Enough!

Rolf Köster has been working as a cashier in a small bank branch for years. Every day passes like the day before. He has a thirteen-year-old daughter who would rather write in a diary than speak and a six-year-old son who has to wear a bicycle helmet because he is constantly banging his head against walls. His wife organizes the whole family life, and Rolf stays in the background. But he has doubts as to whether he, who has "everything", is really happy. Then Rolf is unexpectedly given a week's vacation. He decides not to tell his family and to leave the house as usual. Rolf Köster begins to lead a double life.

Soon-to-be-wed graduate student Finn Dodd develops cold feet when she suspects her fiancé is cheating on her. In order to clear her head, Finn visits her grandmother, Hy, and great aunt, Glady Joe Cleary, in Grasse, Calif. There, Finn learns that Hy and Glady Joe are members of a group of passionate quilters, and over the course of her visit she is regaled with tales of love and life by women who have collected rich experiences and much wisdom.

On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?

When Ida, cheeks streaked by mascara tears, unexpectedly shows up at her sister's, the staid Alison bargains her way out of mom duty for the night and the two head off to an Eastside wine bar. There, they run into Will and the freshly divorced, sweatpants-attired Clark. After some slightly inebriated commiserating about mismanaged marriages and other adult concerns, the foursome head out into the night, careening from downtown lofts to pot dispensaries to midnight swims and back again, determined to prove they still have what it takes to have a good time.

A headstrong young woman is married to land baron. Her feelings for her son's tutor becomes a complex web of unrequited love.

Marta works for a poll company, listening all day to other people's dreams while leading a cold and solitary life. Having just cut off a long relationship, she tries an online sex chat under an alias, meeting a man who begins to advance more and more audacious requests, until they decide to discover their respective identities.

This is a drama set in Nazi-occupied France at the height of World War II. Charlotte Gray tells the compelling story of a young Scottish woman working with the French Resistance in the hope of rescuing her lover, a missing RAF pilot. Based on the best-selling novel by Sebastian Faulks.

Spirit Lake is unusually deep. No diver has ever managed to find the bottom. When Dr. Amelia Brooks disappears during a deep-water dive, her three daughters travel home. They find themselves unable to let go and become drawn into the mysteries of the lake.

Yasmine, a high school student from Brunei, fed up with studying and her strict father, decides to learn silat, a martial art practiced in Southeast Asia, after a boy displays his own knowledge of silat in order to impress her.

A Glasgow woman inherits a house in Berlin and has her eyes opened

When Jill Godmilow’s movie Roy Cohn/Jack Smith premiered at the 1994 Toronto International Film Festival, the number of AIDS-related deaths was reaching an all-time high in the United States (over 270,000). In New York City, the epicenter of the AIDS epidemic, many artists and filmmakers were grappling with the disease. While Broadway was hosting the second part of Tony Kushner’s award-winning play Angels in America, downtown New Yorkers were fondly recalling another recent production, Ron Vawter’s one-man show Roy Cohn/Jack Smith, in which the actor, who died of AIDS in April 1994, performed two monologues, first as Cohn, the conservative lawyer, and secondly, as Smith, the flamboyant experimental filmmaker—both of whom died of AIDS-related causes in the late 1980s.

Claude and Ellen are best friends who live in a not-so-nice area of New York. They're involved in the subculture of 90s youth, complete with drugs, live music, and homophobia. All is changed one night when a violent and meaningless death rocks their lives.

The lively goings-on of a modern family seen trough the eyes of a young girl just about to receive her first Communion.

A small group of friends experience relationships which grow and stumble, involving everything from straight, gay, lesbian, and bisexual relationships. The speed with which these relationships last leads to the Goldfish memory effect, the belief that a Goldfish only has a 3 second memory is a metaphor for the transient nature of the characters relationships.

'Chance' is a black comedy about how hard it is to find "the one". Mostly told from the point-of-view of a young, sexually aggressive woman, named Chance, whom according to her: "we're all out there looking for true love", which turns out to be a very elusive thing indeed, and Chance is no exception. She's desperately on the prowl for a man, but since she's more mouse than cat, she gets herself into scrape after scrape in her screwball pursuit of love. Surrounded by a bevy of adoring but completely wrong-for-her men (and one dead girl from Manchester, England), Chance has to pick her way through her messy life in order to figure out which guy is "it".

Four fragile young people flee London to start an unconventional utopia, creating a world of fantasy that overwhelms them.

Two teenagers are drawn together by the Buzzcocks' single 'Love You More' during the summer of 1978.

New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.

A group of idealistic but frustrated liberals succumb to the temptation of murdering right-wing pundits for their political beliefs.

Aisha, a Senegalese immigrant who takes a job as a nanny for a wealthy white family in New York City, finds herself consumed by unsettling visions and a growing rage.