The Photo-Drama of Creation

Found footage: California in the 1950's and 60's. A young Indian couple enjoys their personal American dream come true in their home somewhere in the suburbs of San Francisco. In great detail they pose with their newly achieved wealth in front of their Super-8 camera. Just like postcards, they would send these film rolls to their joint families back in India. Around the same time, an American missionary couple visits the city of Calcutta to shoot a Christian propaganda film. The drastic reality with poverty and famine in the streets of the Indian metropolis fits perfectly into their wicked plan: To promote the faith in Jesus by showing the misery that pagan believers are doomed to suffer from.

The priest Børre Knudsen is Norway's most infamous anti-abortionist, and much hated for this. He fought for his cause without thinking about the consequences for his family and his children even in the worlds most democratic country.

Call Me Malcolm is an amazing story of the human spirit and God's spirit, and the liberating struggle to realize and express with confidence the marvelous gift of one's truest sense of self. As Malcolm shares his own story and through the stories of others we meet, Call Me Malcolm offers us a glimpse into the real lives of real people who are transgender. But it is only a glimpse. There are many stories to be told and Malcolm helps us make connections to our own stories, encouraging us to share them. That can seem daunting in a culture which has done more to heap shame on persons who identify as transgender. The good news of Malcolm's story is the way in which shame and fear are overcome by grace, compassion and knowledge. Viewers cannot help but come to a deeper understanding of faith, love, and gender identity, and by doing so, arrive at a deeper understanding of their own journey.

Varanasi is the Indian city where Hindus go to die. Stretching along the Ganges, Varanasi holds great spiritual significance because Hindu scriptutres say that anyone who dies there will attain moksha—liberation from the cycle of rebirth. Berlin-based director Dan Braga Ulvestad captures life and death in India’s heartland in this moving documentary filled with exquisite cinematic moments. By the River starts its narrative journey with the city’s “death hotels,” dedicated apartments where people wait to die, sometimes for decades, so they can be cremated on the banks of the Ganges.

Conversations with four people — an artist, a woman struggling with her identity as a high achiever, an actor, and a priest — exploring their inner worlds, their self-image and how they feel they fit into society. Are all of them acting, or only Sam Neill? The film features readings from Ash Wednesday, the poem written by TS Eliot after converting to anglicanism.

Using performance to inspire critical reflection, Promised Paradise delivers fascinating and revealing insight into the social and religious undercurrents dominating Indonesian society today and the Muslim world at large.

Brief history and profile of Inuit communities in Northern Labrador and the role of the Moravian missionaries in the region. Warning for outdated and offensive term used.

In this explosive episode, Steve Quayle, Timothy Alberino, and Tom Horn pick up the trail of the Anasazi Indians in the Desert Southwest of the United States. Their groundbreaking investigation reveals a dark and gruesome secret concerning the sudden annihilation of this mysterious tribe, and a cover-up of gigantic proportions. What they discover will demand the re-writing of American history! Join Timothy Alberino as he explores the enigmatic island of Sardinia in the Western Mediterranean Sea where the skeletal remains of giants are still being extracted from the tens of thousands of megalithic towers and tombs all over the island, and hear the jaw-dropping testimony of those who were hired by the government to dig them out. Discover why Sardinia was ground-zero for the man-eating Canaanite giants that ravished the Promised Land before their expulsion by “Joshua the Robber”.

The oldest Quebecois Benedictine convent open its gates to a documentary filmmaker for the first time. Observed up close, life behind its walls is busier than one would expect. About twenty cloistered nuns, most of them over 70, share their daily life with diligence and humor. A contemplative portrait of a community of sisterhood and solidarity emerges, punctuated by prayer, work and games evenings.

Split into five parts and filmed on location in Israel and elsewhere, Yeshua features interviews with scholars, reenactments of events, and recreations of ancient culture and ritual.

Released in 1796 posthumously, The Nun, a novel that Diderot did not dream of publishing during his lifetime, as he knew it to be revolutionary, caused the same explosion in the 19th century France as in that of the 1960s, when Jacques Rivette decided to adapt it, with Anna Karina in the title role. “This film is banned and it will remain so!” said the General de Gaulle. Exploration of an indictment of incredible modernity which, through the tragedy of the young Suzanne, locked up in the convent against her will, denounces the inequity of a society denying women all moral, political and sexual freedom.

SATAN'S GUIDE TO THE BIBLE is an animated documentary. Join Satan as he shares Bible secrets, secrets the students' pastor learned at Christian seminary but is afraid to share. Thankfully, Satan's not afraid of losing his job. Satan has amassed an impressive list of biblical scholars ready to reveal the "standard stuff" taught in Christian seminaries: Bart Ehrman (UNC Chapel Hill), John J. Collins (Yale), Dale Allison (Princeton Seminary), Susan Niditch (Amherst), Ron Hendel (UC Berkeley), and Hector Avalos (Iowa State). This is established seminary curriculum about biblical history, biblical morals, authorship claims, and early Christianity — a curriculum never shared with the congregation. Darkly comedic, but thoroughly researched, SATAN'S GUIDE TO THE BIBLE is a fascinating journey into the secrets of the world's best-selling book.

A documentary about the confluence of Christianity and mixed martial arts, including ministries which train fighters. The film follows several pastors and popular fighters in their quest to reconcile their faith with a sport that many consider violent and barbaric. Faith is tried and questions are raised. Can you really love your neighbor as yourself and then punch him in the face?

Ten years after establishing New Heights, the pastors, their families, and other influential members of the church sit down for roundtable discussions to look back on the past decade and forward toward their future plans for the congregation.

Hosted by D. James Kennedy, PH.D. and Dean Jones. Enriched with scenes from the dramatic mini-series A.D., this fast pace documentary provides exciting explanations to some of the most important questions ever asked regarding the most controversial man who ever lived -- Jesus Christ.

No description available.

This is a survey course designed to further stimulate your curiosity by providing glimpses of some of the pivotal events in the spread Christianity and sketches of great Christian figures who have significantly affected Christian history thereby shaping the history of the world

It is a fetish, a mantra, a secret religion to modern man: work. In times of the financial crisis and massive job reductions, this documentary movie questions work as our 'hallow' sense in life in a way that both humors and pains us.

When a feature film is made about them seven years after their break-up, Benjie Nycum visits his ex-boyfriend Michael Glatze and finally tries to get answers about his bewildering shift from gay activist to ex-gay evangelical.

In this special edition of Primetime, ABC News' Diane Sawyer interviews filmmaker Mel Gibson about his highly controversial movie, ""The Passion of the Christ."" He responds to charges that the movie's portrayal of the Jewish role in the death of Christ will encourage anti-Semitism. He also elaborates on comments he's made about the Holocaust. In addition, Gibson tells why he felt it necessary to exhibit such a graphic depiction of Christ's crucifixion on film and discusses his decision to tell the story in Aramaic and Latin.