The Grateful Dead Movie

In 1993, Grateful Dead took the stage at Buckeye Lake Music Center in Hebron, OH. On hand that night was Peter Shapiro, at the time a Northwestern film student spending a month on summer tour alongside cameraman Philip Bruell. The Buckeye Lake show opens and the Heads document the swelling Dead scene.

1990 documentary by the University of North Carolina at Greensboro, featuring sociologist Rebecca Adams, PhD, who examines Deadhead subculture through a theoretical framework based on the ideas of social theorist Georg Simmel. Aired on PBS in the early 90s.

Rarely seen unofficial Grateful Dead documentary short. Filmed on the road in Europe, 1990.

Recorded on Shakedown Street in Albany, NY during Grateful Dead's Summer Tour, 1992.

Covering 10 years, this 60 minute art documentary takes an inside look at the artisans, magicians, musicians, and lunatics that make up this cult of devotees, deadicated to a band that originated in 1965. Why these fans leave their schools, families and jobs to be part of these ritualistic tribal celebrations of dance, drugs and community, is a 20th century American cultural phenomenon captured here in this time capsuled video tape.

This project was done with humor, truth, and sarcasm. At the University of California, Santa Cruz, UCSC, where I went to college, there were many fans of The Grateful Dead. They called themselves Deadheads. I had not heard of the band before attending the school. I listened to the music, and I didn't understand why people felt so passionately about the band. I was intrigued. So in 1986, I decided to try and understand these people and the music they loved, and to create a video of my quest. This documentary project is the result. Enjoy.

Ending months of speculation and anticipation surrounding the first Fare Thee Well -Celebrating 50 Years of the Grateful Dead concert, the “core four” remaining Grateful Dead members -drummers Bill Kreutzmann and Mickey Hart, bassist Phil Lesh and guitarist Bob Weir -along with Phish guitarist Trey Anastasio and keyboardists Bruce Hornsby and Jeff Chimenti slowly eased into “Truckin’” to begin the show. The biographical lyrics to the song proved to be a fitting choice to start the anniversary celebration, with the famed “What a long strange trip it’s been” verse capturing the moment perfectly. Recorded at Levi's Stadium on June 27th and 28th, 2015.

In celebration of the 50th anniversary of Grateful Dead, the "core four" original members - Mickey Hart, Bill Kreutzmann, Phil Lesh, and Bob Weir - reunited at Chicago's Soldier Field on July 3rd, 4th and 5th for the most anticipated concerts in recent history. Joined by Trey Anastasio, Jeff Chimenti, and Bruce Hornsby. Fare Thee Well: Celebrating 50 Years Of Grateful Dead is the original members' last-ever performance together nearly 20 years to the day of the last ever Grateful Dead concert with Jerry Garcia, which took place at the same historic venue.

Grateful Dead - View from the Vault III Shoreline Amphitheater Mountain View CA June 16, 1990 First Set: 1 Let The Good Times Roll 2 Truckin' 3 Touch Of Grey 4 Mama Tried 5 Big River 6 Friend Of The Devil 7 Cassidy 8 Big Boss Man 9 One More Saturday Night Second Set: 10 China Cat Sunflower 11 I Know You Rider 12 We Can Run 13 Estimated Prophet 14 Terrapin Station 15 Jam 16 Space 17 Drums 18 China Doll 19 Sugar Magnolia 20 It's All Over Now, Baby Blue Bonus Footage: Shoreline Amphitheatre - Mountain View, CA - October 3, 1987 21 Hey Pocky Way 22 New Minglewood Blues 23 Candyman 24 When I Paint My Masterpiece 25 West L.A. Fadeaway 26 My Brother Esau

The Closing Of Winterland documents the Grateful Dead's landmark New Year's Eve 1978 concert that marked the end of the famed San Francisco Bay Area venue Winterland Aena. The Dead celebrated the closing as an approximately five-hour-long party (complete with breakfast with the audience at dawn) and invited some guests including guitarist John Cipollina of Quicksilver Messenger Service and Ken Kesey as well as actor Dan Aykroyd who provided the midnight countdown.

