Finger on the Trigger

Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.

A young free-spirited Irish woman from an affluent Protestant family spontaneously befriends a street-smart commoner cheated by her family’s hostile land takeovers. They escape to America, ready to take advantage of the 19th century Oklahoma land rush.

There's a box social coming up, and Curly asks Laurey if she'll be his date. Trouble is, Laurey thinks he's waited too long, and in a fit of pique accepts an offer from the boorish ranch hand Jud instead. Meanwhile, Laurey's friend Ado Annie is also torn between two men: cowboy Will and foreign peddler Ali Hakim. Both women struggle to know their own hearts before it's too late.

The feuding Lanes and Whittakers are brought together with the help of Roy Rogers, when a business tycoon tries to play one family against the other.

A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.

In this western, two cowboys go to buy fresh horses for the cavalry and end up taking on two badguys and a female vigilante.

In six months, the population of Cromwell, Oklahoma, has climbed from 500 to 10,000. Boom times have come to the oil-rich town. So has a new breed of criminal. You Know My Name is the fact-based story of Bill Tilghman, a lawman and former partner of Wyatt Earp confronted by an emerging era when outlaws run whiskey instead of cattle and are likely to tote a tommy gun as carry a six-gun. An ideally cast Sam Elliott plays Tilghman, whose life takes on a newfangled wrinkle of its own. Tilghman makes a moving picture of his Old West exploits; and the success of that silent film, The Passing of the Oklahoma Outlaws, spreads his reputation like a brushfire. But that reputation may mean nothing to a thug (Arliss Howard) who hides behind a badge.

Framed by Major Jenkins, Capt. Travers is kicked out of the Army. When Travers, now living with the Indians, is captured by Jenkins, the Indians attack the fort. With his men greatly outnumbered Colonel Burke realizes that Travers is their only chance.

When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat claims a plot of the free land for himself and moves his family there from Wichita. A newspaperman, lawyer, and just about everything else, Cravat soon becomes a leading citizen of the boom town of Osage. Once the town is established, however, he begins to feel confined once again, and heads for the Cherokee Strip, leaving his family behind. During this and other absences, his wife Sabra must learn to take care of herself and soon becomes prominent in her own right.

In Oklahoma, kindhearted outlaw Brick Willock rescues little Lahoma Gledware and her father Henry from certain death at the hands of his outlaw band. In the course of the rescue, he kills Kansas Kimball, the brother of the outlaws' leader Red Kimball, who vows vengeance against Brick. Brick renounces his life of crime, and after Gledware relinquishes custody of his daughter to marry an Indian princess, the old cowboy gives refuge to the little girl, raising her with the help of neighbor Bill Atkins.

Temple Houston (Sam Houston's son) who is the DA with a sense of Justice. He is located in Fort Smith, Ark and works with Judge Parker in 1872. His area includes the Oklahoma Territory which was the Indian territory at that time. Chief Buffalo Horn who is falsely accused of murder.

When the Daltons are killed at Coffeyville, gang member Bill Doolin, arriving late, escapes but kills a man. Now wanted for murder, he becomes the leader of the Doolin gang. He eventually leaves the gang and tries to start a new life under a new name, but the old gang members appear and his true identity becomes known. Once again he becomes an outlaw trying to escape from the law.

After the North defeats the South, Union Maj. Jeff Clanton heads to Missouri to provide the Confederacy's Quantrill's Raiders a chance to claim allegiance to the Union, thereby clearing their wanted status. But standing in Clanton's way are the corrupt lawmen Joad and Fowler, who would rather keep the men outlaws to collect the reward on their heads. After Joad and Fowler frame Clanton for murder, he manages to escape, becoming an outlaw himself.

Four outlaws with a bounty on each head, set a date for a shootout in Langston, Oklahoma. The last man takes the collective bounty. Violence and mayhem ensue.

In 1913, in Oklahoma, oil derrick owner Lena Doyle, aided by her father and a hobo, is stubbornly drilling for oil despite the pressure from major oil companies to sell her land.

The epic story of a family involved in the Oklahoma Land Rush of April 22, 1889.

A reluctant cavalry Captain must track a defiant tribe of migrating Cheyenne.

Cowboy Dan Somers and oilman Jim "Hunk" Gardner compete for oil lease rights on Indian land in Oklahoma, as well as for the favors of schoolteacher Cathy Allen.

The story is set in the British province of New York during the French and Indian War, and concerns—in part—a Huron massacre (with passive French acquiescence) of between 500 to 1,500 Anglo-American troops, who had honorably surrendered at Fort William Henry, plus some women and servants; the kidnapping of two sisters, daughters of the British commander; and their rescue by the last Mohicans.

William S. Hart stars in this 1925 silent film as a cowboy intent on claiming land during the 1889 land rush in the Oklahoma Territory. Though hardened from years of taming the new frontier, he falls in love with a beautiful woman. Before he settles down, however, he must contend with men who wish to bring him harm. In the prologue of the 1939 Astor Pictures revival of this film, Hart gives a moving eight-minute introduction-- the first and only time he appeared in a film accompanied by his striking voice.