Burma's Saffron Revolution

In this special Clarkson, Hammond and May don’t just buy three knackered old lorries and drive miles through the beautiful landscapes of Burma. Oh dear no. They actually have to use their lorries to do something useful. They have to build a real, use able bridge over the River Kwai. On their way to the river they almost bring down Burma’s power supply, encounter the world’s least relaxing truck stop, race around the streets of a deserted capital, saddle up a trio of unhelpful horses and attend a completely deranged party.

This film records the Japanese military's efforts to capture the Burma Road,one of the major supply lines to China, from the British beginning in December 1941. The film ends with the fall of Mandalay in May 1942.

Moving to Mars charts the epic journey made by two Burmese families from a vast refugee camp on the Thai/Burma border to their new homes in the UK. At times hilarious, at times emotional, their travels provide a fascinating and unique insight not only into the effects of migration, but also into one of the most important current political crises - Burma.

Choi Jinbae from Korea and Nyein Thazin from Myanmar are an international couple. They married seven years ago in Mandalay and, after a ceremony in Korea, planned to return. But COVID-19 left them stranded in Seoul. One day, a photo arrives from Myanmar showing a village destroyed by the coup. Urged by fellow Myanmar people to share their country's reality with the world, Choi picks up a camera. An ordinary family's life is suddenly thrust into questions of pain, solidarity, and the ethics of bearing witness.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Padauk: Myanmar Spring takes the viewer to the streets of Myanmar during the heady days following the February 2021 military coup. Through Nant, a young, first-time protester, we meet three human rights activists whose lives have been turned upside down by the coup. As the protests continue, Nant comes to understand the truth of a brutal regime that has continued to wage war against its own people for decades. Against a foreboding backdrop, Nant’s political awakening regarding the plight of others in her ethnically diverse country gives hope for the future. Beautifully augmented by poetry and art, Padauk: Myanmar Spring shows the resilience and determination of the people of Myanmar, and the sacrifices they've made.

A fascinating documentary, shot in the mountainous north of Burma. No filmmaker is welcome there, because, against the background of a civil war, the jade miners enter the deserted mines illegally. With the aid of filming locals, however, Midi Z was able to compile this portrait. Getting rich quick turns out to be hard and risky work Jade has always been a valuable commodity in Asia. In the mountains in the north of Burma there are valuable deposits of jade. The area forms part of Kachin State, inhabited by many ethnic groups which found themselves embroiled in the Civil War in 2010 with the Burmese government. Jade mining was halted because of the conflict. Thousands of workers, however, went to the war zone in order to dig for illegal jade. It turned the region into a no-go area and the filmmaker Midi Z, who had so far made feature films in Burma, saw no opportunity to go and film there. It was far too dangerous. © iffr.com

Chris Marker’s A Grin Without a Cat is an epic political essay tracing the rise and decline of the global left from the 1960s to the 1970s. Through archival footage and commentary, the film examines revolutionary movements in France, Latin America, and beyond, reflecting on the ideals, failures, and fading hopes of a generation.

The story of the American Founding, the greatest political achievement in history. The American colonists had developed a unique way of life as they practiced self-government for 150 years. In the struggles between the colonies and the mother country that followed the French and Indian War, Britain declared that Americans had no right to rule themselves. This went against everything the Americans knew. In response, our ancestors risked their “lives, fortunes, and sacred honor” to fight the War for Independence. Against all odds, they won, and in victory formed a stable, lasting republic. 

Two young Swiss bankers decide to break out of their gilded cage. They leave their promising careers as managers behind and found a relief organisation for underprivileged children in Southeast Asia. In order to finance their humanitarian projects, they put to use not only their know-how from the world of finance, but also the international network they developed as bankers. The glamour world of European metropolises meets the jungle in the Mekong Delta. A reflection on the meaning of life and happiness in life.

The life and struggles of Ferdinand Maximilian Joseph Maria of Habsburg-Lorraine (1832-1867), emperor of the Second Mexican Empire as Maximilian I of Mexico from 1864 to 1867 (under the wing of Emperor Napoleon III and the French Empire), his tragic confrontation with Mexican leader Benito Juárez, the defeat of the will and the end of a dream.

What happens when non-violent leaders are pushed to support armed struggle against a brutal regime in a forgotten war? Thabyay: Creative Resistance in Myanmar follows four democracy revolutionaries who are finding creative means to fight against the military junta. Some take up arms while struggling to stay true to their commitment to non-violence, while others engage in “artivism,” using music, poetry and art to bring about a peaceful, free, democratic and truly inclusive future for all people in Myanmar.

Mother, Daughter, Sister (Amae, Thamee, Ama) exposes the Burmese military’s practice of using rape as a weapon of war and gives voice to Kachin and Rohingya women activists calling for justice for these crimes. Mother, Daughter, Sister revolves around the stories of four women: Shamima, a volunteer counselor working with survivors of military rape in the Rohingya refugee camp in Bangladesh, Dil Kayas, a teenage survivor, and San Lung and Lu Ra, sister and mother of two Kachin school teachers brutally raped and killed in 2015, allegedly by the Burmese military. Powerful testimonies from survivors, witnesses, and activists explore the far-reaching impact of sexual violence and trauma upon these communities, and together, the women call for justice and an end to the army's impunity.

Uses the authentic words of Revolutionary War soldiers to recreate the ordeal of the harsh, crucial winter of 1778. Filmed in Valley Forge National Park.

In this revealing program, noted author and economic activist Naomi Klein offers a lecture and a candid interview in which she expounds on the ideas at the heart of her best-selling book.

Wang Shin-hong is suffering from insomnia. A fortune teller advises the Mandalay businessman, whose car and bulging wallet suggest that business is going pretty well, to spend 14 days in a monastery, living life as a monk and eating an apple a day. Such a thing is possible in Burma today. Wang Shin-hong arrives at the rural monastery, has his head shaved and dons a red robe, in which he instantly becomes an authority. During the welcome procession, the village women, their poverty clear from their clothing and the huts in the background, put more than they have in his alms bowl. During his fleeting role as their advisor, Wang Shin-hong soon learns of the villagers’ attempts to survive and make a living as legal or illegal migrants in China, Thailand or Malaysia. He also finds out how the other monks try to generate profit and additional income.

This Kind of Love follows Burmese human rights and LGBT activist, Aung Myo Min, as he returns home after 24 years in exile. Set against Myanmar's historical transition from half a century of brutal military rule, Myo shares his vision for equality for all - from children to transgender people to ethnic nationalities with his countrymen, to be part of his homeland's emergence from the darkness of dictatorship. Myo's story celebrates his belief that community and inclusion are fundamental to creating meaningful political and social change in Burma/Myanmar.

This documentary show the forbidden world of Burmese boxing and features a look at its history, rare footage of boxing demonstrations by Burmese masters, instruction in its basic fighting techniques and counters, and the rules of modern Burmese boxing. It also includes highlights of actual Burmese boxing matches that feature the kind of hard-hitting, nonstop action that makes modern no-holds-barred competitions seem tame by comparison.

The story of Myo Myint, a political prisoner, who made the transformation from being a soldier in Burma's junta to a pro-democracy activist.

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.