Learning to Love

A 1919 film directed by Sidney Franklin.

A lost film - Mary Gray, whose father manufactures cold cream, is engaged to sappy Horace Niles, the son of Hugo Niles, the elder Gray's most competitive rival in the cosmetics business. Chip Armstrong, a hot-shot public relations man, quits the employ of Hugo Niles and goes to work for Gray, persuading Mary to enter the Miss America contest at Atlantic City, with the intention of using her to endorse her father's cold cream should she win. Mary breaks her engagement with Horace. When it appears that she will win the contest, Hugo lures her home on the pretext that her father is ill, and she misses the contest. Chip and Mary return to Atlantic City, discovering that the new Miss America has told the world that she owes all her success to Gray's cold cream. On this note, Chip and Mary decide to get married.

Famous playwright Paul Worden decamps to a country bungalow to work on a new play, rehearsing with his leading lady, Marjorie Sinclair, who is staying nearby. Going riding one day to relax, Paul rescues his neighbor, teenager Diana Ardway when her horse runs wild. The pair clash initially, as she does with Marjorie, but after a series of misunderstandings true love triumphs.

Ambrose (Mack Swain) is a clumsy, aspiring cook who finds himself in over his head when he is hired to work in a busy household or restaurant. Most of the humor stems from Ambrose’s spectacular incompetence in the kitchen. He misinterprets simple instructions, leads a series of messy kitchen disasters, and accidentally destroys various household items while attempting to prepare a meal. The situation typically escalates into a frantic "Keystone-style" chase or a massive physical confrontation involving food, dishes, and outraged employers or customers.

Ted Vandeveer, a lawyer without clients, receives notice that he has been included in his rich uncle's will, he and his partner, James Sweeney, are excited, then they find that Ted's cousin Archie inherited nearly everything. With the $700 left after paying their creditors, Ted and James go to a fashionable resort, where the hotel clerk mistakenly puts them in the exclusive suite reserved for Archie. Passing for a wealthy man, Ted attracts many eligible girls, among them Mildred Niles, the daughter of a wealthy broker.

A prince makes a socialite think she spent the night in his room.

Jimmy O'Connor and Scotty are a couple of New York City gamblers and sharpies who decide to go straight and, since they are such good friends, split 50-50 "even steven" on anything they get or do. Jimmy, a confirmed bachelor, doesn't care for women but Scotty falls in love with Diana O'Sullivan, a Coney Island girl. They decide that Jimmy needs a girlfriend and they opt for Jeannie Cavanaugh. But, following their 50-50 pact, Jimmy, although he has fallen in love with Jeannie, praises Scotty to her.

Jerry Martin quits his dull job as a bank clerk and falls in with a band of hobos. He takes on the guise of Bachelor, the "king of the market," and finds himself pursued by dangerous men who are after the real Bachelor. *Only fragments are known to exist. Preserved by the Academy Film Archive in 2010.

In Bagdad, Princess Badr al-Budur, the daughter of the Sultan, falls in love with Aladdin, the son of a poor tailor, and rejects the suit of evil alchemist al-Talib, her father's choice. Al-Talib consults his Evil Spirit, who advises him to find the magic lamp hidden in an underground cave. Unable to get it himself, al-Talib hires Aladdin, who secures the lamp but keeps it when he realizes al-Talib's wickedness. With wealth obtained through wishes, Aladdin courts the princess. After the lamp changes hands between al-Talib and Aladdin, al-Talib steals it and abducts the princess to the desert. Aladdin follows with only a gourd of water. Suffering from thirst and exhaustion, Aladdin nearly succumbs, but the horsemen of the Sultan, who learned of his daughter's abduction, ride up and rescue Aladdin.

A 1924 film directed by John Francis Dillon.

No description available.

Philandering husband George Montfort purchases railroad tickets for a weekend tryst in the mountains with his latest paramour. When his wife Yvonne finds the tickets, George hastily explains that they were bought as an anniversary present for her. Yvonne doesn't believe George, but she decides to use her ticket anyway, while George remains behind in Paris on "business."

Jimmy Clark, sightseeing in France with his friend Algy Baker, falls in love, at first sight, with Betty Perry at the railroad station. The destination for all: Switzerland. There, Jimmy is mistaken for an expert mountain climber, J.K. Roberts. Betty is introduced to Jimmy and believes him to be the champion.

After his boss fires him for secretly dating his daughter, Joan, a fired clerk named Eustis and his towering friend Sharkey Nye sneak aboard Joan's China-bound ship. Refusing to be separated, the bumbling duo follows the women on a slapstick journey filled with chaotic, romantic misadventures.

A young husband just wants to spend a quiet evening at home with his wife, but her collection of zany friends make hash of his hopes.

No description available.

Newlyweds Käthe and Max met while studying law. Trouble ensues when Max takes on his first case without telling his wife.

Comedic spoof featuring cross-eyed comedian Ben Turpin presents a rustic, burlesque stage performance of the Shakespearean tragedy, with Alice Day starring as Juliet, highlighting slapstick humor rather than romance.

The O'Donnells are a typical, everyday family -- Tad (George Hernandez) is a sensible working man, his wife (Fannie Midgely) is a good mother and their daughter Kathleen (Constance Binney) is pretty and innocent to the point of naiveté. Kathleen works in a factory and its owner, Donald Holiday (Warner Baxter), has taken a shine to her. But instead she falls for slick cab driver Harry Stanton (George Webb), who insists, "Honest, kid, you're the only girl I ever loved." Kathleen falls for this, and when her perceptive father makes clear he doesn't approve of Stanton, she moves out on her own.

Helen continuously looks for reasons to doubt Dick, causing friction in their young marriage. Her jealousy intensifies when Dick seems to pay more attention to Alma's ankles than the curtains she is hanging. A series of misunderstandings continuously fan the flames of Helen’s jealousy. The final straw occurs when Helen walks in and catches Dick and Alma in what looks like an incredibly compromising position. Believing her marriage is over, Helen threatens to file for a divorce. However, Alma’s actual fiancé arrives just in time to clear up the confusion, explain the innocent context of the situation, and completely reconcile the newlyweds.