Serbian Epics

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

Documentary film that deals with the problems of the rock'n'roll scene in Niš, focusing primarily on the period after the collapse of the former SFRJ.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

A surreal exploration of the war in Bosnia told through the unbreakable spirit of seven of her people whose strength to leave was as powerful as the fight to stay. Through the lens of diaspora, the film captures not just the weight of displacement, but the defiant act of survival and the unwavering pursuit of home, no matter where the journey leads.

In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.

Jabir, Usama and Uzeir are three young brothers in a Sunni family of shepherds. Since childhood, their father Ibrahim has rigidly trained them in the principles of the Quran and has filled their minds with stories of the Bosnian War.

A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.

They started their 1400 km journey to the capital of Europe on bicycles from Novi Sad, Serbia. This trip, from a divided country that has been in a socio-political crisis for five months, since the tragedy at the Novi Sad railway station - they called it the trip of justice. Eighty students from Serbia cycled through 6 European countries and 15 large cities in 12 days. Festive welcomes, tears, song and laughter in the squares all over Europe. They were welcomed by the Serbian diaspora, but also by the leaders of the cities they passed through. They went to Strasbourg with the desire to be heard by Europe and the world and said "We are not driving to Europe to escape from Serbia. We are driving to bring it back."

An exploration of the perils of nationalism and art’s role as a weapon of resistance and activism throughout the 1990s Siege of Sarajevo during the Bosnian War. Explore how art and music sustained hope, thanks in part to humanitarians and the band U2.

In July 1995, Srebrenica falls into the hands of Bosnian Serb forces led by General Ratko Mladić. Within a few days, thousands of Bosniak men and boys are separated from their families, killed, and buried in mass graves. Through Roberta Biagiarelli’s theatrical monologue, survivors’ testimonies, archival footage, and documents from the International Criminal Tribunal for the former Yugoslavia, the film reconstructs the story of the siege and the Srebrenica genocide. Shot in 2005 at the sites of the massacre, including the battery factory in Potočari, the film brings together memory, testimony, and historical documentation.

The extraordinary story of Sanja and Zoran, a couple who in 1993 fled and survived the siege of Sarajevo, the longest war in 20th century history, to find refuge in Italy, in Turin. In their life experience, past and present come together to give voice to friendship and hope, reflecting on war, prejudice, tolerance and acceptance.

When this film’s director was still a boy, he stood in front of “Flotel Europa“ and was hugely excited about the prospect of this gigantic ship moored in the port of Copenhagen becoming a new home for him, his mother and his older brother. Together with about 1000 other refugees from the former Yugoslavia, they started life anew on the ship.

In September 2004, Himzo Muratovic returned from the dead. Himzo turned up in a taxi in his Bosnian Muslim village, 12 years after he disappeared at the height of the Serb terror. His mother fell unconscious when neighbors told her that her missing son had returned. For several days the village celebrated the return of the long-dead Himzo Muratovic.

In the Kosovo War, human dignity was shattered by the terrors of the Serbian government and the Albanian liberation army. Truths about the victims’ fates faded away, which is why a Finnish forensic research group led by Helena Ranta got a mission to act as an unbiased agent and investigate the real course of events.

SARAJEVO RICOCHET - A TOWN BETRAYED This documentary exposes the callous betrayal of the massacred men of Srebrenica - how they were sacrificed by their own government for a political objective. The widows, mothers and sisters of the men and boys who died near Srebrenica will never let the world forget the events of July 1995. The Serbs pulled the trigger, but the reasons for their brutal action has not been investigated. Now Bosnian Muslims themselves expose what really happened before, during and after what is been called `the European genocide of our time`. The Bosnian Muslim government was negotiating with the Serbs to exchange territory - Srebrenica for the suburbs of Sarajevo.

In July 1995, forces of the Army of the Republika Srpska, the VRS, invaded the town of Srebrenica, in eastern Bosnia and Herzegovina. In a few horrific days, more than 8,000 Bosnian Muslim boys and men were taken to places of detention, abused, tortured and then executed. As their bodies fell into mass graves, the machinery of denial of those crimes was set into motion. The International Criminal Tribunal for the former Yugoslavia-commonly referred to as the ICTY, investigated, prosecuted and passed judgement on those crimes. This film tells that story.

This film documents four delegated performances/castings, featuring participants who are both directly and indirectly actors of war: veterans, civilian victims, disabled individuals, or those traumatised by conflict. Applicants that have been seduced to participate in four castings of imaginary movie altogether agreeing to be part not only of an experimental film, but also of a subversive cinematic social experiment. They signed up for battle in the movie, and got an unexpectedly brutal lesson about conflict. They certainly, but so do we who watch it.

A documentary re-enactment of the last few hundred years in Serbian history.

Hamdija Šahinpašić (1914-2003) was one of those rare individuals able to memorize songs in their authentic traditional form. Šahinpašić belonged to a family known for its songs. In the early 1950's, Miodrag A. Vasiljević recorded Šahinpašić singing dozen of songs at the Serbian Academy of Arts and Sciences in Belgrade. A 1967 publication finally included 300 of his songs, published bilingually in Bosnian and Russian. Šahinpašić himself become the focus of attention of numerous ethnomusicologists and folklorists and his repertoire was preserved on recording of good quality.

The compelling stories of four young people as they struggle to survive a war that ended nearly 20 years ago. The physical conflict is over - but its psychological impact continues. Can they break the cycle of violence?