Seeing El Salvador

Documentary filmmaker Bruce Brown, himself a competition-level surfer, follows surfers Michael Hynson and Robert August on an around-the-world surfing adventure. With Brown's wry, sardonic narration and a twangy, guitar-driven instrumental soundtrack by The Sandals playing over the silent footage, Mike and Rob leave their California home to visit Hawaii, Australia, South Africa and other secluded surfing spots in a search for the surfer's holy grail that Brown dubs "The Perfect Wave.”

A Day in TOKYO in 1968, Nostalgic bygone era. Planned by Japan National Tourism Organization. Produced by Koga Production. This film was produced to explain Tokyo for foreign tourists.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Blissful scenes of tourists arriving by boat and then sea bathing on a beach in the Venetian lagoon.

Fleeing the 1980 Civil War in El Salvador, Dora Rodriguez, among a group of twenty-five asylum seekers, were abandoned by their guide and left to fend for themselves in the relentless Sonoran desert of Arizona.

Resa med en vän [Travel With A Friend] is a poetic documentary where singer-songwriter Olle Adolphson and filmmaker Eric M. Nilsson travels to Southern France and Northern Spain, where the mountains meets the Atlantic Ocean in the West and the Mediterranean Sea in the East.

To popularize the idea of automobile travel, Ford Motor Company produced Ford Educational Weekly, a film magazine distributed free to theaters. One 1916 series featured "Visits to American Cities." In this episode, Los Angeles is featured at the very beginning of the boom created by oil, movies and aircraft. On the occasion of its centennial in 1953, Ford donated its film to the National Archives and Records Service; this copy derives from a fine grain master printed from the Archive's preservation negative. Music by Frederick Hodges.

Early film of a crowded street scene in an unidentified Indian city.

No description available.

A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.

Coach passengers give their reasons for preferring that type of transport. A group of ramblers visit the Welsh mountains; an angler and his family spend a peaceful day by a country river; a family goes to the seaside; some students visit Oxford during a music festival.

An American couple tour Britain with a teenage girl, visiting London, Canterbury, Cambridge, the West Country, Caernarvon, etc.

A light and somewhat satirical look at the problems and pleasures of Continental holiday travel. A passenger on the Hook Continental Express from Liverpool St. imagines the possible destinations of his fellow passengers.

A man's climb up Mount Kilimanjaro leads him through danger, unlikely friendships, and his own inner battles-revealing powerful lessons of resilience and the human spirit.

Return to El Salvador explores the reconstruction of El Salvador, post-civil war. The film revisits the struggles of the nation and examines what drives over 700 Salvadorans to flee their homeland each day, often risking their lives to illegally enter countries in search of a better life for their families. The film also profiles a number of Salvadorans effected by the civil war. One couple, who fled death threats in the 1980s, finds asylum and a political platform in the United States. The film also follows a different couple who, after escaping the war, returned to El Salvador to work with churches and poor communities.

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

When Tomoko finds some messages for a 'Mr Smith' on a lost mobile phone, she finds herself on an 'Alice in Wonderland' journey through Tokyo's boulevards and back alleys. From the tyranny of symmetry in soaring office blocks - to buildings that look like space-ships, this creative documentary shows us the city's soul.

It documents the civil war in El Salvador, in its first 8 years, as well as the political movements, and the human rights violations that occurred.

This documentary examines the formation of labor unions in El Salvador and the systematic violations of workers’ rights that characterized the country during the 1980s. Through testimonies and on-the-ground footage, it exposes the climate of employer authoritarianism and repression faced by workers, situating these conflicts within a broader history of social unrest that dates back to the 1930s and re-emerged with intensity in the 1980s. The film also depicts how the guerrilla movement carried out campaigns of political and labor awareness among peasants and workers, encouraging collective organization and the defense of labor rights. Ultimately, the documentary reveals the “two faces” of El Salvador: on one side, state power embodied by the army and the police; on the other, the opposition represented by guerrilla forces and grassroots popular organizations.

Produced by the Radio Venceremos System, chronicles the first decade of the guerrilla broadcaster that became a crucial communication tool for the FMLN during El Salvador’s civil war. Through archival footage, radio transmissions, testimonies, and scenes of daily life in liberated zones, the film traces the station’s military, political, and cultural role, from reporting on combat operations and peasant struggles to fostering literacy, music, and international solidarity. The documentary portrays Radio Venceremos not only as a strategic instrument of war, but as a symbol of resistance, collective organization, and revolutionary memory.