Carmen

In the fantasy state of Olivia, the robber chief Gasparone is up to all sorts of mischief. But Prefect Nasoni is not only worried about him, his son Sindulfo is also causing him headaches. He is supposed to marry Countess Ambrat, but loves Ita, the niece of Massaccio, a somewhat obscure existence. Then the elegant Erminio appears, and the countess makes eyes at him. Confusion after confusion until Massaccio is unmasked as Gasparone. Erminio turns out to be a civil servant who was set on Gasparone and now gets his beautiful countess. Sindulfo is the last to embrace his Ita.

When a beautiful young woman in rural Moravia becomes unexpectedly pregnant, she learns that love is sometimes only skin-deep. Janáček took Gabriela Preissová's grim tale of infanticide and redemption, and condensed it into a masterful, spine-chilling drama. The tragic plight of the protagonists is presented with unsentimental realism that cannot help but trigger a response of deep compassion. Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.

A seductive dancer (Marika Rökk) helps her uncle to fight against the closing of his casino. Through her feminine charm she achieves diplomatic success.

"Yenufa" is an outstanding phenomenon in the music of the 20th century. Drawing on Moravian folklore, Janáček faithfully and deeply conveyed the drama of a peasant girl. The composer followed the path of Mussorgsky, revealing the spiritual life of people through the recreation of intonations of living speech. The libretto is based on a drama written in a naturalistic manner. Free from naturalism, Janáček's music has powerful emotional strength and psychological truth. It was written during a difficult period in the composer's life (illness and death of his daughter).

Ulysses is a shy and effeminate boy who finds himself coping with new responsibilities as man of the house after the death of his father. Living alongside his mother, younger brother, and conservative aunt, Ulysses is also struggling with questions about his gender identity. He finds an escape by creating a world of fantasy filled with dance and music. Ulysses' journey takes a turn for the better when he finds a vibrant transgender community.

When the Primm family moves to New York City, their young son Josh struggles to adapt to his new school and new friends. All of that changes when he discovers Lyle — a singing crocodile who loves baths, caviar and great music — living in the attic of his new home. But when Lyle’s existence is threatened by evil neighbor Mr. Grumps, the Primms must band together to show the world that family can come from the most unexpected places.

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Shortly before his death, Romitelli together with his friend Paolo Pachini and the poetess Kenka Lèkovich, resurrected the dream of a total scenic art (a furnace of sensations, they called it, an_ initiation rite_) in the manner of the Futurists: rhythms and gleams of light striking metals (for the video part), poems in iron and chrome singing of fusion with matter (Kenka Lekovich), acoustic/electric music highly amplified, filtered, spatialised, in as artificial a manner as possible. An Index of Metals bears vigorous witness to this determination to go beyond: sizzling orchestration, electric and psychedelic; a voice which plays on effects, murmurs with reverb, cackles into a megaphone, screams like a pop star; and an electric guitar score of a kind that no ‘serious’ composer has ever written, sliding across an infinite range of tones with a lightness of touch and blurring of contours.

Laali and Ladoo get trapped in a royal wedding that takes place in Vadodara.

The moon landing is juxtaposed to Dante and Beatrice's journey through paradise in this visual oratorio composed by Jacob ter Veldhuis.

The story of a German singer named Willie, who while working in Switzerland, falls in love with a Jewish composer named Robert, whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Mrs. Cho’s three daughters, Su-yeon, Ji-yeon and So-yeon, carry out their own busy lives. Upon the diagnosis of the terminally ill condition of their mother, they visit her after a long time. The three daughters bicker and compete against each other like children to win the love of their mother, and decide to use each of their skills to prepare a meal for their mother.

Third in the Nunsense series of musicals.

The classic musical by Bernstein, Comden and Green is performed live in concert in Berlin, starring Audra McDonald, Thomas Hampson, Brent Barrett and Kim Criswell, and conducted by Simon Rattle.

This is a fairy tale about a girl who just lived and was, and about a boy who just lived and was. You may recognize yourself in these stories, but all coincidences with real people are accidental.

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Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.

A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.