Trailer Madness

A comedy set in a surreal school about a professor who lectures about Buddhism -- an ancient religion, and karma -- the law of cause and effect. He rambles on while becoming increasingly annoyed by a fly he attempts to squash, helping the class learn a valuable lesson about "karma express".

An experimental film about the relation of Time and Space.

Three basketball players step onto the court, each with a rhythm of their own. As their movements are studied and reimagined, their game is then recontextualized into jazz, revealing the artistry within sport and the music hidden in motion.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

The film explores a young man's intimate relationship with the Internet. While the absence of a father figure has left him searching for answers, he finds an unexpected mentor in Google. From learning everyday tasks like shaving to discovering deeper knowledge, the algorithm becomes much more than a simple search engine, blurring the boundaries between real and virtual.

Vampire Barnabas Collins is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate and family have fallen into ruin.

Developed from footage filmed during a road trip between São Paulo and Caraíva at the turn of 2008 to 2009, "coração-PALAVRA" grows from a domestic record into an essay film about memory, time, and plural forms of fatherhood. Drawing on a home archive accumulated over nearly two decades, the film moves between past and present to explore what endures and what changes in relationships between fathers and sons.

A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.

Partly a parody, partly a mockumentary, partly an essay film - and also an actual behind the scenes documentary of two short films.

An experimental film that combines elements of avant-garde, silent comedy, horror, science fiction and animation.

An obsessive exploration of the three geometric dimensions in hopes of reaching a fourth.

Hugo and Lucas working on how to show symbols for future projects.

The life, death, and resurrection of Elvis Presley, as he is transformed from man into product. Composed primarily of an illustrated biography filmed with a microscope camera.

What drives us to keep going in a world that grows increasingly hostile toward our existence every day? Squirm Gallery, a DIY music venue, finds a way forward in a rapidly gentrifying Denver.

Extroversion is an attractive description, but why do we idealize this personality trait more highly? LISTEN TO THE WALLFLOWERS is a poetic short documentary about the need for quietness and spending time alone in a world that can't stop talking.

“four of cups” is a film built around four symbolic objects, arranged through layered visuals and voice fragments. it invites the viewer to feel their way through a still moment of introspection.

No description available.

Collective video and performance work based on the book by John Berger and John Christie, I Send You This Cadmium Red. The video creation was made following a series of instructions generated by the group: each member of the Neofòbia collective made 45-second vertical films about previously agreed colours and sent them every 15 days at a specific time. It was not edited except to group the successive submissions into a triptych and play with random placement. No hierarchy is established and there are no individual authorships, only those of the collective. All decisions are made horizontally.

Collective and performative video work, interfering in three spaces. All actions are a series of interferences with the medium of each of the members of Neofòbia without interaction between them. It is divided into three steps.

An unhappy young man becomes confused about reality, guilt, his own identity and love life after he gets to know his next-door neighbor, a seductive femme fatale.