Grateful Dead live concert footage from July 4, 1989. Set list includes: Set 1: Bertha-> The Greatest Story Ever Told Cold Rain And Snow Walkin' Blues Row Jimmy When I Paint My Masterpiece Stagger Lee Looks Like Rain-> Deal Set 2: Touch Of Grey-> Man Smart Woman Smarter Ship Of Fools-> Playin' In The Band Reprise-> Terrapin Station-> Drums-> I Will Take You Home-> All Along The Watchtower-> Morning Dew-> Not Fade Away Encore: U.S. Blues The Band: Jerry Garcia Mickey Hart Bill Kreutzmann Phil Lesh Brent Mydland Bob Weir

From the mind of Chris Benchetler comes TGR's latest short film collaboration. Improvisation is the silver thread that weaves this crew together. Just as the Grateful Dead did not fit their music into an established category, this short film finds a cast of some of the world’s best athletes on a spontaneous journey of skiing, snowboarding, surfing, and music, complete with a soundtrack comprised of only Grateful Dead music.

A short documentary about the Grateful Dead's legendary May 8, 1977 show at Barton Hall at Cornell University.

The Grateful Dead perform two live concerts in Oakland and Anaheim in 1987. Featuring the entire sets from both shows, View from the Vault 4 is a must-rent for the legions of Deadheads. Songs include "When Push Comes to Shove," "Funiculi Funicula," "Terrapin Station," "Throwing Stones" and many more.

Grateful Dead show on July 17, 1989 at Alpine Valley.

This documentary explores the Deadhead phenomenon. For thirty years, Jerry Garcia played guitar and sang for the Grateful Dead, and by doing so, inspired a modern cultural phenomenon: the legions of nomadic fans that made a communal way of life out of following Jerry and the Dead, the Deadheads. The End of the Road began shooting three months prior to Garcia's death in 1995, on the road with the wandering family of Deadheads- on what would be the final tour with Jerry and the Grateful Dead. Featuring a soundtrack by Merl Saunders and Jerry Garcia, the film celebrates this social, political and cultural movement in its twilight.

Set 1: Jam (>) Cassidy (Bob Weir song) (>) Deal (Jerry Garcia cover) Samson and Delilah ([traditional] cover) Friend of the Devil (Grateful Dead cover) It Hurts Me Too (Tampa Red cover) Tennessee Jed (Grateful Dead cover) If I Had the World to Give (Grateful Dead cover) (>) Going Down the Road Feeling Bad ([traditional] cover) Set 2: Althea (Grateful Dead cover) Estimated Prophet (Grateful Dead cover) (>) China Cat Sunflower (Grateful Dead cover) (>) I Know You Rider ([traditional] cover) (>) Eyes of the World (Grateful Dead cover) (>) Drums (Grateful Dead cover) (with Oteil Burbridge) (>) Space (Grateful Dead cover) (>) Terrapin Station (Grateful Dead cover) (>) Morning Dew (Bonnie Dobson cover)

Set 1: Shakedown Street (Grateful Dead cover) Cold Rain and Snow (Obray Ramsey cover) Loser (Jerry Garcia cover) Dire Wolf (Grateful Dead cover) Loose Lucy (Grateful Dead cover) The Wheel (Jerry Garcia cover) (>) Bertha (Grateful Dead cover) Let It Grow (Grateful Dead cover) Set 2: Help on the Way (Grateful Dead cover) (>) Slipknot! (Grateful Dead cover) (>) Franklin's Tower (Grateful Dead cover) Fire on the Mountain (Grateful Dead cover) (>) The Other One (Grateful Dead cover) (verse 1) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (> 'The Other One' verse 2) Black Peter (Grateful Dead cover) (>) Sugar Magnolia (Grateful Dead cover) U.S. Blues (Grateful Dead cover)

The Making of "Built to Last" documents a rare behind the scenes look at the Grateful Dead's thirteenth and final studio album, Built to Last. The behind the scenes footage contains members of the band working on three songs for the album: Picasso Moon, Blow Away, & Just a Little Light. The footage was filmed at Club Front Studio in San Rafael, CA on March 1st 1989.

The tale of the Grateful Dead is inspiring, complicated, and downright messy. A tribe of contrarians, they made art out of open-ended chaos and inadvertently achieved success on their own terms. Never-before-seen footage and interviews offer this unprecedented and unvarnished look at the life of the Dead.