Skies Above the Landscape

Pen and Jake have to rescue Princess Bubblegum from the antagonistic Ice King.

An anonymous narrator outlines a bizarre journey taken through "H", aided by a series of extraordinary maps, and his previous dealings with the mysterious Tulse Luper and the keeper of the bird house at the Amsterdam Zoo.

Noé dreams of breaking away from the countryside. With Tom, his best friend, he spends time shooting whimsical DIY videos. When a real film shoot comes to the area, he sees a chance to escape and to reveal to Tom the true nature of his feelings.

A young woman embarks on an unexpected journey with her spunky younger sister after leaving her fiancé at the altar.

A man obsessed with motivational and right wing culture war videos goes on a hollow road trip of discovery.

The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.

A Sunday walk in a forest turns into a poetic journey on perception.

A modern adaptation of Guy de Maupassant's short story about a man and a woman sharing an unexpected encounter on a train as it travels through a beautiful and surreal landscape.

In spring 1997, after several delays, The Video Dream Mixes was released. It features music material from The Dream Mixes, combined with films of US landscapes and alienated sights of Venice, pictures and computer animated graphics and virtual views from outer space. The film material was mixed up with clips showing the band on stage or during journeys. Most of the material was filmed by Edgar Froese.

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The town Minot is home to a U.S. Air Force base that guards 150 nuclear missiles buried in northern North Dakota. The weapons of mass destruction placed there 50 years ago are still targeted at Russia. Minot, North Dakota portrays an American landscape where people live with nuclear bombs in their backyard.

White Sands is a 3 screen projection 16mm film installation which reflects on the visible and invisible manifestations of the nuclear fuel chain on the land, air, water and people of New Mexico.

IJswee is a documentary film about an ice club, a village and the warm winters. In the film we follow Oringers, the inhabitants of Odoorn, through the winter. The Oringers all experience IJswee in their own way. You will also see the Icecounter (Rafael van der Ziel), who builds ice sculptures and drinks frozen milk. You see the Drenthe countryside changing with the weather. You see animations, archive material and you hear the mysterious sounds of IJswee in the music of Wietse de Haan. And there are two trumpet players, who welcome winter with their music and say goodbye to it.

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.

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Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.