Khela

Ryan meets Lauren whilst working on a disastrous set with an egotistical director. Ryan begins to fall for Lauren as they work together and get to now each other between shooting times but can't seem to distinguish between reality and fiction.

The residents of Malegaon look to Bollywood cinema for a much-needed escape from daily drudgery. Amateur filmmaker Nasir Shaikh gets inspired to make a film for the people of Malegaon, by the people of Malegaon. He bands together his ragtag group of friends to bring his vision to life, thereby bringing a fresh lease of life into the town.

A troubled filmmaker struggles to watch his own film in a cinema inside his head, along with a made-up audience that negatively reacts to his film, State of Matter.

Jakob Yzermans is an American salesman looking for his roots in Rotterdam. He thinks his father (Hendrik Yzermans) has left Holland with the money he took from his collegues. Jakob is trying to get the money together to repay the money. While doing so he encounters more and more problems.

José Sirgado is a low-budget filmmaker whose heroin addiction distorts his perspective of the real world. Although he is a depressed and unstable individual, his mood improves when he receives the mysterious films of Pedro, with whom he shares his passion for cinema.

In a rundown area of Buenos Aires, at the dawn of the 1980s, Adrian LeDuc owns both a struggling movie theater and a shabby apartment building filled with eccentric, squabbling tenants. To make ends meet, Adrian takes in a roommate, Jack Carney, but soon begins to suspect that the quiet American is responsible for a series of political assassinations that are rocking the city.

Hollywood, 1930s. Tod Hackett, a young painter who tries to make his way as an art director in the lurid world of film industry, gets infatuated with his neighbor Faye Greener, an aspiring actress who prefers the life that Homer Simpson, a lone accountant, can offer her.

Clarice wants to make a film about Jonathan, an unexpected and surprising filmmaker.

An obsessive young director & his crew plunge into a frantic night long odyssey of desperation to finish his film no matter the cost.

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

Marc is a different boy from the others. He just lost his best friend, the year that he started college. He lives in a society of internet, social networks and the desire of young people to be adult. He decides to question his emotions. In him, he discovers his fears of being an adult and leaving the childhood stage. He scares to grow up unlike the others. With the support of the memory of Oscar, in the middle of the city, between tears and laughter. Marc learns to let go, heal old memories, and redefine his emotions.

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The narrative in Parikrama travels through multiple spaces and times, through parallel experiences of its twin protagonists that criss-cross each other, though they come from worlds apart. Alessandro is an Italian writer-filmmaker making a film on Narmada Parikrama, an age-old pilgrimage along the holy river Narmada. In the course of his cinematic journey, Alessandro meets a village boy, Lala, who fled home to secure dignity and land for his displaced peasant family. Lala is almost the same age as his son Francesco, who lost his mother in the recent past. The narrative unfolds the story of two boys, one without his mother, the other without his motherland. Alessandro’s narrative takes a new turn as the river Narmada flows by.

Madrid, Spain, 1975. Sandra, Lina and Eva are three beautiful women who work as actresses in erotic movies. After meeting during a shoot, they become friends and begin to share experiences, concerns and successes in an era of increasing openness, although true freedom is still far away and demands a price hard to pay.

César Neira, an almost forgotten Spanish actor, gets involved by chance with Teresa, a teacher from a small village in the province of Cáceres, who has won a radio contest. The prize is a trip to Madrid to experience just for a fortnight the life of the famous and wealthy people.

On a dark, wet night in Taipei City, a cavernous old picture palace is about to close its doors forever. A meager audience, the remaining few staff, and perhaps even a ghost or two, watch King Hu’s wuxia classic "Dragon Inn", each haunted by memories and desires evoked by cinema itself.

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The two Albanian filmmakers Vani and Kaçi are invited to attend the Venice International Film Festival. They have been close friends since childhood until now on their 60's. At the beginning of the trip from Bari to Venice, they meet two actresses who working in the adult movies industry. From this moment on, the four of them continue the trip to Venice together wich brings a lot of turmoil for the unequal travel company of two conservative Albanians and two open-minded ladies with such different views of life.