Crown Princess Hong

Chun-hyang, the only daughter of an old gisaeng named Wolmae, falls in love with Lee Mong-nyong and promises to marry him. But Lee leaves for Seoul with his father who's an aristocrat, and the new governor, Byeon Hakdo, covets Chun-hyang because she is the most beautiful girl in town. When Chun-hyang rejects his order to serve him at night, Governor Byeon sends her to jail. In the mean time, Lee passes the state exam and becomes a special undercover agent of the king. He comes back to where Chun-hyang lives to save her and punishes Governor Byeon.

Tragedy, betrayal and a mysterious discovery fuel a woman's vengeance for the loss of her tribe and family.

Late 18th-century Joseon dynasty. The King is beleaguered and surrounded by traitors of the ruling elite. They plan to assassinate and replace him with a puppet. But the King has some aces up his sleeve that may help him defeat them all.

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When King Cheol-jang dies, the throne passes to his son King Ko-jang but, because he is considered to be too inexperienced, his ambitious uncle rules as regent. The rightful king's wife, the politically brilliant Queen Min, refuses to accept this situation and brings about the uncle's exile in order to secure the throne.

In 1862, amidst the rule of the late Joseon dynasty in Korea, a band of fighters named Kundo rise against the unjust authorities.

Jang Seung-eop, also known as "Chihwaseon," drinks and paints all day. Through Mae-hyang, he learns the meaning of fate, sees art beyond even the smallest things, and sets out for the path he seeks.

There was Goo Ma-jeok before there was Kim Doo-han. Goo Ma-jeok had the strongest power in all of Joseon. He was the boss of Umigwan and a legendary man from the streets of Jongno. A new 'Age of Wild Men' begins.

Admiral Yi Sun-sin faces a tough challenge when he is forced to defend his nation with just 13 battleships against 300 Japanese enemy ships in the Battle of Myeongryang.

The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army's rescue at Noryang Strait.

The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?

After being blinded in a coup against the king, Joseon's greatest swordsman goes into hiding, far removed from his city's anguish. But when traffickers kidnap his daughter, he has no choice but to unsheathe his sword once more.

In the Joseon Dynasty, two friends who grew up together — one the master and one the servant — reunite post-war as enemies on opposing sides.

Lee Gong-jin, a young tailor, helps the Queen with her dress and both fall in love with each other. However, his success catches the ire of Jo Dol-seok, the royal tailor, who vows retribution.

In late 1700s Korea, Lady Cho challenges the playboy Lord Jo-won into seducing and sleeping with her husband's coming young, virgin concubine. Lady Cho agrees to sleep with him if he succeeds.

During the reign of King Sejong in the 15th century, the Joseon Dynasty was the embodiment of the perfect state. To the Ming China, the aspiring imperial power, Joseon presented an obstacle to territorial expansion. To protect themselves from war, King Sejong develops a secret weapon to defend their territory and take back their land and supremacy.

A servant falls in love with a girl whom his master also desires. Although the girl loves the servant, she also longs to improve her station in life.

A triangular relationship between Eo Woo-dong, her husband Lee Dong, and fantasy character Moo-gong, highlights on the first half of the Joseon Dynasty and portrays the contradicted life of the high class people, criticizing the modern day Korean society.

Upon receiving the body of a maid in waiting who was said to have hung herself within the palace walls, dedicated doctor Chun-ryung begins to suspect foul play. Upon launching a personal investigation, however, Chun-ryung quickly discovers a labyrinthine maze of deception constructed by those with limitless power to conceal a valuable secret.

This film depicts the struggles of the Royal Party and the Old Party to obtain political power. In 1800, The Royal Party insisted that the political power should be centralized to the King, but the other party (The Old Party) insisted that the political power should be centralized to the majority of the ministers. One day, official Jang was ordered by the King to arrange and edit the record of the former King Yeongjo. All of a sudden, Jang dies. Soon it was disclosed that Jang was killed by the Old Party because of their connection with the book. For this incident , the King tried to get rid of key members of the Old Party, but the Old Party resists the King's will. What was in the book? Who was involved? Why? The political intrigue will keep you on the edge of your seat.