A Mesmerian Experiment

A knight returns home from the Crusades to find his village devastated by disease and his family gone. He roams the forest searching for them, until he finds a mysterious maiden who is being held prisoner by a black knight. In order to free her, he must confront her captor.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

This film is the pearl of his pioneer work in Madeira Island and captures the most of his methodology: good stories taking the most of Madeira's natural scenery, and provoking the audience with some ironic and "double-sense" scenes. The film tells the story of an English girl travelling with her father, a botanic, and a guide from madeira in the deep mountains of the island. The girl has some mental disturbs and is always scaring about an attack from the native man, appearing as a half-man/half-monster.

A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.

An experimental silent film made with a team of three. Humanity is being wiped out and the last people left are friends May and Pearl. The main themes of the film are friendship that gives strength and hope, as well as current concern for the future of humans and our nature. Could we start over or was this it?

In this fragile yet frightening poetic fantasy set against a dark industrial landscape, a woman sits knitting on the porch of her home when a man appears and takes the knitting from her.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Using a futuristic submarine, pirates kidnap a young couple, torpedo a passenger ship, travel under the sea to salvage bullion, then make their escape by taking to the air.

New York, 1927. An aspiring model goes to have her picture taken, but a camera can have a mind of its own.

A disturbingly organic-looking figure speaks to us of life, politics and death as the symbol of the common man toils away. Written and narrated by William S. Burroughs.

Walt Disney enlisted former colleagues Hugh Harman and Rudy Ising to help create this underwater Silly Symphony. Ocean waves form merbabies who are summoned to an aquatic circus playground on the sea floor, where they interact with a parade of seahorses, starfish and other marine life, before disappearing into the surface from which they came.

After a wild bachelor party, our hero finds himself aboard a sailing vessel where he encounters numerous adventures. In a dream sequence, he fantasizes that the ship is seized by a band of female pirates.

The goddess is greeted by dancing flowers and fairies. The devil comes and takes her away to be his queen. She's despondent, as winter settles in above ground. But the devil isn't happy either, and offers anything to make her happy. They reach an agreement: she'll spend six months above ground and six below. Thus we have seasons.

Two children sneak out of their bedroom on the night of December 24th, so they can ask Santa Claus what he does the rest of the year. Santa tells the children about his life in the Land of Winter, and about how he keeps an eye on all the children in the world.

Thrown out of the house into the backyard, the three kittens are sheltered by a giant Saint Bernard and are tormented by a turtle and a bluebird.

Santa's little helpers must hurry to finish the toys before Christmas Day.

After Eve causes a cataclysmic event that sucks all apples into a dark void, the two surviving apples must recruit the help of Steve Jobs and Isaac Newton to save the Garden of Eden.

A toy stuffed dog has just been sewn together when it hears a young child ask for an orange. The child's mother explains that they have no money, and so she cannot buy any oranges. The dog is then packed up along with a box full of other toys to be sold, but it soon winds up in the street. The dog picks up an orange from a curb side stand, and hopes to take it home to the child. But that night, before the dog can get back to the child's home, it must face a series of strange and frightening adventures.

Mickey has been reading Alice in Wonderland, and falls asleep. He finds himself on the other side of the mirror, where the furniture is alive.

"Glory Holes" are mostly found in the basements of sex shops, sex clubs, or what are commonly referred to as whore bars. The pleasure is blind, anonymous. He delights in this blindness. "She" is the engine of his fantasies, his fears, his uneasiness and her naive and vain generosity. "He" will be waiting for her every Wednesday. This short film is the first fiction film directed by Guillaume Foirest as part of his graduation thesis at ESRA Nice in 2005. The film was distributed by DVD Pocket and has made many festivals around the world .