Red-Hunt 2 - National Crime

On the shores of Jeju Island, a fierce group of South Korean divers fight to save their vanishing culture from looming threats.

Immediately after liberation, an incident called 'Jeju Uprising' took place on Jeju Island, the Hawaii of Korea, under the control of the US military government. As a result, about one-tenth of the total population of the island at that time was sacrificed. The children who survived the massacre record the memories of that day in an animated film 70 years later.

Following water's flow through the volcanic body of Jeju Island, the film traces resilience across geological, historical, and mythical time. A lone visitor enters a cave where submerged memories—of militarization and exploitation—surface through sound.

Focusing on Mrs. Kang Sang-hee’s life, she lost her husband in the Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Island, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

The late Kim Dong-il, a Jeju April 3 refugee in Japan, left behind over 2,000 crocheted items and pieces of clothing that preserved her memories, identity, and history. As the film traces the redistribution of her belongings, it illuminates the still-unhealed lives of various Zainichi Koreans who lived through the same era, sharing and connecting their intertwined memories.

This is a record of people who face up to the big change.

The folk duo 'Yeoyu and Seolbin' completed their third album, 「Comedy」, while living in Jeju. The record swept the Folk category at the Korean Music Awards and was praised as "a single album that has it all—regret and sympathy, rage and sorrow, and hope." Exploring what it means to be alive in the face of life's tragedies, the duo weaves a subtle yet powerful narrative through Jeju's landscapes: an old house and its yard, a Chinese restaurant where they once worked, and the recording studio.

Jeju-do is the largest of Korean islands and lies between Korea and Japan. There, for hundreds of years, women dive without breathing apparatus, to the ocean floor and collect shellfish, octopus, and urchins that they sell. The divers are in their sixties and seventies and their daughters do not want to inherit their work, lifestyle, and health problems that go with diving. As a filmmaker I was privileged to meet many of these women and dive with them. Their stories of hardship and pride confirmed my desire to record this unique and ancient tradition.

In an abandoned resort on the South Korean island of Jeju, a group of people perform a symbolic funeral ritual to end a world built on hierarchies, division and destruction.

In the turmoil of the Jeju 4.3 incident, Jeju Island witnessed the loss of an estimated 25,000 to 30,000 lives, with women constituting a significant yet often unrecognized proportion of the victims. This documentary illuminates the once-shrouded experiences of these women, led by a dedicated Jeju 4.3 researcher.

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In the summer of 2021, film students shot a short film titled ‘In the Dry Stream’ on Jeju Island. This film reconstructs the filmmaking process from pre-production through production, utilizing outtakes from the short film, various production materials, and behind-the-scenes footage captured by the crew.

Battling deep depression, Jaeyoun returns to her roots on the island of Marano, South Korea, to visit her family of female free fivers known as haenyeo. To her surprise, she finds a connection to nature and her ancestors that literally saves her life.

Wan-soon, a 9-year-old girl living on the island, managed to survive a massacre that took place 75 years ago. The lingering effects of this unresolved ordeal are emphasized, and the girl embarks on a journey to depict the vivid red fragments that remain in her memory, using a red colored pencil as her means of expression.

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The film shows demonstrations against building the second airport in Jeju Island the performances of environmentalists very closely and in detail, by which it develops a desperate love story.

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