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The Slaypril Fools franchise reaches the final frontier, space! Where all great franchises go to die! Meredith and her friends face off the Prankster one last time, as we witness the epic conclusion of the Slaypril saga. In space, no one can hear you... laugh?

When 12-year-old Chinese exchange student Xi Zhou's April Fools' prank goes disastrously wrong, it drags his host family, their son Lucas, and his crush Charlotte (Charly) into a tumultuous adventure full of gangsters, cash and chaos. With the mafia, a crew of rapper-thugs, and a bumbling police duo in pursuit, Lucas and Xi must team up to fix the mess they’ve created. Their only hope? Pulling off one final, genius prank.

After the events of the previous year's video, Nathan is back at it again to make another video for the channel; but all is not what it seems.

It's April Fool's Day and the sisters of Sigma Alpha Pi believe they've found the perfect place to throw a party: the abandoned fraternity house where the guillotined pledge once lost his head in a hazing gone awry.

Ayumi Nitta is a member of a hospital cleaning staff and suffers from extreme social anxiety. After having a one-night stand with genius surgeon and sex addict Wataru Makino, Ayumi discovers she’s pregnant. However, when she tells Wataru, he dismisses her claim as a bad April Fools joke. Refusing to believe he could possibly be the father of Ayumi’s baby after just one night together, Wataru takes a woman named Reiko on a date to an Italian restaurant. However, Ayumi also shows up, leading to a major incident.

Eighteen very different stories are told in this horror anthology film, as we get to see time travel, robots, aliens, murder, killer dolls and even the apocalypse.

Siblings headed to a family wedding endure a night of increasingly frightening practical jokes while staying at a secluded motel.

Jimmy Jump is a cracked reporter at a behind-the-times daily newspaper. He also happens to be in love with the managing editor's daughter. It's Monday, April 1st and the paper's editorial staff has a great deal of trouble telling the difference between April Fool's jokes and real events.

The new community center is opening and Meredith and her friends are about to discover that the deadly jester is back and he's up to no good... In the hood. Can they survive the this Prankster's Paradise in Eye Poppin' 3D!!!!???

Businessman and shameless social climber, Julius Lampe, is subjected to a cruel April Fools’ Day prank when he is led to believe a noble prince intends to personally inspect his pasta factory.

Eight different people are invited to their 10-year high school reunion at their now-closed down high school where a former student, disfigured from a prank gone wrong, is there to seek revenge.

When an April Fool's Day prank turns deadly, Desiree Cartier, her brother Blaine, and five of their friends all become the targets of a twisted kill who begins hunting them down one by one.

After a bullying incident leads to tragedy, four former High school friends reconnect at a vacation home where a maniacal killer stalks the night.

On April Fool's Day weekend, a group of college friends gather together at a secluded island mansion to celebrate their final year of school, where they soon become prey for an unseen murderer.

When department store executive Madison is charged with coming up with a fresh idea for the holiday season, she decides that instead of a classic Santa, this year they would hire a young Santa with lots of fashionable style.

A ski-lodge event manager’s task of hosting a corporate Christmas party goes awry when the resort is cut off by a snowstorm and the hard-to-please CEO turns out to be an old flame.

The film recounts the life of the prisoners and the problems their families encounter in their struggle to survive. Here again filmmaker Kamran Shirdel employs the cinema verité style. The interviews with the prisoners, social workers and teachers serve as commentaries for "constructed" documentary images.

Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.