Lovers Die Standing

A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company. Iraj reluctant to promulgate the loss of his job, starts using his savings, trying to conceal the truth from his naive wife. Having squandered all the money he had on trivial matters, he tells his wife about being axed & that's when the tables turn on him.

A Tehran mullah-in-training struggles to take care of his ailing wife and their children in this profoundly moving melodrama. A film of near-universal appeal, it puts a human face on Iran's Muslim clergy with its unusual tale of a man forced by hardship to become a better husband and father. Seyed Reza has just moved with his family to Tehran so he can study the Koran, and he relies on his lovely wife Zahra to look after their two young children and weave the intricate rugs that earn them a living. But one evening Zahra collapses and is taken to the hospital, where she's diagnosed with multiple sclerosis. Scarcely able to process the tragedy, Seyed is left to cook, change diapers, walk his daughter to school and take his toddler son with him to his classes, where peers and elders treat him with scorn. But Seyed eventually learns to cope, his prayers and devotional studies taking on deeper meaning as he attends to the hard nightly work of rug weaving, getting through with a heavy ...

Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

The uneasy relationship between a mother and daughter is made all the more turbulent by drug abuse in this downbeat drama from Iranian filmmakers Rakhshan Bani-Etemad and Mohsen Abdolvahab

A hacker group empty a bank account of a big strong person. The story goes on and now they must pay for that.

A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

Forough is a middle aged woman whose husband has temporarily married with another woman. Even though that was kept secret from her, but his action is considered legal in Iran. Now the husband is in prison, due to not being able to pay second wife’s “Mehrieh” (the bride’s marriage portion).The second wife intends to receive her Mehrieh by asking the court’s permission to sell his house. Forough, the first wife, in order to not lose her home, intends to sell all she has to pay for her husband’s debt and release him from the jail.

Nahal is around thirty and in her fourth month of pregnancy. During a routine check-up she learns that her baby has died and she now faces a curettage abortion in two days’ time. When she tries to address the subject, neither her mother nor her husband give her a chance to speak.

Jafar Panahi's short film, shot with one uninterrupted long take, about siblings trying to sell a carpet in need of money.

Sahar, an Iranian girl who has recently broken up with her fiancé, has decided to spend some time by herself in Antalya, Turkey. Leaving a club late at night, assuming that she is rich, she gets kidnapped and held in a remote basement. The kidnappers go greedy on the ransom, but little they know is that the whole setup has been a misunderstanding from both parties in the first place.

A sharp-edged look at people who live outside the constraints of Islamic law.

A short film about marriage and divorce

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

Olfat is raising her children in hardship. She has one daughter and one son called Yonos who works in Kerman copper mine. One day, she finds a note at home with this massage "My friends and I are going to enter the war as soldiers". After reading this note, Olfat and his friend's parents got worried about their sons. When operation Valfajr failed, they received news about Yonos's friend. Olfat is waiting for her son too. As she finds out that the Iraqi radio announces the Iranian captives' names, she ties a radio on her back and carries it everywhere.

Youssef, a blind university professor, is suddenly diagnosed with a fatal disease and must undergo treatment in France. Back home, will he find the life he had before?

The story of a young friends who met on the Internet and a fun way to bet on a complex and daunting fall. The path to a new understanding of life and society for Each of them.

A mother's courage, hardship, and love, in times of war. In 1988, during the Iran-Iraq war, Gilane escorts her pregnant daughter, Maygol, from the relative calm of their village, Espili, into war-torn Tehran to search for Maygol's husband, Rahman. The journey is arduous and what they find when they reach the capital is dismaying and frightening. Fifteen years later, as another war begins in Iraq, Gillane is at home caring for her son Ismael, who suffers from epilepsy, a byproduct of war. As she cares for him, she hopes for a visit from the doctor and from another daughter, Atefah. "Better be a dog than a mother," she says.

Ghost (Persian: شبح‎‎) is a 1998 Iranian drama film written and directed by Hossein Shahabi (Persian: حسین شهابی)

Bright Shadow (Persian: سايه روشن‎‎) is a 1997 Iranian drama film written and directed by Hossein Shahabi (Persian: حسین شهابی)