Broad Are the Leaves

War arrives to a small secluded village in Vojvodina. The Germans take a group of hostages through the village and on their way molest a small boy. As revenge, the boy sets the German corn on fire. An intelligent and shrewd Gestapo officer Šicer arrives to investigate. He does not even suspect that he is up against a group of small boys, led by Milan and Vaso, and orders that all men from the village be taken to custody. He announces that one man will be shot each day unless the real culprit steps forward. Children contact the partisans.

Set just before the end of WWI on the abandoned farm in Vojvodina, the story follows the wife of an Austo-Hungarian colonel of a battered battalion who pays him a visit, only to experience the true Empire's decline through the meeting with disillusioned army.

The story takes place during WW II in Vojvodina. Two boys, Milan and Rasa, are sent from a partisan squad to a village for the winter. Soon Rasa becomes very ill and Milan goes to a nearby village populated by Germans. Here he finds a job as servant in Jakob Jerih's house. At night, Milan secretly nurses his friend Rasa in a hut in a swamp near the village. Soon, he finds another hiding place in master Jerih's stable. Jerih likes the diligent Milan and he even considers adopting the boy, but Jerih's cousin and assistant is against this idea. Namely because he counts on inheriting master Jerih's estate.

On the 45th anniversary of the Grange Theatre in Vojvodina, its two legendary founders - director György Hernyák and actor Frigyes Kovács - have reunited. It was a unique occasion seeing these two masters create art under the open sky once again. Through this rehearsal process, the documentary draws a vivid portrait of the Grange Theatre’s past and present, the community built around it, and the unique energy that binds Vojvodina Hungarian identity with the troupe’s history. The film is not merely a retrospective; it reveals how liberating and life-affirming theater-making can be, and how the joy of free creation remains indispensable today.

In 1947, among the ruins of war and in anticipation of a catastrophic flood, the locals of a Vojvodina village find themselves caught between the devastation of their livelihoods and the demands of the new Communist authorities.

In one Vojvodinian castle, the preparations for the play that will be performed by members of the Association of the blind are in the process. The play is dedicated to the Jews from America who are supposed to come and visit the place of their ancestor's massacre in 1942, during a raid in Novi Sad. The plot was to be carried out according to the original stories of witnesses who have gone through this tragic event. However, the initiators of the show manipulate the blind people in order to smuggle bombs for Albanian terrorists.

Follows a man who, after 40 years, comes back to his hometown. There he has nobody. His friends from America are coming after him to get him back and small village in Vojvodina becomes lively as never before.

It is 1680 – the time of dreamt snow after the Turkish invasion. In the deserted plains of Bácska a living soul cannot be found in a few-days’ walk. Three former prisoners returning from their Turkish captivity – Long-Legged, Lame and One-Eyed – appear among the crumbling walls of a huge abandoned church without a roof. They are looking for their long lost home. How to revive a disappeared civilization? What is the survivors’ personal duty? Without a roof, a collapse is inevitable. The Old Man – a master of ancient knowledge – and his daughter come and with sharing sowing seeds they try to save the community of dispersion. No spiritual leader, no aims. Driven by rapacity, One-Eyed kills the Old Man, rapes his daughter and while looking for the remaining seeds he kills Long-Legged with a sudden anger. At the end of the film, the survivors need to face with dramatic encounters and special temptations. Their redemption under the leadership of Lame’s young son is the pledge for the future.

The story interleaves the destinies of two families, a Serbian from Bosnia and a Hungarian, in a village on the border.

The Belarusian born in Yugoslavia considers completely himself as a Yugoslav. Still during the Soviet-Yugoslav conflict his origin will be reassessed.

The screenplay was written immediately after the bombing of Novi Sad, 1999, but it was only a motive to speak up about the people that were humiliated for more than ten years in various ways, and that way became the victims of wrong politics, not only Milosevic's, but Western as well. The title of the movie was born there. In the second book of Moses it is written: " An altar of earth you shall make for me and sacrifice on it your burnt offerings and your peace offerings." The people who suffered most in the wars on this territory are the ones that had no influence of what so ever on the development of situation on the Balkan. But, at the same time. there was ambitious youth, that the sense of their life in these stormy time. The film is about them and that is why it sounds optimistic. Film is about the fact that we will always have the energy to survive senseless time and live normally after that.

The father remained in the village to farm land, while the son lives far away from their homeland and country for business. At one point, the son returns to the village and then the crucial question is: who will take care of the land when the father dies?

Story follows a weekend in a village where young adults after a hard working week let there steam off in taverns eating, drinking, singing, breaking glasses and occasionally other things every Sunday.

Settlers from infertile parts of Yugoslavia, arrive to rich Slavonia and Baranja. There they are faced with the decree of the Communist government by which they will be left without the land that they received in the process of collectivization just a year ago. The peasants fiercely resist the government's decision. Milisa Matic is a peasant who fights against the establishment of peasant cooperatives because in that case many peasants would lose their newly acquired land. The Communist government has decreed the founding of cooperatives and Markan Radisic is in charge of their establishment. When Markan's son proposes to Milisa's daughter, the two men confront each other. In self-defense Markan kills Milisa, however the national court fails to find mitigating circumstances. On the way to prison he listens to the news on radio about the abolition of agricultural cooperatives.

Small village farmers grow tobacco which they are forced to sell to the government for next-to-nothing prices. This repeats with Italians during the WW2, and with the communists after the war. Boiling point is getting high.

Life in a small town, sunk in boredom and lack of excitement where dogcatcher is very important person.

Comedy concerning an impostor who comes into a little town and turns everything upside down. Based on three comedies by Jovan Sterija Popovic.

Goose Feather (Serbian: Jesen Stiže, Dunjo Moja) was Serbia submission to the 77th Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee. Vaguely based on a song By Djordje Balasevic called "Prica o Vasi Ladackom" (the story of Vasa Ladacki). The story is about a very poor boy that wanted abundance and wealth because he basically didn't own anything. He was in love with an equally poor girl that his father wouldn't accept. He moves to another village and starts drinking...

Grim and almost surreal depiction of corruption in Vojvodina city.

A girl from passive area comes to work in Vojvodina's fertile lowlands, along with a group of peasants for a seasonal work. After visiting a city nearby, she finds more about modern life and starts romance with a local fella. Her furious fiancée she had left behind comes to find her.