Der Wadenmesser

Mozart's life and music are described against a background of the 18th century and of the European cities which influenced his career. Stresses the classic character of his compositions.

Made to celebrate the 250th anniversary of Mozart's birth, IN SEARCH OF MOZART is the first feature-length documentary on Mozart's life. Produced with the world's leading orchestras and musicians, told through a 25,000 mile journey along every route Mozart followed, this detective story takes us to the heart of genius. Throughout, it is the music that takes center stage, with the jigsaw of Mozart's life fitting around it.

Documentary about Wolfgang Amadeus Mozart.

In Baden-Baden, Nayo Titzin follows the producers of the opera Don Giovanni, created for the Innsbruck Festival of 2006. He is looking for a musical truth... What if Mozart's masterwork Don Giovanni had been interpreted in a wrong way for more than two centuries? Conductor René Jacobs, famous for his performance of Così fan tutte and laureate of a Grammy Award for his innovative recording of The Marriage of Figaro, comes back with new ideas on the comprehension of one of the greatest operas of all times. In this relevant documentary, Nayo Titzin clarifies and highlights all the brightness of those melodies and recitatives. Rewarded with many praises in the international press, this production shows the dramaturgical perfection of the "opera of the operas," the absolute of the genre, as Wagner once said. Once more, the Bulgarian director offers a fun and subtle report, and makes sure that everyone will understand this myth.

Lucy Worsley traces the forgotten and fascinating story of the young Mozart's adventures in Georgian London. Arriving in 1764 as an eight-year-old boy, London held the promise of unrivalled musical opportunity. But in telling the telling the tale of Mozart's strange and unexpected encounters, Lucy reveals how life wasn't easy for the little boy in a big bustling city. With the demands of a royal performance, the humiliation of playing keyboard tricks in a London pub, a near fatal illness and finding himself heckled on the streets, it was a lot for a child to take. But London would prove pivotal, for it was here that the young Mozart made his musical breakthrough, blossoming from a precocious performer into a powerful new composer.

Based on an idea by the writer Francis Marmande, Michel Portal, jazz clarinetist, leads young virtuoso musicians for this concerto.

“As death, when we come to consider it closely, is the true goal of our existence, I have formed during the last few years such close relationships with this best and truest friend of mankind that death's image is not only no longer terrifying to me, but is indeed very soothing and consoling” - thus said Mozart about death. Mozart died in 1791 and was buried in a mass grave, as standard at the time in Vienna for a person of his social and financial situation. In 2000, 452 of Riga’s deceased — people without relatives, the homeless and the unidentified — were buried at the Jaunciems cemetery. But this film is not about death: it's about Mozart, The Magic Flute, Riga, and love. A short commissioned for the Latvian exhibition at Venice Biennale.

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

This riveting film takes a look behind the scenes at one of the 20th century's cinema classics and at one of contemporary cinema's most maddeningly brilliant directors, Milos Forman.

For the first 18 years of her life, Mozart’s sister shared equal billing with her brother. Musical partners and collaborators, Wolfgang Mozart and Maria-Anna Mozart played together before Kings and Queens, and were the talk of Europe. What happened to her? Forced into retirement by age 16 because she was a woman, a stunning new investigation explores why she was retired against her will and the explosive theory: did Maria-Anna Mozart continue to compose in secret?

Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.

The incredible tale of Mozart's Prague years.

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.

No description available.

A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.

A BBC documentary hosted by Charles Hazlewood about the life & music of Wolfgang Amadeus Mozart. Part 1: A Miracle of Nature.

A statue steps down from the pedestal and sets out in search of her Creator, the cold Queen of the Night. In the urban night, she encounters mysterious figures that disappear like shadows. Freely inspired by characters from Mozart's opera, The Magic Flute.

Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is betrothed to the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on wedding night. Meanwhile, Cherubino, the Count’s young page, is infatuated with the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.

Mozart's second collaboration with the mercurial librettist Lorenzo da Ponte is among the very blackest of black comedies. Glyndebourne welcomes back the winning team of director Jonathan Kent and designer Paul Brown, while the music is conducted by Vladimir Jurowski. In the title role, the bass-baritone Gerald Finley, joined by Luca Pisaroni, Kate Royal and the young Russian soprano Anna Samuil.