Finding Mother

Lyrical tragicomedy. The eyes of the young hero, who will go through the rite of circumcision, shows the life of a Kyrgyz village on a holiday day.

Based on true events, several stories about disempowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

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An evocative animated film on the life and works of the great Kyrgyz poet Alykul Osmonov.

Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.

In post-Civil War 1923, a young Red Army veteran is sent to the mountainous Kirghiz region of Kyrgyzstan to establish the first school. The former soldier becomes a teacher, bringing Leninist doctrine to the remote Moslem area where elders forbade children to attend school. He falls in love with one of his students, but the young woman is sold by her father to a wealthy chieftain.

K-drama-obsessed student Aliya is in love with the Korean actor Lee Min-ho, whom she often refers to as Gu Jun-pyo (his most popular K-drama character). Her nemesis, Aizhan, challenges her to fly to South Korea and even marry him before the end of the semester, or Aliya will have to drop out of the university. However, a cute emo boy stands in her way...

In a remote village in Kyrgyzstan, the paths of an immigrant filmmaker from Belarus and a spirited ten-year-old local girl intersect, unfolding an intimate and visually rich cinematic journey. “I Lit the Fire!” premiered at Doclisboa 25, where it received an Honourable Mention from the Green Years jury — recognition for its poetic approach and strong visual storytelling. In 2026, the film received the Grand Prize for Best Film at Punto de Vista — International Documentary Film Festival of Navarra.

In a remote Kyrgyz village, Dzhamilya follows her parents' orders when she marries a man without loving him. Then World War II breaks out and her new husband has to leave the village. While being alone, Dzhamiliya meets the returning soldier Daniyar and falls in love with him instead. Years later, their young friend Seid reminisces about the couple.

Aïdar, a young Kyrgyz man returns home from his studies in France, with a beautiful French fiancée in tow. His fiancée is warmly welcomed by the village and captivated by the beauty of the region, but he stubbornly refuses to tell his family that the two are engaged.

After living as an immigrant in the USA for 15 years, Azat flies to Kyrgyzstan to his family village. His father, Murat, died in the USA a year ago. It was his dying wish to pay back the money he owed to the villagers. Azat discovers the family home derelict. Choro, the younger brother of Murat, and their relations left a long time ago. Despite most villagers not liking him. One day, Choro, who was imprisoned because of Murat, arrives and the most important question about Murat's will is decided.

The film is dedicated to the capital of Kyrgyzstan - Bishkek and its young people. They have dreams how to find their ways in life. There is a couple which meets after 5 years of separation in the airport and she finds out that he has a wife and kids. There are 2 candidates for a job, but one is a son of rich and established family, so he got the place through family connections while a poor guy stays jobless. There are a grandson and grandfather who broke a vase and try to find another one, so the mother/daughter would not notice the loss. It is all about our life, nice daily stories of a small town citizen.

Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.

On the trail of nomadic peoples and the ancient Silk Roads, Thomas Delfino, accompanied by Léa Klaue and Aurélien Lardy, embark on an expedition to reach one of the most remote places on the continent. The Kokshaal-Too range is located in the Tian Shan mountain range, on the border of Kyrgyzstan and China, and harbors unexplored mountains and faces. This skilled team, accompanied by renowned guides Hélias Millerioux and Jean-Yves Fredriksen, finds themselves propelled into a space where time seems to have suddenly come to a halt.

One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.

The story is about a boy named Sasha who, on a journey to get his sick mother sausages, get stalked and chased by the ruthless monster dog of Bishkek, Kyrgyzstan during a cold, foggy winter day. Will Sasha survive and make his way back to his apartment?

We get to meet Aslanbek—a teenage shepherd in the mountains of Kyrgyzstan. “Aslanbek” is a story exploring the dynamics of relationship between humans and animals, what we can learn from the mountains, and about dreams. In short, it's a story about our forgotten values.

Tolubay, a connoisseur of horses, and his grandson get in trouble with a Khan due to his strict but correct opinions on horses.

The kookor is a type of leather flask which has been used by Kyrgyz people for centuries. In this parable, an old kookor finds itself confronted with the realities of modern life and has to make a choice as to whether to adapt or stay true to its essence.

The end of the 1920s — the beginning of the 1930s in Kyrgyzstan. Parts of the Red Army are waging an uncompromising struggle with basmachi in Central Asia. The film tells about the formation of the character of the young Kyrgyz hunter Djura, who found himself in a swirling whirlpool of revolutionary events that swept the Pamirs. It shows the hard way from a simple young hunter, entangled in centuries of prejudice, to a conscious, seasoned in many battles with the Basmachi mature fighter, who believed in the great ideas of the revolution.