Emilie Muller

Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

The story follows an elderly man on his deathbed who gives his young grandson a pocket watch and warns the boy against the dangers of letting time slip away.

Twelve skits in six minutes: the first one and the final three are about sex, in between are sketches of blood, death, murder, truck crashes, a tough day on the toilet, a slip on a banana peel, and an omnivorous Elvis. In several vignettes, Plympton draws on the essentially comic image of men wearing jackets and ties in a world gone awry. Women, who don't appear all that often, cheerfully participate in the sex and don't hang around for the violence.

A meditation on My Lai.

Julião is a young farm worker who, one day, contracts leprosy. Overnight, the good mountaineers that were so friendly with him refuse to see him again, and he must be by himself in the far woods. Bathing in olive oil, as suggested by an old woman, proves ineffective. Now, he becomes violent, expressing his anguish against those who expelled him from the village. Production date is 1975. Had its first major public release in 2009, at MotelX, Lisbon's International Horror Film Festival in the section "Lost Room". The movie was suggested to the MotelX production by the portuguese director António Macedo who knew about the existence of this and other portuguese movies about popular legends and myths of the portuguese imaginary. The movie was archived and conserved by the portuguese Cinematheque.

Marc, like every weekend, goes to his best friend's house to watch a football game. But this time the meeting is different, an involuntary finding will make him look at his colleague with different eyes.

The fate of Illarion Groza was tragic. Many years ago, upon returning from the front, he learned that his wife had given birth to a daughter by an Italian officer, and he shot her with his machine gun. But even now, Illarion cannot forget his wife, forgive her betrayal, or justify his cruelty. And that is why his relationship with his daughter Yulka is so dramatic and tense... The artist Bogutovsky, who lives in the captivity of false pompous art, carries the burden of past years... After hearing Illarion's story, the writer Iskra destroys the manuscript of his play: life turns out to be much more complicated than he imagined.

A pair of dragonfly wings grows out from the back of the first biological kid from two men. One of the fathers, the scientist who created the kid, wants to hide the fact from the public, while the kid wants to expose the wings to force his fathers to accept him.

Emily Eximo finds herself sat in a strange room, with a strange man, who's sitting in a strange chair. Denton Elicient wants her to settle a debt she didn't even know she had.

Jess comes into "Gay's The Word" (the first Gay and Lesbian bookshop that opened in London) where she meets Leah for the first time. They coincidentally meet by the same bookcase over three days. What sparks is a romantic awkward chemistry between the two, transpired by Jess' curiosity in Leah and the chance for an artistic and sexual liberation possibly waiting for her at the end.

When the pressure of a homophobic town and family weighs too heavily on the shoulders of a young gay man, he must confide in his best friend and true love.

Poetic images of nature in the opening credits lead us on the wrong track. The motorcyclist has been lying under his machine for a long time. At the moment of death, memories emerge. Flashbacks to family history, speechlessness in the face of death in harsh cuts.

A look into the life of an extremely poor argentinian family.

Late in the afternoon, a student and a construction worker sit on the edge of the bay and leave traces on the landscape.

Omri and Amit are a gay couple in an open relationship who live together in Jaffa. On the day between Israeli memorial day and the evening of the Israeli independence day, they will confront their relationship status.

Tom, a young architect from Tel Aviv, accepts his partner Nimrod's offer of a threesome with Or. The meeting with Or changes the couple's relationship.

A hook-up between two young men - they make a connection, but it quickly becomes apparent they're looking for different things.

No description available.

Goh Jun-chul grew up with second-handed things from a young age. As an adult, he makes his living selling used cars. Having never had anything new, he is proud of his innocent girlfriend. But he starts to understand there are more important things in life than whether things are new or used. This realization helps Jun-chul to regain both love and hope.