Seven Easy Pieces

‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.

Video Fanzine featuring: Half Japanese, Redd Kross with Sky Saxon as Purple Electricity, R Kern, Sonic Youth, White Flag, Psycho Daisies, Charlie Pickett, Nick Zedd, Morbid Opera More R&R, Film, Prose. Pencil numbering indicates there was a run of 600 tapes.

A student made film tackling the theme of space, how it is used and how it affects. In this particular instance we follow the quite absurd actions taking place in the context of quite a serious, linear and industrial setting. The actions intended to guide self awareness of the participants surroundings and allow them to in turn be more aware of them and the space they occupy. These instructions also form part of a list of equal absurd instructions which may continue to grow.

Resulting from an ancient volcanic eruption, revered as sacred by the Chalun and Matsun Native American Tribes as the home of the Firebird/Thunderbird (California Condor) a supernatural being of power and strength. Pinnacles represents transcendent moments, spiritual guidance and forging new timelines within interpersonal landscapes.

In a playful critique of the mechanisation of the body and the militarisation of the workplace, Zhou Tao collages choreographed chants that take place in morning group meetings – a form of taking attendance at the beginning of a workday – for shops and companies in Shanghai and Shenzhen.

Amongst the contemplative static shots of decaying architecture weaves an abstract narrative unveiling the life-cycle of a higher perception, too large to perceive. Shot at various sites across south-east England, INFRASTRATA is a study on the concept of super-organisms, and the relationship between structure and nature.

A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.

what was the last dream you had?

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

The Concrete Road is a three-channel installation work which was premiered during the Graduation Show 2021 at Gerrit Rietveld Academie. "Landscape shifts, unmodernised desires. This is a story comprising three avatars of myself talking to and interviewing each other, reflecting on memories and weaving a path on coming of age. Sticky childhood memory which never fades. Loosely fitted gender/racial identity struts in juvenile cravings. Self-loathing, negation of the past, and his frowning parents. The tyranny of modernism leaves a leaky path for the protagonist to escape and slobber in a dream of wet summer night. My highest appreciation towards Bertien van Manen, who not only provides images on memory bubbles, but also her images help me to develop the initial script for this work."

A short documentary film made up of archival footage shot in 2003, which was reworked and edited in 2018-2019. The film shows a haphazardly shot, fragmented property viewing and inventarisation through the eyes of a child, featuring a voice over by that same child. Because of having unrestricted access to their family’s camcorder as a child, there were a few instances where the artist's child form had shot ‘full length’ documentary films - with this documentary short being one of those instances. Often these documentations were a call for seeking comfort in a new surrounding, stemming from a deep fear of being forgotten or unheard, and a playful way of documenting one’s thoughts and feelings. In many ways the artist, Mees Joachim, was the original vlogger, before the advent of Youtube.

A group of young men waltz in pairs, balancing with a glass between their foreheads. In this captivating setting, director Albert Rask crafts a new code of conduct - an allegory reflecting the experience of growing up. A playful yet poignant exploration that reframes the burdens of responsibility, expectations and the rules of adulthood.

A recently hatched turtle, made of sand and by hand, returns to the sea.

An experimental short where one's footsteps create sound on a piano, creaks and all.

A peaceful path with grass along the sides is disturbed by a man that is running and screaming.

"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "

Three commercials, presented as a short film, for fictional clothing brand 'Death To Straight White Men' by the QnWF-Sociétè. This fictional clothing brand and the ready-for-action poses and portraits of the three models were in many ways the foundation for 'E Kolór Korra' (2017).

Performance documentation of Mees Joachim's 'Homophobe', a 10 minute live-reenactment of a scene from 'E Kolór Korrá' (2017). A juxtaposition performed as minimally as possible. A destructively interpretive dance, literally shattering bones whilst forcefully dropping on the ground. A pre-cursor to their 'The Scaphoid Fracture' (2017) performance.

A short mock-vlog film explaining and defending the concepts behind the fictional 'Death To Straight White Men 2017' clothing brand. Edited in a way that mocked the trends of Youtube vlogging and apology-videos of the time, including sound effects and interjected fast-moving graphics. "After QnWF-société received an overwhelming amount of negative feedback following the launch of their 'Death To Straight White Men 2017' clothing brand, their CEO felt the need to create an apology video of sorts - explaining and defending the concepts behind their latest line of clothing."

A meditative depiction of a colonial villa in Mungo, Surinam, taken back by nature.