Waitangi Day: What Really Happened

When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.

In a Maori settlement, Ngati Toa leader Te Rauparaha composes the famous chant "Ka Mate", also known as the haka, after evading enemy capture by hiding in a kumara pit.

In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

The life story of New Zealander Burt Munro, who spent years building a 1920 Indian motorcycle—a bike which helped him set the land-speed world record at Utah's Bonneville Salt Flats in 1967.

No description available.

Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

One-time Maori speed-chess champ, Genesis Potini, lives with a bi-polar disorder and must overcome prejudice and violence in the battle to save his struggling chess club, his family and ultimately, himself.

When oil is discovered in 1920s Oklahoma under Osage Nation land, the Osage people are murdered one by one—until the FBI steps in to unravel the mystery.

David Bain is accused of killing his family in Dunedin, New Zealand.

A childhood episode comes back to the memory of a man with no land

Palestine, 1948. After the withdrawal of the British occupiers, tensions rise between Arabs and Jews. Meanwhile, Farha, the smart daughter of the mayor of a small village, unaware of the coming tragedy, dreams of going to study in the big city.

Star-crossed lovers, Robert and Ariana, are caught up in the New Zealand wars of the 1860s. Ariana is claimed by the Maniapoto people as one of their own and, despite Robert's chivalrous defence, is taken by them and must help them prepare for war. Robert likewise must do his patriotic duty and enlists to fight on the other side. He volunteers to ride despatch, thinking it may give him an opportunity to see Ariana again, which it does, but their joy is short-lived; Maniapoto women fight beside their men, and furthermore she is a Rangitira (noble) and will not let her people down. The climax is the siege of Oraku Pa where 300 Maori hold off 2000 troops for three days. The Maniapoto are defeated, but Ariana, although wounded, survives to be reunited with Robert.

1965, Bob Denard, even early in his career, Battle in Congo. It strives to make its game in the middle of a bloody civil war fueled by rivalry and ambition postcolonial of a newcomer on the African scene: General Mobutu.

Gallipoli from Above: The Untold Story is the true story of how a team of Australian officers used aerial intelligence, emerging technology and innovative tactics to plan the landing at Anzac Cove. It is now nearly 100 years since the landing and hundreds of books, movies and documentaries have failed to grasp the significance of the ANZAC achievement. Instead, the mythology has clouded the real story of how these two influential Australian officers took control of the landing using every innovation they could muster to safely land their men on Z beach.

In this debut narrative short film, colonial relationships and land politics are discussed. An investigative piece that peers through ideals of retribution and questions the dynamics of the colonized person and the colonized.

This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.

1645. Guadeloupe. Ibátali, a Kalinago native and wife of a French colonist, leads Olaudah, an escaped African captive, on a journey where he may lose his freedom and his life. She is ready to sacrifice him to save her own skin. But their wounds bring them together. Will this be enough to make them something other than what colonisation has decided they should be: a savage to be exterminated, an African to be enslaved?

Two young teenagers are forced to take control of their own destiny amid the chaos of a pivotal battle in New Zealand’s first land wars in 1864.

TAKE (te reo Maori: issue, promise, challenge) weaves mana wahine (female knowledge), dance and archival materials to retell the story of the removal of the ancestral Maori meetinghouse, Hinemihi o te Ao Tawhito, from Aotearoa, New Zealand to England in 1892. It is a call to return Hinemihi, embodied by Australian born Maori dancer and performance artist, Victoria Hunt. Set in the liminal spaces between history and emotion TAKE unfolds a story of origins, of traumatic events and colonial violence.

The history of Amos, a town in Abitibi-Témiscamingue (Quebec).