Holy Hell

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A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.

Women At Large was a video series by Sharlyne Powell for larger sized women. Music by Entertainment Tonight's very own John Tesh and Michael Hanna of the John Tesh Project.

The fuzzy boundaries between sanity and insanity in an isolated Christian group come to light when one of its members dies in strange circumstances. Since then, a harsh judicial process jeopardizes their fate as a group. A story about faith and social prejudices.

It is normal for 15-year-old Linn to have two mothers. But when she finds out that there are still numerous siblings, she realizes that she is part of an extraordinary extended family. Her father Eike not only had an appointment with Linn's mothers to donate sperm, Petra and Anny also have three children with him. A film crew followed this rainbow family for twelve years.

In a first-person documentary, Diako Yazdani, a political refugee in France, returns to see his family in Iraqi Kurdistan and introduces them to a 23-year-old gay man from Kojin who seeks to exist in a society where he seems unable to find its place. With humor and poetry, the director delivers a moving portrait where the meetings of each other invite to a universal reflection on the difference.

The film examines the modern-day phenomenon of religious "intentional communities," or as they are often called, "cults." It takes as its focus "The Church," also known as "The Brotherhood," the 35-year-old ministry of shadowy messianic figure Jim Roberts. Since 1971, this secretive organization has recruited (hundreds) of adherents who live together in austere, separatist, communal groups, preaching salvation and damnation, and turning their backs on the outside world except when proselytizing for new members. A powerful exploration of a 35-year-old American religious sect known as “The Church” or “The Brotherhood.” It also outlines the struggles of families whose children turn away from them to become “Brothers” and “Sisters” in the group, renouncing their past lives and the world – often, without ever turning back.

Directed by journalist Ricardo Alexandre, the documentary tells the story of the Napalm nightclub, responsible for the new wave and post-punk generation in Sao Paulo. Mixing live shows, cutting-edge DJing and videos in its "modern" internal television system, the venue quickly became a meeting point for young people who shaped the grayer side of Brazilian rock in the 80s.

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Iran, January 16th, 1979. Shah Mohammad Reza Pahlavi flees after being overthrown. Ayatollah Khomeini returns to Tehran and proclaims the Islamic Republic on April 1st, 1979. In the same year, Saddam Hussein seizes power in Iraq and, after several border skirmishes, attacks Iran on September 22nd, 1980, initiating a cruel war that will last eight years. Since its outbreak, correspondent Saeid Sadeghi documented it from its beginning to its bitter end.

Miklós Németh was one of Hungary's most popular politicians at the time of the regime change, and decades later, many encouraged him to come back and become prime minister again. But he withdrew. And not only from public life, but also from the public. However, 30 years after the declaration of the republic, he made an exception with the RTL Club and said yes to our request. He shared his personal memories in front of the camera, talked about successes and failures as well. From the interviews with him, the XXI. 20th century viewers could already see details, for example, about the dismantling of the Iron Curtain or the release of the East Germans. From the documentary 545 Days _ The Prime Minister of the Regime Change, we show from his point of view,

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A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

A documentary on kids who attend a summer camp hoping to become the next Billy Graham.

An intimate portrait, in his own words, of the Indian writer Salman Rushdie, author of The Satanic Verses (1988), thirty years after the fatwa uttered by the Iranian Ayatollah Khomeini: his youth in multicultural Bombay, his life in England, his many years of forced hiding, his thoughts on President Trump's United States of America.

"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'

Documentary about Brazilian actress Sandra Bréa.

In the 1960s, the suburbs were meant to be modern havens for newcomers from rural France, Portugal, Spain, North Africa, and Africa, helping rebuild post-war France. Large housing complexes symbolized this ideal, offering comfort, heating, and electricity. But by the 1980s, disillusionment set in as economic crisis, unemployment, poverty, crime, racism, and police violence took hold. Mohamed Bouhafsi tells the story of a dream that didn’t last.