Vite

Features four distinct, bizarre, existential tales about people whose lives are in transition, who are each asking questions about themselves, their environments, and about God(s).

The life of Ukrainian-Soviet avant-garde composer Alexander Mosolov inspires three stories about creation and individualism in the face of state power, set against the Great Purge of the 1930s and the ongoing Russian invasion of Ukraine.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

In this fragile yet frightening poetic fantasy set against a dark industrial landscape, a woman sits knitting on the porch of her home when a man appears and takes the knitting from her.

CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...

Korea, the now: A young man makes a fateful encounter with a stranger he passionately falls in love with. When Unk rides his scooter through the night he fails to notice a drunk pedestrian, a man called Boaz, and hits him. The accident has unforeseen repercussions since shortly afterwards Unk and Boaz start an intense relationship that leads into a gradually worsening dependency.

"Inspired by Friedrich Nietzsche's seminal work 'Thus Spoke Zarathustra', THE GREAT CITY is a profound cinematic inquiry into the ontology of truth within the digital ruins of the modern world. The film navigates the psychological landscape of the 'Last Man', exploring the encroaching desert of the soul and the 'blind point' of human consciousness. Through a minimalist and melancholic visual language, it challenges the viewer to confront the illusions of contemporary existence and the search for authentic meaning in an era of absolute spiritual void."

Originally completed in 2018, the film was largely self-funded, Mr Yen Ooi worked on the script, refining the vision of the film for over a decade, with multiple iterations of the story under names such as 'Beetle Ramen', in which the completed draft of this screenplay was finalised in 2005, this would become the basis of inspiration and 13 years later the final production "Spaghetti Ramen" would be completed. It was then distributed to different indie and international film festivals. Unfortunately due to the passing of the director in the same year, the final processes were incomplete and the film did not get screened anywhere due to not getting the rights clearance. In 2023 however, the film was cleared to screen at WORM, Camera Japan in Rotterdam. This allowed for the first and only screening of the film in the world.

Two co-workers, one a vain woman and the other an awkward teenager, share an increasingly bizarre relationship after becoming roommates.

Without any sounds, dialogues and with unknown actors, the images are the focus of this film. Images that want to awake, to question determinant moments, state of a system's languages, the morality of deaths, the immobility, the silence, among other subjects. Shot at the height of the Brazilian military dictatorship, it is an affront to the most diverse types of repression in that period.

Three weeks to make three films. Filmed in my last semester before College. "Time", "One Night", "8x8".

Two friends try to re-unite by going on a road-trip to the forests and mountains. Their attempt to reconcile does not go easy due to the secrets they hold, and a shocking revelation ends their journey.

To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)

A costume designer is sent to the Catskills for an interactive theatre piece set in the 1920s. When she arrives things seem dark, strange and off. She soon realizes she is part of a student film.

A tale of two brothers from babies to adulthood told without words. One brother is upstaged by the other from the crib onward. Eventually the tables are turned.

Eleven-year-old Yekta lives in a crumbling island mansion with her strict aunts and ailing grandfather, yearning for her absent mother. As dreams and surreal visions shape her solitude, she sets out in search of a mythical seagull with a child’s head.

At Stamford Road in Dalston Junction of east London, the camera follows pedestrians, cars and birds while a narrator, who appears to be the director behind the camera, seems to instruct the objects.

The film appears like a ritual with splendids and crypteds psalms. The Great Master of Order (Marcel Mazé, new fetish actor after Aloual) seduces the young male prey with a running cinema projector which carves Murnau's Nosferatu extracts on their bodies. Metamorphosis, rituals passages, Eros and Thanotos, illusion and reality, film into the film are the themes and images in perpetual osmosis in this Stéphane Marti's opus.

A short Avant-Garde experimental film

Surrealistic existential adventure to the depths of a life of a human-hare