The Million Hare

A small birthday celebration.

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American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

The Eds embark on a trick-or-treating adventure, hoping to find a place called "Spook-E-Ville" in this Halloween special.

Two rival robotics companies in the future release their latest creations at a robotics convention, claiming each to be the latest and greatest in technological advances. Mega Stellar Company's release is a robot boy named Romie-O, while Super Solar Cybernetics has released a girl robot named Julie-8. Unforeseen to each of the company's creators, is how each of the advanced robots soon falls in love with the other.

The circle of life continues for Simba, now fully grown and in his rightful place as the king of Pride Rock. Simba and Nala have given birth to a daughter, Kiara who's as rebellious as her father was. But Kiara drives her parents to distraction when she catches the eye of Kovu, the son of the evil lioness, Zira. Will Kovu steal Kiara's heart?

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An anthology of DC Showcase stories consisting of a new Superman/Shazam feature and extended versions of older shorts.

It's all extreme sports and a life of freedom as Max sets off for college -- but Goofy misses Max so much he loses his job and goes to finish college alongside Max and his friends. But as Goofy tries to get closer to Max, both must go to the extreme to learn how to live their own lives together.

Winnie the Pooh, Piglet, Owl, Kanga, Roo, and Rabbit are preparing a suitable winter home for Eeyore, the perennially dejected donkey, but Tigger's continual bouncing interrupts their efforts. Rabbit suggests that Tigger go find others of his kind to bounce with, but Tigger thinks "the most wonderful thing about tiggers is" he's "the only one!" Just in case though, the joyously jouncy feline sets out to see if he can find relatives.

When one of his missteps puts his family in jeopardy, Tarzan decides they would be better off without him.

Goofy’s teenage son Max is desperate to impress his crush and fit in at school. After well-meaning but ignorant Goofy suddenly whisks him away on a cross-country road trip—messing up Max’s first date plans in the process—Goofy’s old-school parenting and Max’s desire for independence lead to a vacation of hilarious mishaps, as they both learn to see eye to eye and listen to each other.