Lon Marum

“We left our language and started speaking others’. The girls have got married and have left for the villages. Boys are getting married in villages. It should be taught to children”. — Gyani Maiya Sen-Kusunda The Gi Mihaq (also known as Kusunda) was a semi-nomadic hunter and gatherer community that settled in villages around the mid-western Nepalese district of Dang. They have long lost their native language Mihaq (Kusunda), to acculturation and other barriers to active use. The community also lost their 83-year-old elder Gyani Maiya Sen-Kusunda in 2020, the most and the only known fluent Kusunda speaker then. Filmed in Kulmor in the Dang District in 2018, this openly-licensed documentary is a memoir of Sen-Kusunda in her own words and a biography of her people who were forced to leave their language and cultural identity. Kusunda is being revived by Kamala Sen Khatri, Sen-Kusunda’s younger sister, and Uday Raj Aaley, a local researcher who is the key interviewer for this film.

Face of the Earth explores the origin of our planet's outer layer, the why-and-how of its mobility. Through the use of well-designed diagrams, the earth's cyclical activity is clearly explained. Some unusual footage on volcanoes gives added punch to an already absorbing subject.

Michel Thomas is one of the most brilliant language teachers in the world. His usual clients are movie stars and business leaders. This programme takes him to a Sixth Form College in London to work with school pupils, to test his claim that he can teach anyone a language in a week - with no reading, writing or homework. The film also explores his personal history - as a hero of the French Resistance during WW II. Nigel’s documentary with the 85 year old Michel Thomas was the first time that Thomas allowed his techniques to be made public. The subsequent success of the film transformed Thomas into a global celebrity and his method into one of the most highly regarded in the world of education.

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

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There are over 6,000 languages in the world. We lose one every two weeks. Hundreds will be lost within the next generation. By the end of this century, half of the world's languages will have vanished. Language Matters with Bob Holman is a two hour documentary that asks: What do we lose when a language dies? What does it take to save a language?

Home to the Mitterrand family since 1965, Latche was the former president's base for three decades. Family, friends, and world leaders gathered there for walks, hours of conversation, and some of the defining moments of the century. There, he was a different François Mitterrand, absorbed by the "spirit of the place," far from the trappings of the Republic. An intimate space, Latche was also a political territory open to the world, a powerful diplomatic asset serving the ambitions of its owner.

In this short film, we follow the life cycle and transformation of sugarcane from harvesting, through the milling and boiling process, culminating in the production of the molasses stage. The film focuses on the historical character and community life in a rural area of ​​the high hinterland of Paraíba. It is a record of the knowledge of the workers at the Silva sugar mill through sound experiments and comedic interludes.

New Zealand hip-hop artist Che Fu and his father Tigi Ness travel to their island homeland Niue for the first time to unravel the shared histories. There they also wow the locals with a performance at the Niue Arts and Cultural Festival.

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Follows the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices.

For 50 years, controversial ethnographer John Peabody Harrington crisscrossed the United States, frantically searching and documenting dying Native American languages. Harrington amassed over a million pages of notes on over 150 different tribal languages. Some of these languages were considered dead until his notes were discovered. Today tribes are accessing the notes, reviving their once dormant languages, and bringing together a new generation of language learners in the hope of saving Native languages.

The movie explores the origin of the Ukrainian language and persecution of those who defended its authenticity. Using examples of other countries, creators of the film prove that a nation cannot exist without a language.

It is estimated that 40% of the world’s population lack the opportunity to be educated in their own language. In Colours of the Alphabet we get an insight into the challenges this poses as we follow a group of first graders in Zambia – a country with 72 local languages where education is primarily offered in English.

87-year-old Greek immigrant Koula Agiostratitis recounts how her husband Theo’s dementia diagnosis affected their six-decade-long marriage. Through Koula and her daughters, Vivian and Phyllis, we witness how their once music-filled home is transformed by what the family describes as “the longest goodbye.” This intimate portrait of love, caregiving and cultural duty reflects on how memory loss reverberates beyond the individual to reshape the fabric of family and culture.

A documentary about the traditional music of the 'Are'are people of the Solomon Islands.

Renowned Australian artist William Yang traces the labyrinthine web of his family history in this adaptation of his iconic live performance piece. William was born and raised in North Queensland, his grandparents having migrated from China to the Top End during the 1880s gold rush. Yet it was not until mid-life that he claimed his Chinese heritage, which had hitherto been lost to him by his complete assimilation into the Australian way of life. William's transatlantic exploration of his genealogy unites him with scores of relatives from all walks of life, some rich, but most ordinary folk with menial jobs, and most cannot speak a word of Chinese. A visual feast, Blood Links examines how the Chinese diaspora establish roots in foreign soil, and how over the generations, through intermarriage, blood is mixed; yet the intricate bonds of family remain.

The desert city of Las Vegas embodies the American Dream in its most extreme form. Turbo-capitalism and gigantic shows are a magnet for gamblers and adventurers. Since its founding, Las Vegas has developed into a global entertainment center, attracting millions of people and generating billions of dollars in revenue. From a dusty backwater, it has become a glittering gambling metropolis.

“Let’s think of nature as a big room. Nature is a room you know you’ll have to leave some day, most likely not by choice”. Heather Phillipson’s hallucinatory video put the goat in the goat boat explores endless declinations of nature—natural, naturing, finding a better nature, the nature construction, nature on loan, nature’s lack of nudity...—while revealing humanity’s ambiguous relationship to it.

Profiling Hassidic punk rockers, Yiddish street performers, African-American Jewish activists and more, Punk Jews explores an emerging movement of provocateurs and committed Jews. https://www.youtube.com/watch?v=5c29lJ3U_A0