Before We Go

Willy Loman, an aging, failing salesman, struggles to accept reality and his failure to achieve the American Dream.

Told mostly in flashbacks, the film tells the story of Pamela Digby Churchill Hayward Harriman, one of the greatest and probably most famous courtesans of the twentieth century. While not showing her childhood, first marriage to Winston Churchill's son, or most of her affairs, we do get to see her affair and eventual marriage to Broadway producer Leland Hayward, and then her marriage to politician Averell Harriman, with whom she had an affair while both were married to others in World War II. We also see her as ambassador to France during her last years, and her death in 1997. While some (mostly her lovers) adored her, others (mostly her son and her husbands' children) hated her.

Beautiful, sad story told from multiple perspectives. A man picks a dahlia before entering his home. His dog senses something is wrong. The housekeeper makes tea before seeing the tragedy. Slowly the elements slot into place.

Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.

An average, everyday metalworker and volunteer firefighter content in his marriage to his childhood sweetheart finds his emotions unexpectedly stirred when he falls for a pretty waitress from a nearby town.

When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.

Carlos Lopez is a handsome Argentine sportsman. Many women love him and he toys with them all. His days are filled with romance and intrigue and he manages to get himself feared and hated by most of the married men in Buenos Aires.

The young Kitty is drawn into the world of international politics by chance.

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Kostas (Dinos Iliopoulos), a small-time lawyer is tasked with accompanying Smaro (Smaroula Giouli), a young rich heiress, from the country to Athens where she wants to sell her estate. Kostas though starts a day late and Smaro goes to Athens by herself. In the end after much wandering and misunderstandings Kostas will meet Smaro who will fall in love with him.

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A young inexperienced man rekindles his emotional and intimate relationship with his only love–his charming, and talking, childhood teddy bear.

Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.

Barbara and Oliver Rose live happily as a married couple. When Barbara starts to wonder what life would be like without Oliver and likes what she sees, the two begin a campaign to force each other to leave their house, with their divorce lawyer D'Amato caught in the middle.

A following deceit leads Giovanna to dwell over memories from her past relationship.

Yeh Dil Ashiqana is the story of Karan and Pooja who are studying in the same college in Poona. They meet and fall in love and their romance progresses without any problems until one day while going to her brother's house in Mumbai.

Suffering from insomnia, disturbed loner Travis Bickle takes a job as a New York City cabbie, haunting the streets nightly, growing increasingly detached from reality as he dreams of cleaning up the filthy city.

Before their trip to the market, a grandpa teaches his grandson about the ethics of meeting a stranger.

Ever in search of adventure, explorer Allan Quatermain agrees to join the beautiful Jesse Huston on a mission to locate her archaeologist father, who has been abducted for his knowledge of the legendary mines of King Solomon. As the kidnappers, led by sinister German military officer Bockner, journey into the wilds of Africa, Allan and Jesse track the party and must contend with fierce natives and dangerous creatures, among other perils.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.