The Mysterious House of Dr. C.

Extremely shy Lars finds it impossible to make friends or socialize. His brother and sister-in-law worry about him, so when he announces that he has a girlfriend he met on the Internet, they are overjoyed. But Lars' new lady is a life-size plastic woman. On the advice of a doctor, his family and the rest of the community go along with his delusion.

Because of the actions of her irresponsible parents, a young girl is left alone on a decrepit country estate and survives inside her fantastic imagination.

This is the story of two male prostitutes who want to become professional actors and how they struggle to get into show business.

The true story of B.: Torn between a cold relationship with K. and her feelings for another woman, shy and insecure B. is heading for a disaster. For too long she has suppressed her desire and lived a lie. But is it really too late for B. to follow her heart?

A socially awkward veterinary assistant with a lazy eye and obsession with perfection descends into depravity after developing a crush on a boy with perfect hands.

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After long years of bullying, one boy buys voodoo doll so he could have his revenge.

A doll is wished to come to alive, against her will.

Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."

As the world moves on from the war and technological advances bring changes to her life, Violet still hopes to see her lost commanding officer again.

The film is a revenge drama of a woman, played by Vaishnavi, who is killed by her in-laws mercilessly and her spirit entering into a doll. The doll takes up the revenge against each of them who was involved in her murder. The film was a remake of Tamil film Vaa Arugil Vaa (1991) which itself was loosely inspired from 1988 American film Child's Play. The film's music was composed by Rajan-Nagendra and cinematography is by D. V. Ramana.

A group of ghetto kids try to find out who killed a popular police officer.

Zeb finds a doll and a ring in a garbage can. Then, he sees Ann going to work with her friend Babs. He thinks she looks like the doll. When he gets home, he caresses the doll... Ann feels it! When Zeb finds out about Ann's fiance Tom, he really gets mad, burns the doll, and beats it up, which makes Ann think she's losing her mind.

An outsider and a young woman plagued by Tourette's syndrome meet and together journey to Canada.

Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

A woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects around her seem to come to life.

A wonderfully playful and symbolic manifestation of the spirit of childhood can be found in Dimitrie Osmanli’s short fiction debut. The film follows a little girl with her doll who meets a neighbourhood boy with his tank; after her doll is damaged we are invited into a surreal dream where dolls rise up against the boy and their face resembles the little girl he hurt. The rebellion of the dolls signifies a rebellion against the boy’s malice and essentially against his refusal to be like a child. The dream yields fruit: on waking up, the boy, grateful to be alive, has joy restored in his heart and runs to makes amends with the little girl. The Rebelion of the Dolls renders the concept of rebellion as an internal event: an uprising of the conscience against the spirit of cruelty and disobedience and as a lesson to the little boy shows true conscience restored in the spirit of gentleness.

A single woman lives with a lifelike newborn doll. Her feelings of motherhood appear to be as real as the baby is lifeless while the anonymous public sets the stage for this act of deception.

Seeking to exorcise the failure of his current love affair, the poet Hoffmann tells the tales of his three past loves - the doll-like Olympia, the high-class courtesan Giulietta, and the ambitious but delicate Antonia - and recalls how each was thwarted by the evil influence of his rival. In this production by the distinguished film director, John Schlesinger, with spectacular designs by Maria Bjornson and William Dudley, Offenbach's nightmare world is brought to life. The all-star cast is headed by Placido Domingo as Hoffmann: his three loves are Ileana Cotrubas, Anges Baltsa and Luciana Serra and the manifestations of his rival are sung by Geraint Evans, Robert Lloyd, Siegmund Nimsgern and Nicola Ghiuselev. The score, which includes such favourites as the "Barcarolle" and the "Doll's Song", is conducted by Georges Pretre.

The lives of six girls belong to different worlds although connected to each other through a doll called Molly, whose existence dates back to 1976, when she appeared among the rubble of the great fire of the San Carlos orphanage, in northern Spain