Bikini Drive-In

Dexter and Royce, two stoners in the small town of Weedsville, attempt to cover up the overdose of Royce's girlfriend Matilda. What leads from an old drive-in being perfect place to ditch her turns into the accidental discovery of a Satanic cult, who brings Mattie back from the dead after their ritual is botched. Along with the two's dealer Omar on their tail, how will these buddies and their slightly-off lady-on-board deal with the dangers of drug debt and demon-worshipping magic?

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.

When the "Heart Eyes Killer" strikes Seattle, a pair of co-workers pulling overtime on Valentine's Day are mistaken for a couple by the elusive couple-hunting killer. Now, they must spend the most romantic night of the year running for their lives.

A collection of Drive In Movie Intermission ads from the 1950's - 1960's.

It's the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, I Was a Teenage Werebear, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste.

Two lifelong buddies must unravel the circumstances that led to a corpse in their bathtub in the wake of a Halloween party.

The goings-on at a typical drive-in on a summer night.

[19:30 | 35mm (1.85) | Stereo Sound | 2013] The Broken Altar is a portrait of open-air theaters documented under the strange light of day, emptied of the once present hum of human voices, radioed-in soundtracks and tires on gravel. Scripting the landscape and exploring the residue of a cinematic history, The Broken Altar forms a sculptural treatment of the architectural artifacts of these abandoned and barren spaces: speaker boxes rise from tall grass like grave markers and the screens themselves are monumental, sepulchral in their peeling whiteness.

Twins Todd and Terry seem like sweet boys -- that is, until one of them takes an axe to the face of a fellow patron at the local drive-in.

The Halloween ban is now lifted in Helen's Valley, and the sorority girls of Gamma Tau Psi place Michelle in charge of their annual haunted house. Unfortunately for Michelle some uninvited trick or treaters from her past come knocking.

An aging horror-movie icon's fate intersects with that of a seemingly ordinary young man on a psychotic shooting spree around Los Angeles.

Paying tribute to some of America's only surviving drive-ins – and those who keep them running – this heartfelt documentary captures efforts to preserve these nostalgic theaters in small-towns across the country.

Two police detectives try to catch a serial killer who is stalking a rural California drive-in theater, randomly killing people with a sword.

Mayhem starts when a gang of bikers is accused of a sadistic rape in a small town.

In the future, a health nut and his tag-along girlfriend become trapped in a drive-in theater that has become a concentration camp for outcast youths.

Sola Powers, special agent with Extra Terrestrial Affairs, jumps into action when a drive-in cinema showing a UFO invasion movie is attacked by a real UFO. Sola literally uses all cinematic tools to defeat the ruthless intruders.

A young soldier who was thought to be killed in Vietnam returns home and exhibits disturbing behavior, much to the confusion of his family.

A young woman passes an emotional night in the city.

A short experimental documentary is filmed at the last drive-in movie theater in Los Angeles, located in a desolate area called the City of Industry. Floating within a backdrop of smokestacks, beacon towers and passing trains, dislocated Hollywood images filled with apocalyptic angst are re-framed and reflected through car windows and mirrors as the displacement of the radio broadcast soundtrack collides with the projections upon and surrounding the multiple screens. In VINELAND, the nocturnal landscape is seen as a border zone aglow with dreamlike illusions revealing overlapping realities at the intersection of nostalgia and alienation.