Long Live the King

Documentary on the making of the 1933 RKO film King Kong. Contains interviews with George Turner, Linwood Dunn, Rudy Behlmer.

The documentary, Bob Gurr: Turning Dreams into Reality, tells the story of one of Walt Disney's earliest 1954 Imagineering Legends, Bob Gurr. His career spanning 45 years creating 250 projects with Disney and beyond will be explored. From Disneyland to Las Vegas, Olympic spectaculars to rock star shows, Bob's creations included Monorails, Abraham Lincoln mechanical animation, Pirate Battle Shows, even massive animated figures of King Kong and Godzilla. Viewers will learn much about how these attractions were created from those who were there sharing these creations. Eight theme park creators who worked with Bob over these years will describe the unique ways in which he created a vast variety of attractions. The cast includes Disney Ambassador to the World Marty Sklar, Imagineering VP Craig Russell, Imagineer Chris Crump, and many others.

Following the immense success of The Lord of the Rings trilogy, Peter Jackson directs King Kong (2005). This documentary follows him, and the immense project from start to finish. It turns out that this one film may actually be a larger task to complete than all 3 of the Lord of the Rings films together.

Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.

In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.

The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.

An oil company expedition disturbs the peace of a giant ape and brings him back to New York to exploit him.

The classic story of the mighty Eighth Wonder of the World is given a musical update, utilizing the talents of Disney musical giants The Sherman Brothers. Boosting this family-friendly take on the 1933 film are the acting talents of Jodi Benson and Dudley Moore.

After falling from the Twin Towers, Kong lies in a coma for ten years. When his heart begins to fail, scientists engineer an artificial heart, and a giant female ape is captured to serve as a source for a blood transfusion. When Kong awakens following his heart transplant, he senses the nearby presence of the female ape and the two escape to wreak havoc together.

What the "spider-pit" sequence from the original King Kong (1933) probably looked like (the original sequence was cut out of the original movie because it was deemed "too gruesome" and was subsequently lost).

Three women artists from Berlin collaborate on an exhibition sponsored by a biotech firm and end up being the first people to experience the fascinating symptoms of an evolutionary leap.

Explore the mysterious and dangerous home of the king of the apes as a team of explorers ventures deep inside the treacherous, primordial island.

Beleaguered adventurer Carl Denham returns to the island where he found King Kong.

A silent 3-reel comedy short that uses the 1933 film King Kong as a backdrop to the story. It was produced by Shochiku Studios (who released the original 1933 film in Japan on behalf of RKO). It is now considered to be a lost film.

A child acquires a magical video game that he uses to influence the world around him.

In a time when monsters walk the Earth, humanity’s fight for its future sets Godzilla and Kong on a collision course that will see the two most powerful forces of nature on the planet collide in a spectacular battle for the ages.

It's officially Spring Break at Monster High, and Lagoona takes her gilfriends across the sea to the Great Barrier Reef, but they are ship wrecked and end up on a mysterious skull shaped island. At Skull Shores, they enjoy the local hospitality until they realize that they are being used by a slippery showman named Farnum to lure the rarest, most mysterious monster of them all, "the Beast.”

The film recounts the life of the prisoners and the problems their families encounter in their struggle to survive. Here again filmmaker Kamran Shirdel employs the cinema verité style. The interviews with the prisoners, social workers and teachers serve as commentaries for "constructed" documentary images.

Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.

Contrasting ancient myth and modern reality, this short documentary examines the legendary relationship between West Coast Indigenous people and salmon, once their staple food. In the mythical realm, we learn how Raven finds riches in the harvest of the salmon, only to lose everything through a thoughtless act against the Spirit of the Salmon. So too does modern man jeopardize his living from the sea by heedless action. Images of ancient spear-fishing and smoke-houses contrast with images of today's Indigenous people operating a seiner and working in a cooperative cannery.