Dog Daze

When Axel, a young axolotl, gets separated from his family by ancient magic it’s up to him and Memo, an unlikely human ally, to get him out of the Cenote he’s trapped in and back to his home.

One summer afternoon in 1907, Abel and his wife (both mice) are picnicking, when they become separated during a violent rainstorm. After flying some distance, Abel discovers himself alone on a river island, unable to swim due to the powerful current. Abel periodically attempts to leave the island by various means: flying on a leaf, rowing a crudely fashioned boat, etc. Meanwhile, he tries to create a normal life of sorts, even learning to enjoy a new hobby: sculpture. Still, Abel's goal is to escape the island and rejoin his wife in the city.

Hykade's third and final part of The Country Trilogy. The once dead father of "We Lived in Grass" returns. "I give you the runt," he says. "But you take care of it and you kill it next year."

A boy is by an accident a member of a crew that is going to travel to the moon.

A young photographer embarks on the longest road trip of her life, but gradually questions her sanity as strange things begin to occur in her physical exhaustion and boredom.

Adaptation of Stephen King's story "Stationary Bike". After the tragic death of his wife, Boris loses all meaning in life, and his only desire is to be with his beloved again. Her old stationary bike becomes a bridge that connects his world with the path to his wife.

Ryan and Kevin and their crew from Los Angeles are hired by U.S. Interpol to be matched up against the notorious Gambler Crew from South Korea, known to the b-boy world as the best of the best. Their mission is to gather information about Tony Kai, an "ex yakuza" member who controls the Asian underworld in the United States. Tony Kai is in South Korea planning a worldwide monopoly on drugs, sex, and gambling. Ryan and Kevin struggle as they go deeper into the Asian underworld. Ryan falls for a beautiful Korean girl named Esther who happens to be the sister of "Kicker", the leader of the mafia-run Gamblers crew. Their love is put to the test as the rivalry between the two crews escalate. As reality sets in, the crew from LA is no match against the world champion Gamblers crew in the Mach 1 competition. Ryan, Kevin and the crew go into hiding where they meet an underground b-boy legend...

This is a classing Jordan animation, primarily in B/W, with touches of color. Actually, the engraved art work was film on color negative, so that subtle variations in tone are recorded. The mood--enhanced by John Davis' original music--is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The scenes, in the usual Jordan manner, follow the surreal principle of placing objects and people where the ought not to be, and making movements that in the waking world are impossible. Each scene is a kind of drama from another world.

A film about the vortex of time. It’s also about childhood and how it marks us for life. It’s a film that speaks of the relationship a son has with his father. And of the many words never spoken because they’re written in one’s heart.

In a world where lake monsters exist, we follow the daily life of Giacomo Rosetti, the one who takes care of Isy, the monster of Lake Iseo.

The animation was produced for the Tezuka Osamu Manga Museum, thus it features scenes from the "life and nature" of Tezuka Osamu's childhood, themes that are central to the museum as a whole, through exchanges between the boy Osamu and the carabid beetle (Osamushi) who provided the origin for the artist's name.

The gang is participating in a program sponsored by the Golden Age Dramatic League. They present their own fractured version of Quo Vadis. Things go from bad to worse when the neighborhood tough kids disrupt the show. The pie fight is given a new twist by use of some slow motion sequences.

No description available.

The film existed only in Jacque’s memory because all that remained were the two cardboard thief characters. Jacques called upon his memories to recreate the decor and the characters with a decorator. The operator then filmed frame by frame to reconstruct the film.

When Agnès Varda was preparing the film Jacquot de Nantes in 1990, she was able to shoot in the small apartment where Jacques was raised. While emptying the attic, Agnès found pieces of 9.5 mm film, dry and folded, almost broken and two small cardboard figures. The film was impossible to project and the film had to be remade. Showing the pieces of film to Jacques he immediately identified La Ballerine. A student from the Fine Arts School of Nantes therefore redrew each shot, frame by frame, on blank 16 mm film.

Gayoung, a director, expects to hear a farewell confession from her boyfriend, who's an actor. (Part of "100인 X 100초영화 프로젝트", a project dedicated to celebrate 100 years of South Korean cinema.)

Today is the most important day in the lives of Suso and Ricard: after several years in a relationship they're going to get married. Ricard comes from a Catalan family of rancid lineage; Suso, from a humble one in La Mancha. Both of their families are delighted with the marriage. Well, not all: Adela, Suso's grandmother, will be present at the dinner, but unaware that what's being celebrated is her grandson's wedding day.

Vincent, an artist with unresolved inner demons, meets a mysterious girl who helps him come to terms with his creative legacy… and eventual death.

Focusing on developing relationships with the computer as a nonhuman entity, Listener is an iterative, site-specific performance artwork which speculates a future through Lakota ontology, narratively and physically manifesting a relationship with metals in electronics, performed via an electronic interface woven into hair (hair is sacred to the Lakota). The sonic landscape includes live police scanners, synthesizers played by the hair, and algorithmically re-arranging poetry with a voice speaking of a future landscape, prophecies, dreams, and the possibilities in listening.

A girl gets lost in her inescapable nightmare as she is chased by the embodiment of her fears