Man Hoyanne Premayak

Sangele (Dulani) is a girl who lives alone in a village of people . People in the city are trying to get close to her some even making sexual advances. Punchi Malli (Sanath) is very attracted to Sangile, even though he is married. Meanwhile, a hard working young Sunimal (Saranga) falls in love with Sangile. Punchi Malli was falsely accused in due to a rumor and sent to jail. During this time, Punchi Malli raped Sangile and Punchi Malli's wife (Veena) get to know about the hidden truth. She tried to blame Sangile for dirty works, however Punchi Malli punished her. Sangile gets pregnant and story continues.

The film follows Dr. Manorani Saravanamuttu's relentless pursuit of justice after the tragic abduction and murder of her son, Richard de Zoysa, a journalist, writer, and human rights activist, in 1990.

A new principal comes to the underdeveloped village school that is affected by lazy teachers and drugs.

One person wins at life by bravely challenging his destiny; he is jailed for murder but released after a few years.

Goal is the story of bunch of ordinary village children who challenge the impossible with the help of a teacher who refuses to see them fail.

The day Parami appeared on Vimukthi’s eyes he found out that she is the one who he needed to his life. Later, a day with a tension mood these two soul mates get into a train with tears on their faces to ride their last train journey together. But Vimukthi’s family is strongly against to approve Parami as their daughter in law. The reason for disapproving Parami is her cast and status.

Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.

The story dated back to 1930s prior to Soulbury constitutional reforms. In a rural hilly village called Akiriyankumbura in Wellassa, a beautiful girl, Sedera Menike is protected by her two brothers Dingira and Dungura.

A young doctor returns to Sri Lanka with a dream to serve his country, only to find himself caught in a web of love, loyalty, and a dangerous fight against a corrupt system. As he confronts the darker truths behind the healthcare industry, his courage and integrity are put to the ultimate test.

Rangana is a young musician from the working classes who dreams big. His aim is to rise above his station, even as he toils the low-rent barroom circuit with his band, playing night after night to under-appreciative crowds to make a frugal living. Tanya is the love of his life, the woman whom all this will be worth achieving. She is just finishing school. As he toils through the nights, his need of a mode of transport - a motor bicycle - becomes more and more apparent. He dreams of one day collecting enough money to buy one, finally buying a second hand motorbike despite his mother's great protest. He now wants to taste his new found freedom with his beloved Tanya, along the city streets of Colombo. As Rangana and Tanya embark on this motorbike journey across the city, questions about their present, challenges to their future and the very essence of their lives is brought to the fore, in "Motor Bicycle."

Set in Sri Lanka, where old colonial laws permit the imprisonment of gay and lesbian people, 'Frangipani' tells the story of two young men and one woman entangled in a lustful – and incredibly dangerous - love triangle.

After getting through the O/L Examination with outstanding results, Anuththara with his friends eagerly look forward to experience their final years in school as seniors in the A/L class. They befriend Ahinsa and the other new girls who join their school. Ahinsa draws everyone’s attention for her smartness as well as her cheerful yet mysterious behaviour. Her irregular school attendance and the rumours circulating about her, make the others suspect that there’s a hidden story behind her cheerfulness.

Living with the pain of a poisoned environment and a society that doesn't understand the value of an individual.

Attention is a Sri Lankan Sinhala thriller drama film directed by Sudesh Wasantha Pieris and produced by Nihal Wijesinghe for Nilkamal Films. It stars Jackson Anthony in the lead role along with Dasun Pathirana, Buddhika Jayaratne, Dishni Rajapakshe and Semini Iddamalgoda in supportive roles. The film marked the final cinema appearance of the dramatist Jackson Anthony before his death.

The film, “Govi Thaththa” (Father, the farmer) is introduced as the first of its kind in Asia to portray the tragedies people and the environment are faced with today due to moving away from nature-friendly agro practices of the past to adopt chemical-based agriculture. This movie is considered as the first-ever movie directed by a musician and produced by a farmer.

Adarei Man (I Love) (Sinhalese: ආදරෙයි මං) is a 2018 Sri Lankan Sinhala romance film directed by Prageeth Rathnayake as his maiden direction and produced by Jagath Chandana for Romeo’s Eye Picture. It is the love tale of a rich but kind hearted boy named Pavan and his relation with a middle class girl named Malmi

Wassanaye Sanda (Moon of the Autumn) (Sinhalese: වස්සානයේ සඳ ) is a 2018 Sri Lankan Sinhala romantic drama film directed by Udayakantha Warnasuriya. It follows the story of two young lovers Mihiri & Sandesh and struggles they face.

The movie is based on the legend of King Sinhabahu, the son of a lion and a royal princess Suppa Devi.

A family loss leads a man on a life-altering journey in which he gains new perspectives on his family, friendships and relationships.

A film that touches Life, Death and Expectations.One Person’s death fans the flame of expectations in another. the life that begins with that expectation ultimately ends in death. Loneliness, loss of social contacts and deceit are the underlying human conditions of the film.