Matinée

16th July 1969: America prepares to launch Apollo 11. Thousands of kilometers away, a ragtag group of Zambian exiles is trying to beat America to the Moon.

Boner and his crew must rescue Santa on Christmas Eve when a demon determined to steal all of his presents raids a school assembly and kidnaps him.

French pantomimist Pierre Étaix plays an insomniac who makes the mistake of trying to read himself to sleep with a book about vampires. Short film included in the anthology film As Long as You've Got Your Health (1966).

The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.

Two old tars, retired from service, live alone in a cottage by the sea. They sail along on an even keel, until a buxom and comely widow projects herself on the scene when one old tar breaks one of their unwritten laws and falls in love with her. The other old fellow objects strenuously.

"Deep shit : listen in life chance only comes once, unless you’re lucky : then it can come twice. But for you it will only come once. So, you must chat to Kate the Amercain, where is she ?"

A Maori gang member and a Neo-Nazi become trapped in an elevator and must put aside their differences to escape their predicament; all the while dealing with an equally racist Chinese maintenance worker.

Two rival robotics companies in the future release their latest creations at a robotics convention, claiming each to be the latest and greatest in technological advances. Mega Stellar Company's release is a robot boy named Romie-O, while Super Solar Cybernetics has released a girl robot named Julie-8. Unforeseen to each of the company's creators, is how each of the advanced robots soon falls in love with the other.

After receiving a phone call, a man feels his inner world come to a standstill. Recalling the event decades later, he relives how everything changed in that moment and reflects on how quickly his life has passed and how his reality was constructed by all the things he repeated to himself like a mantra.

A brother and sister decide to sell their family farm but things go awry when a bag of money shows up on the front doorstep.

A couple embarks on an epic road trip in an attempt to gain more followers after their Instagram rival's fame doubles overnight.

In the middle of a peaceful Hawaiian vacation, a couple has to grapple with a crisis that may not only forever affect their lives, but also all of humanity.

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.

On the front lines of the Great War, nurse Simon repairs the broken faces of the soldiers every day with love letters, words from women that have the power to heal the wounds of these paper soldiers. Simon himself seems impervious to holes, uncreasable, untearable in his white coat. His secret is his war godmother, who occupies all his thoughts whenever he has a moment to breathe. But when death strikes where it is least expected, can words written on paper still erase the pain?

CYCLES is a playful, sweetheart choreography, circling through the madness of grief.

Andy plans to visit his three open relationships on New Years Eve. He goes from one place to another to prove them, and to prove herself, that they are just as important to her. A comedy where the insecurities of love appear, the search and acceptance of oneself, the management of how to want to cover everything and not reach anything in a good way.

Genesis 1:26 - Then God said, "Let us make man in our image, after our likeness." So Edu did that with Carmen, his mannequin.

God sends the archangel, Eden, to Earth where she is placed with people who are about to make a life decision that could negatively impact them and others around them. Will Eden be able to help, or will her brother Lucifer get in the way?

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

An ordinary woman's day is becoming more and more stressful: neither on the street, nor in the office, nor in the bar, she can feel at peace and safe until she reaches the point of no return.