The Best Bad Man

A lost film - Mary Gray, whose father manufactures cold cream, is engaged to sappy Horace Niles, the son of Hugo Niles, the elder Gray's most competitive rival in the cosmetics business. Chip Armstrong, a hot-shot public relations man, quits the employ of Hugo Niles and goes to work for Gray, persuading Mary to enter the Miss America contest at Atlantic City, with the intention of using her to endorse her father's cold cream should she win. Mary breaks her engagement with Horace. When it appears that she will win the contest, Hugo lures her home on the pretext that her father is ill, and she misses the contest. Chip and Mary return to Atlantic City, discovering that the new Miss America has told the world that she owes all her success to Gray's cold cream. On this note, Chip and Mary decide to get married.

Two old tars, retired from service, live alone in a cottage by the sea. They sail along on an even keel, until a buxom and comely widow projects herself on the scene when one old tar breaks one of their unwritten laws and falls in love with her. The other old fellow objects strenuously.

Bob Wharton marries Lorelei Knight, a beauty contest winner. While on their honeymoon, Bob is laughingly abducted by the flirtatious Bernice Lane, who keeps Bob out way past his bedtime.

A young woman of wealth revenges herself on a young author whose peculiar ideas about women have led him to act and speak in an insulting manner. This young man isolates himself in the mountains for the purpose of writing a story on the primitive woman, where he is discovered by his friends, to whom he vows that no woman shall cross his threshold. The mischievous young woman of the story, determined to place him at her feet, goes secretly to the home of a mountain woman with whom she lives in the guise of a wild girl of the hills. Purposely sliding over an embankment where she knows she will fall in his path, she is rewarded by having him pick her up and carry her to his cabin, where she pretends to be too much injured to be moved that day. The mountain woman is sent for and the two remain in the cabin of the author for several days. Finally she is discovered by her people, when it also comes to light that the woman-hating author has fallen to the charms of his pretty visitor.

Gerald Faulkner, a young tin-can salesman, has fallen for sexy chorus girl Carlotta La Mere. One day Gerald's wealthy uncle Dunley makes him an offer: if he gets married by the following Saturday, Dunley will give him $100,000. Gerald rushes to propose to Carlotta, who agrees. However, the day before the wedding she asks for a postponement. Complications ensue.

Amy Spencer is engaged to artist Heath Desmond, a nature-worshipper who shuns organized religion. James Bartlett, a minister in love with Amy, influences her against Heath, and they break up. Cousin Kate Curtis, a novelist whose views on love are considered by her relatives to be unconventional, is called in to smooth matters over. She meets Heath on the train, and the two, not knowing each other's identity, apparently fall in love.

Pa Glitters and his daughter are beset upon by Slippery Ike who is intent on separating them from their jewels until Bunco Charley comes to their rescue in fine comic fashion.

A lost film. As described in a film magazine Exhibitors Herald on March 16, 1918: "a forest ranger known only as Headin' South (Fairbanks) goes forth in search of Spanish Joe (Campeau), a Mexican responsible for most of the treachery and outlawry along the U.S.-Mexican boarder. Headin' South gains quite a reputation as he goes along and finally believes himself worthy of joining Joe's band. in a whirlwind finish in which Joe is captured, Headin' South meets one of Joe's near victims (MacDonald) and falls in love with her."

No description available.

Hafed, a Turkish prince, imprisons an American girl and her father. The girl sends for Jim, who attempts a rescue. Jim is captured, but Hafed's jealous wife helps them escape. When the initial escape fails, Jim returns in disguise as a dancing girl. He dances for Hafed, luring him into a private encounter where Jim's identity is revealed. A fight leads Jim to take refuge in a tree. Surrounded by guards, Jim summons a warship. A shell from the warship blows up the tree, landing Jim safely on the battleship's deck and securing his escape.

Short comedy set against the backstage lives of a group of performers.

Slapstick comedy short about a quarreling couple and a nosy mother-in-law.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

One of many Larry Semon directed Vitagraph comic shorts. Like a large portion of them this is lost.

Two blowhard amateur bowlers boast about their prowess only to be shown up for the Big Bluffs they are.

When Pat and Patachon arrive in the small fishing village at the North Sea they are completely unaware of the adventure that lies ahead. The two eccentric travelers quickly become good friends with old Maren and her son Tom, who will soon need their help in more than one respect. (stumfilm.dk)

Directed by Max Urban.

Ivana is walking through the park without realizing that she has dropped a bill. Carlos, sitting on a bench, notices this.

Mary Lucille Smith, a schoolgirl who elopes with John Chiverick, gets her marriage annulled by her father, and later pretends to be a widow to romance another man, Larry McLeod, leading to chaotic mix-ups and hidden identities at a party where Chiverick's new wife also shows up, all about mistaken identities, secret pasts, and comedic marital mishaps.

Attracted by his wealth, avaricious Germaine marries D'Artois, then leaves him for a more sophisticated man. D'Artois retaliates by moving to the city and learning the proper social graces. His new life style proves to be too expensive for him, and at the end he is left with nothing but one suit of evening clothes and his now contrite wife.