O Último Kuarup Branco

Somebody’s Daughter focuses on higher-profile MMIW cases, some of which were raised during the Senate Committee on Indian Affairs in December 2018. With historical points of reference, the victims’ and their families’ stories are told through the lens of the legal jurisdictional maze and socio-economic bondage that constricts Indian Country.

A short film highlighting the epidemic of missing indigenous men and women who have gone missing in Bighorn County, Montana. It features several victims' stories and interviews with their families and indigenous activists who are pushing for their cases to be re-examined and solved.

As a sea nomad, Hook grew up with the ocean as his universe. Now he must make a courageous voyage to salvage the remains of his dying culture

Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.

This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.

Documentary about the life of three families living in the city of Boa Vista, north of Brazil. Some of them look for a more intense daily life going to parties, work and dealing with family trouble, others want to get back to the tribe. Personal crises and the search for their own identity are aspects that reveal great relevance.

Historical heritage documentary about the disease that, 100 years ago, occurred during and after the Mexican Revolution. This film presents real testimonies of this cruel pandemic in the indigenous peoples of Mexico in the 20th century.

In this searing documentary, Indigenous people share heartbreaking stories that reveal the injustices inflicted by the Canadian child welfare system.

What if you are made to feel ashamed when you speak your "mother tongue" or ridiculed because of your accent? "Pidgin: The Voice of Hawai'i" addresses these questions through its lively examination of Pidgin - the language spoken by over half of Hawai'i's people.

Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.

This documentary follows a Cree woman as she takes on the Indian Relay race season, as well as the Canadian authorities in her quest to give Missing and Murdered Indigenous Women a voice.

They are an Indian people who have suffered for many years. They were forced to live in unimaginable squalor. Houses not much better than cardboard boxes. No running water, no sewage disposal. Human waste tossed into the streets where children played in it and dogs ate it. As their sense of worth disintegrated, they engaged in a process of self-destruction. 90% of the community became alcoholic. Many of their children sniffed gas. Many more suffered from chronic disease. Stripped of culture, meaning, and hope, they killed themselves at a rate among the world's highest. But their tragedies did not occur in a third world country. They happened in a country with a reputation as one of the world's best places to live-Canada. They are the Innu. For thousands of years they roamed strong and free.

Rember Yahuarcani is an indigenous artist from the Uitoto Nation who lives in Lima, Peru. From his clan, the White Heron, only two families remain in Peru. Rember's paintings are inspired by the stories his grandmother Martha told him before she died. However, he has never dived into the darkest part of his nation’s history: the indigenous massacre during the rubber boom. Martha is a survivor of the horror and she speaks to Rember in dreams guiding him in a spiritual journey back to the jungle. He first visits his parents, who are also artists, in the Peruvian jungle. And finally, he sails to La Chorrera, in Colombia, where he confronts the past and meets other members of his clan.

Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.

Sean and Adrian, a Two-Spirit couple, are determined to rewrite the rules of Native American culture through their participation in the “Sweetheart Dance.” This celebratory contest is held at powwows across the country, primarily for heterosexual couples … until now.

The Mentuwajê Guardians of Culture (a group of young Krahô filmmakers) invite the Beture Collective (Mebêngôkre-Kayapó) to visit their village and attend the Kêtwajê festival – an important initiation ritual that has not taken place for ten years. Over the course of several days, children and adolescents undergo various “tests” to transform into adult warriors, under the watchful and shared gaze of the local filmmakers and the Mebêngôkre-Kayapó guests.

Albert Ward was a highly regarded Mi'kmaq Elder from Eel Ground First Nation and a very dear friend and teacher to my family. This recording was the last time we spoke to him, and the first time I had met him since infancy.

No description available.

TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.

The filmmaker traces the loss of her ancestral language over three generations of her family, and her own desire to recover it.