Boy Interrupted

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

No description available.

Ashley Smith was a troubled 19-year-old when she choked herself to death at Ontario's Grand Valley Institution for Women. Her death made national headlines and led to a scathing report by Canada’s federal prison ombudsman. Incarceration for Ashley began at a youth detention centre in New Brunswick. Her crime: she had tossed crabapples at a mailman. Her one-month sentence stretched to almost four years, served in five provinces. With the prison videotapes and exclusive access to Smith’s parents, along with a fellow inmate, this documentary exposes a system that fails the many Ashley Smiths still incarcerated in Canadian institutions.

While investigating the suicide of Las Vegas Teenager Levi Presley, a filmmaker uncovers a story of a city with the highest suicide rate in the country, and a nation scrambling to bury decades of nuclear excess in a nearby mountain.

A symbolic and personal representation of the filmmaker's journey with grief, after losing their father in 2015. He owned a pair of gold Crocs which he wore everywhere, from lounging around at home to going to the shops. These shoes have been with the filmmaker's family throughout their childhood and have great sentimental value. Now these Crocs belong to the filmmaker's family and everybody who visits wears them. They have become a staple of their home where they will continue to see many more years of their family's life events.

An innovative and charismatic influencer is suddenly exiled from her community of creative partners and colleagues when she states an opinion that she did not know was “unacceptable” in their eyes.

The humorous portrait of a female artist. The film follows the career of 24-year-old Janine F. who in 2002 caused a commotion from the rooftop of a Berlin building.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.

One night, nine children from the same Tunisian village attempt the deadly crossing. Like a poem or a prayer, this film welcomes the words of bereaved mothers and gives dignity to their grief.

In early September 2011, Leah decided to go to Lebanon to film her grandmother. Two weeks after the end of filming, her grandmother died of metastatic lung cancer. It would take her 12 years to regain the courage to review their last conversations. Through memories and poems she draws the portrait of her grandmother paying homage to her colorful spirit that made her unique.

SYNCHRONOUS is an intimate portrait of love and the reverse side of love: mourning. The granddaughter/maker looks idealistically at the endless love between her grandfather and grandmother. When her grandfather dies, she decides to look for answers by filming her grandmother. What happens when you've been together all your life and your great love dies? Where is the love then?

As a “spiritual follow-up” to 'Fin', 'Death Boom' “pulls back the curtain on the catastrophic mental and environmental impacts of the contemporary death care industry. The film, shown through the lens of the workers at the heart of it as they prepare for the passing of 77 million baby boomers, exposes the toll that embalming, cremation, and traditional burial have on those who’ve passed, their families, and deathcare workers, and the corruption – political, religious, and corporate – that stands in opposition to greener methods being nationally legalized and accessible.”

This is the face of someone the world assumes was stripped of her potential at the age of 18. But tragedy is not Mallory Weggemann's reality. Suddenly paralyzed from the waist down, she was turned loose to become a Paralympic Champion and activist. As Mallory's story unfolds, we come to understand that it was because of, not in spite of, that moment that she discovered who she really is.

The Director reflects upon and seeks to understand the causes and the events that lead to her drug-addicted prostitute daughter being murdered at the age of 26.

In a drought-struck region in India, suffering from climate change and a high suicide rate amongst farmers, a group of resilient women farmers, who recently lost their husbands, is coming together with a local psychologist to learn counselling and help others in grief.

The film discusses the emotional aftermath of disasters, emphasizing the importance of expressing feelings and seeking help. It highlights personal experiences of individuals affected by hurricanes and earthquakes, focusing on their feelings of guilt, anxiety, and the need for support. The discussion underscores that sharing experiences can alleviate emotional pain and that professional help should be sought for those struggling to cope with trauma.

Kurnia, a 37-year-old woman, returns to face her past memories through projected images that bring both emotion and sorrow. On this journey, she recounts the stories of love, acceptance, separation, and regret that shaped who she is today. Remininsing her memories, Kurnia slowly finds the strength to let go of her attachment to the past and attain a sense of acceptance.

A terrorist attack hits Shira's homeland shortly after she moves to the United States. Picking up a camera, she looks for ways to cope with the tragedy, thousands of miles away from those she loves and lost.

Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.