boine Group – Live at JazzBaltica 1997 is a powerful meeting of Sámi musical tradition, jazz, folk and rock. Boine’s commanding voice moves from intimate, meditative passages to fierce rhythmic peaks, supported by hypnotic percussion and atmospheric instrumentation. The performance feels spiritual, urgent and deeply expressive, transforming the festival stage into an intense celebration of identity, nature and musical freedom.

In order to boost his own cotton ginning business, Jake Meighan sets the local Syndicate Plantation ablaze. the superintendent of the Syndicate Plantation sends over 27 wagons full of cotton for ginning, and turns aside his suspicions that Jake is the arsonist in exchange for apparent sexual favors from Jake's wife, Flora.

Avid for steep slopes, Marco Siffredi (1979-2002) obeys only one rule: not to fall. This gifted kid with hair sometimes blond peroxidized, green or blue clashed in his valley: Chamonix, mecca of mountaineering. His thing was to go up and down on a snowboard. . 90 minutes September 8, 2002, altitude 8848 meters, rare oxygen, his head already brushing the sky and his snowboard running, Marco Siffredi, 23, rushes from the summit of Everest in the Horbein corridor and its slopes at 50 degrees . A year earlier, he had already made the first descent of the mountain on a snowboard. But there remains another corridor… more direct. It's not a challenge, just a reason to be... However, that day, at the top of the roof of the world, his trace is lost...

A collection of ten vignettes by Tennessee Williams offering various viewpoints on life, love, and death.

Producer-director Glenn Jordan brought together two Tennessee Williams plays, written twenty years apart, that examine the theme of isolation with searching clarity. The joint presentation, entitled "Dragon Country," features the world premiere of "I Can't Imagine Tomorrow," starring Kim Stanley and William Redfield, and a much earlier work, "Talk to Me Like the Rain and Let Me Listen," starring Lois Smith and Alan Mixon. Together, the dramas delve into "a land of endured but unendurable pain, where each one is so absorbed, deafened, blinded by his own journey across it, he sees, he looks for, no one else crawling across it with him."

A look at the April 15, 1989 tragedy at Hillsborough Stadium in Sheffield, England, where a stampede in the stadium's standing-room-only areas killed 96 people and injured 766. The film also examines the ongoing efforts of victims' families to seek truth and justice, as well as tangible effects on English football, including stadium upgrades and the emergence of the English Premier League.

An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.