La deuxième femme

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.

An experimental documentary about the intertwining of bodies and lives in a cattle ranch in Les Avins, Belgium, with cattle of the breed Blanc Bleu Belge, known for its fascinating musculature.

"My last image of Jonas."—Ken Jacobs

Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.

Chilean experimental film.

Sytratigraphies is a hyper kinetic masterpiece of a travelogue offering glimpses of scenes shot in your native Columbia, New York, Toronto and beyond. A female fantastic (Alexandra Gelis) knitting on the fly (subways, bankomats, beaches) and making audio recordings provides a throughline of sorts, as queer marriages give way to videogame palm trees, warm gatherings of friends are interwoven with public noticings, workers mostly, street hawkers and construction zones of the self. These lyrical interludes (in this movie the in-between is at the heart of the matter) are punctuated by rescanned YouTube interviews with authors/philosophers/scientists Jorge Luis Borges, Francisco Varela, Julio Cortazar, Beatriz Preciado and Gilles Deleuze. They muse briefly on creativity, exile, the biopolitics of the birth control pill, and the necessity of making mistakes in philosophy.

VORTEX TEMPORUM sinks into the temporality of an image, the one from an American university campus filmed by a webcam. These images from the University of Oregon were collected between August 2009 and June 2010.

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

Frame by frame, letter by letter, this film aligns riddles/answers from 6 rolls of Super-8, with the structure, poetry and imagery posed by Ugandan crossword puzzles. Across & Down is a study of simultaneous simplicity and complexity and the resulting serendipity and chaos.

The film is an insight into a teacher's soul and a contemplation upon his teaching fate. This portrait of a unique, experimental filmmaker and teacher Martin Čihák takes a look at his teaching methods, his meetings with his students at FAMU and at a park where they work with film, or in his studio.

Partly a parody, partly a mockumentary, partly an essay film - and also an actual behind the scenes documentary of two short films.

An obsessive exploration of the three geometric dimensions in hopes of reaching a fourth.

A workshop film made with a group of students of the Pietro Zorutti School in Palmanova, Esercizi di Cinema is an experimental adaptation of Raymond Queneau's book Exercises in Style.

No description available.

At 7 p.m. he had an appointment...an important appointment.

Magical Super-8 (shown on 16mm) single frame portrait of the Notre Dame cathedral featuring luminous light and a dense score incorporating players from the square. - Early Monthly Segments

In fifteen shots, all but one running for 90 seconds, the audio-visual landscapes of a video game are examined as its day-night cycle mimics passing time, and the radiant AI of its characters creates the illusion of free will.

From both a scientific and an artistic point of view, the film seeks to answer the question, 'what is light?'.

"In an era where information flows faster than air, the truth is being besieged. 'The Illusion Industry' is a documentary film that deconstructs the sophisticated tactics of fake news and psychological warfare. From the streets of Iraq to the global digital stage, the film analyzes the 'Illusion of Truth' effect and 'Confirmation Bias,' supported by data from MIT and Oxford. It is a visual manifesto that challenges the viewer to reclaim the courage to think." The film serves as the practical cinematic component of the director's comprehensive academic research on digital deception, permanently archived and accessible via the [Zenodo Academic Repository](https://zenodo.org/records/20748757).

An experimental documentary portrait of director Malcolm Quinn Silver-Van Meter's grandfather