Never Again as Before

In a village near a deadly mountain ascent the people repeatedly have to help climbers in danger who didn't make it to the top, in fact nobody made it yet up there. Hansi Knoteck can't stand anymore the danger after a member of the rescue party dies and demands from Attila Hörbiger that he steps back from participating in his rescue efforts. Finally he relents but the villagers ostracize them. In the meantime Winnie Markus tries to seduce Richard Häußler who makes the life for his wife Viktoria von Ballasko a hell through his infidelities.

At the end of the 18th century, the wealthy French scholar Saussure comes to a small Alpine village and offers 1,000 pieces of gold to anyone who can lead him to the summit of Mont Blanc. The young farmer's son Jacques Balmat wants to take on the dangerous task, even though his father has told him from an early age about the mighty mountain spirits who guard a legendary treasure of gold on the mountain peak.

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A screen adaptation of the well-known novel by Roger Frison-Roche about the harsh lives of mountain guides and their families in the French Alps, near Chamonix and the French/Swiss/Italian borders... Like his father, Zian Servettaz is a dedicated mountain man. His Italian-born wife Bianca does not adjust well to his mountain village in France, and to the ever life-threatening dangers presented by his mountain guiding and climbing. She briefly returns to Italy and to her family. However, after Zian's insistence and trip to Italy, she returns to mountain life in the French Alps. Once back there, events will unfold, changing their lives as well as those of other mountain people forever.

A look at the events of what happened after 'Touching the Void'

Miha invites his fiancée Minka to the dance, but he's tempted by another big desire of his - climbing. Frustrated Minka insists on the festivity, where she finds herself in a company of older hiker. However, all ends happily, as Minka and Miha, after many smaller adventures, meet at the top of Mount Triglav, where they sign the marriage contract, but also confirming their love for the mountains. In addition to its charming story, the movie features footage of picturesque Slovenian mountains.

The first ascent of the Matterhorn was made on July 14, 1865 by Edward Whymper, Francis Douglas, Charles Hudson, Douglas Hadow, Michel Croz and two guides from Zermatt, Peter Taugwalder father and son. Douglas, Hudson, Hadow and Croz are killed on the descent after Hadow slips and drags the other three men down the north face. Whymper and the two Taugwalders, who survive, are later accused of having cut the rope that connected them to the rest of the group so as not to be dragged into the fall, but the ensuing investigation finds no evidence of their guilt and they are acquitted. The Matterhorn is the last great peak in the Alps to be conquered and its ascent marks the end of the golden age of mountaineering. One hundred and fifty years later, a team undertakes the same expedition in order to unravel the mystery.

After being wrongfully convicted for stealing a pair of shoes, Stanley Yelnats is sent away to Camp Green Lake, a boys detention facility where inmates are forced to dig holes all day in the hot desert sun as a form of character building. As he endures the brutal routine, Stanley begins to uncover a hidden truth behind the camp, one that connects to a dangerous secret—and possibly Stanley’s family itself.

In The Call of the Mountain (L’appel de la montagne) a couple are childhood sweethearts who are separated, she marries a rich man and he becomes an alpine guide. The woman’s husband dies, and she returns home to Switzerland, her wealth and beauty drawing interest from a foreign rake, rogue, and roué named Billinsky. He talks her into a mountain ascension that meets with disaster when some of the climbers fall to their deaths. Her loyal friend the alpine guide rescues his sweetheart, and saves her again.

North Face tells the story of two German climbers Toni Kurz and Andreas Hinterstoisser and their attempt to scale the deadly North Face of the Eiger.

David Gordon is in love and engaged to be married to Kate Nugent. But the sinister figure of Austen Hawke, Gordon's rival, threatens to eclipse the wedding and wreck Gordon's one chance of true happiness. Gordon will throw Austen over a cliff in a climbing excursion in the Scafell Pike area, but finally he will find all was a dream. A vintage love story and a tale of blackmail based on A.E.W. Mason’s book. The film was produced by Stoll Pictures, Britain's biggest studio of the silent era and features Milton Rosmer.

The legend says that the summit of Mont Blanc is covered in gold. This ancestral belief has obsessed Jacques Balmat, a mountain guide, from his childhood. Now only he believes in the legend, and is the laughingstock of the villagers. Determined to prove that he is right, he takes advantage of the interest of the Swiss naturalist and physicist Horace Benedict de Saussure, who promises a reward of a thousand pieces of gold for the first who reaches the summit. The determination of Jacques Balmat will overcome the numerous obstacles that will arise during the ascent. French version of the film 'Der Konig vom Mont Blanc', in which the second-tier actors are different.

Two of Germany's best and busiest directors collaborated on Berge in Flammen (Mountain in Flames). The storyline should be of interest to pro-ecologists, inasmuch as the directors take to task the warmongers of the world for despoiling the natural beauties of the European mountain ranges with their shell-fire. The final outrage occurs during a battle between the Austrians and the Italians in the Dolomites, culminating with the destruction of an entire mountain (hence the film's title). The harrowing images on screen were complemented perfectly by the musical score of Giuseppe Beece. Also known as The Doomed Batallion, Berge in Flammen was filmed in three different languages -- German, English, French -- for a total cost of $150,000.

The mountain guide Jakob is a controversial figure. His supposed father dies and leaves behind a great heritage to the people. In the town they consider Jakob a bastard, because his parents were not married, which means that without a testament, the lands in which he lives do not belong to him. But the testament indicates that the inheritance corresponds him under a single condition, he must be the first person to climb the east face of Monte Verità. French version of Die weisse majestat, shot the year before in German with the same script in the Eiger/Jungfrau region but with different actors and by a different director.

Stephan, the son of an old-school mountain guide, is seduced by a city beauty. He leaves his mother, siblings, and girlfriend and travels to Zurich. But his dream quickly falls apart. Remorseful, he returns to the mountains, where his bride and a test of his mettle await him.

Junta is hated by the people in the village where she lives, especially by the women, who suspect her of being a witch. Only she can climb the nearby mountains to a cave high up, whence a mysterious blue light glows when the moon is full. Many young men of the village have died trying to follow her. She is driven out of town, and takes to living in the mountains. Eventually she shares the secret of the blue light with one man, and he betrays it.

In the mountains, Diotima meets Karl and fall in love and have an affair. Karl's friend Vigo mistakenly believes she's in love with him, causing rifts in all relationships.

Three men struggling to survive their spatial and temporal limits in front of and within a witness: the mountain.

Two brothers mountain climb in hopes of spreading the ashes of their recently deceased sibling.

German film about a Himalayan expedition and the search for a mountain spirit, who guarded, according to the tradition of the locals, the peaks of high mountains. The long-lost and recently rediscovered and restored film is now a unique cinematic document because it is the first feature film that was shot directly in the Himalayas (up to 6400 m altitude). Hans Ertl even turned his Bell & Howell to the main summit of Sia Kangri, 7422m. Likewise, the film contains footage from India and Tibet, from a time long before the emergence of mass tourism. Some of the footage was later recycled in ‘Lost horizon’ (1937) by Frank Capra and in ‘Storm over Tibet’ (1952).