Sign

A pair of dragonfly wings grows out from the back of the first biological kid from two men. One of the fathers, the scientist who created the kid, wants to hide the fact from the public, while the kid wants to expose the wings to force his fathers to accept him.

Emily Eximo finds herself sat in a strange room, with a strange man, who's sitting in a strange chair. Denton Elicient wants her to settle a debt she didn't even know she had.

Jess comes into "Gay's The Word" (the first Gay and Lesbian bookshop that opened in London) where she meets Leah for the first time. They coincidentally meet by the same bookcase over three days. What sparks is a romantic awkward chemistry between the two, transpired by Jess' curiosity in Leah and the chance for an artistic and sexual liberation possibly waiting for her at the end.

When the pressure of a homophobic town and family weighs too heavily on the shoulders of a young gay man, he must confide in his best friend and true love.

Ulysses is a shy and effeminate boy who finds himself coping with new responsibilities as man of the house after the death of his father. Living alongside his mother, younger brother, and conservative aunt, Ulysses is also struggling with questions about his gender identity. He finds an escape by creating a world of fantasy filled with dance and music. Ulysses' journey takes a turn for the better when he finds a vibrant transgender community.

Poetic images of nature in the opening credits lead us on the wrong track. The motorcyclist has been lying under his machine for a long time. At the moment of death, memories emerge. Flashbacks to family history, speechlessness in the face of death in harsh cuts.

A look into the life of an extremely poor argentinian family.

Late in the afternoon, a student and a construction worker sit on the edge of the bay and leave traces on the landscape.

Omri and Amit are a gay couple in an open relationship who live together in Jaffa. On the day between Israeli memorial day and the evening of the Israeli independence day, they will confront their relationship status.

Tom, a young architect from Tel Aviv, accepts his partner Nimrod's offer of a threesome with Or. The meeting with Or changes the couple's relationship.

A hook-up between two young men - they make a connection, but it quickly becomes apparent they're looking for different things.

Goh Jun-chul grew up with second-handed things from a young age. As an adult, he makes his living selling used cars. Having never had anything new, he is proud of his innocent girlfriend. But he starts to understand there are more important things in life than whether things are new or used. This realization helps Jun-chul to regain both love and hope.

Diego is 17 and is full of life, yet fragile. His best friend Antonio knows and indulges his weaknesses, but he would also like to see him strong and masculine. One night they meet Maria, a breezy natural beauty. To show that he is a 'real man', Diego, is ready to do anything, even to force himself to do things he would never have wanted to do.

Three young people journey to a mystical Oracle living outside their small town in a search for identity.

Bill is a lonely soul and feels sorry for himself and his life. He shuts people out and is quite unfriendly to everybody. Then one day he receives a phone call from a social worker informing him that his sister died and is asked to look after his sister's daughter Tia. Tia's father is overseas and had separated from her mother so Bill is the next of kin. He reluctantly accepts to look after Tia for a few days. Tia's charm and vitality wins Bill over and he starts to enjoy spending time with her. He starts seeing live in a different light and when the social worker informs him that Tia could now go to her dad overseas. When Tia tells him that she wants to stay with him he dismisses the offer. The last scene shows how they appreciate each other.

Sarcastic inversion of the ‘beautiful couple in love’ archetype. The ’40. Two people isolated from the rest for their physical appearance, meet in a cinema. A dark solidarity born between them leads to a relationship based on the denial of their ugliness.

December 1976, a three-day revolt erupts in the small town of Majunga, Madagascar. Ali, a widower, is caught in an abrupt and violent turmoil between communities. His first and only preoccupation is how to protect his young daughters.

In starting his college career, Felix meets his new room-mate Montgomery. But after the two spend time together, their friendship may be something else.

Pana is a popular world from Venezuelan slang that means many things: as a noun it refers to a friend, a good person; as an adjective, it’s a positive quality, someone nice, someone friendly and enjoyable. A coming-of-age story, the short My Pana is also a tale of immigration and exile, a portrait of a teenager adapting to a new society with the few tools he knows to survive: his youth, his body and, ultimately, his own resilience. Through the point of view of a teenager we’ll understand the hardships of million of Venezuelans abroad and the consequences of corruption, exile and the fractured soul of a person who was pushed to leave his true life to adapt to a hostile new place.

In the day three girls wander the idyllic St Kilda pier, basking in the rays of a sweet summer day.