An Unbridgeable Gap

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

“Sisters” is a deeply personal story about my journey back to my home country of Venezuela to investigate the possibility of a long lost sister.

The animated corpse of Moscow goes on after its inhabitants left. Filled with weeps and whispers of the mourning ghosts, torn apart with phone calls from distant countries and unfamiliar sounds, emotionally devastated and deserted, the city attempts to reconcile with its own voice.

Two westerners, a priest and a teacher find themselves in the middle of the Rwandan genocide and face a moral dilemna. Do they place themselves in danger and protect the refugees, or escape the country with their lives? Based on a true story.

No description available.

No description available.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

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No description available.

On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

In an age of chaos, destruction, and decay, the resurrection of nature was the last ray of vitality and a testament to survival. The film ventures into the haunting remnants of humanity, the silent witness of its collective collapse, and the ethereal rebirth of nature in the absence of mankind. The intriguing scenes are experienced through an omnipresent and atemporal perspective.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.

A story of The Map and The Territory. Shot in BC, California, and Nevada. Original music by Tashi Townley, Jack Brintnell, Luc Wiebe, and George Lee.

"No Refunds" is a visceral, tangled descent into the transactional dynamics of intimate encounters, told through the language of bodies, sheets, and reflections, where the purchase of queer sex work is laid bare. As the filmmaker simultaneously takes on the roles of client and audience, the boundaries between documentary and performance fade, unraveling the artifice at the heart of sex work and the act of filmmaking.

"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'

Once the beating heart of Beijing’s steel industry, Shougang was a leviathan forged from iron and fire. Its blast furnaces once echoed with labour and ambition, embodying the raw force of China’s industrial might. Today, these same structures are repurposed into spaces of digital innovation and Olympic legacy, marking one of the most ambitious urban transformations in modern China. This documentary traces the metamorphosis of Shougang Park through three poetic chapters: its industrial past, the deliberate reinvention of its architecture, and its re-emergence as a tech-driven ecosystem. Through immersive visuals and the voices of those who once toiled within its furnaces and those now forging its future, The Pulse Beneath the Steel is more than a portrait of place. It is a meditation on memory and transformation at the heart of a city that bridges heritage and modernity.