Green Day: 20 Years of American Idiot

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Dither: The D.I.Y. Sound is not your conventional punk rock documentary. In this documentary we explore the ideologies created by cornerstones of the early punk community such as Ian Mackaye of Minor Threat, Fugazi and Dischord Records. But beyond that, we explore the communities and people that have adopted these ideologies and created their own version of what it means to be D.I.Y. This is not a documentary about just music, it's a documentary about the communities that surround the music and embrace it as a way of identification and brotherhood. But this documentary doesn't just ask questions about the culture, it asks questions about how it's possible to maintain a culture that is, at it's core, so opposite of the modern economic and social system.

A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.

160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

Gutter punks shouldn't play with dead things...or have sex with them. When Sarah (Tiffany Stinky) screws a corpse in the local funeral home she gets the "ROT," a deadly, flesh-eating virus that soon infects her punk rock boyfriend Muzzy (Billy Scam). Realizing they are doomed to rot alive together, Sarah and Muzzy set out on a nihilistic rampage, spreading ultra-violence and the virus in their chaotic wake. As the plague of rotting flesh rages out of control, the FBI, secretive government agencies and Dr. Robert Olsen (Joel D. Wynkoop), the deranged scientist who created the "ROT", become involved, making everything far worse for the citizens of Sunnyville, Florida.

Live perfomances and interviews from the post-punk era.

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Directed by journalist Ricardo Alexandre, the documentary tells the story of the Napalm nightclub, responsible for the new wave and post-punk generation in Sao Paulo. Mixing live shows, cutting-edge DJing and videos in its "modern" internal television system, the venue quickly became a meeting point for young people who shaped the grayer side of Brazilian rock in the 80s.

In the early 1970s, rubber was still king in Akron, Ohio. But just a few short years later, Akron's most important product was, ever so briefly, music. In the mid-1970s, a group of local bands took over an old rubber workers' hang-out in downtown Akron called The Crypt and created a mix of punk and art rock that came to be known as "the Akron Sound." And for a while, it was almost "the next big thing." Almost. It's Everything, and Then It's Gone, a Western Reserve PBS production written and directed by Phil Hoffman., takes viewers back to a time when the music really did mean everything. And for the men and women in these local bands, it was a way out of the factory.

In the land of axé music, old punks resist and live independently.

The death of punk icon and X-Ray Spex front-woman Poly Styrene sends her daughter on a journey through her mother's archives in this intimate documentary.

Public Image Limited provide a monumental live performance at London's Heaven, showcasing tracks from the new album. The (London) Times commented "This was an evening of uncompromising art and music; worthy of the total concentration of the audience. There is a PiL in Heaven was released as part of the 'This is Public Image Limited' limited edition 2 disc (cd/dvd) set.

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

The Truth Behind The Insanity of The Iconic Punk Band NOFX

Probably the most atypical star in the history of popular music, Ian Dury overcame Polio to be one of the most iconic figures of the late punk movement. With his supercharged live performances and unique blend of sexually poetic lyrics, Ian Dury achieved critical aclaim from both his fans and fellow artists. From his early days with Kilburn and the High Roads to his superstardom with the Blockheads, Ian Dury was a complicated cocktail of warmth, wit, bile and bombast... quite simply he was unique and unforgettable. To discover the legend that is Ian Dury this DVD contains amazing live performances of Sex & Drugs & Rock & Roll, What A Waste, Hit Me With Your Rhythm Stick, Sweet Gene Vincent and many other hits from his heyday, alongside in-depth interviews that give an insight to the man himself.

2017 was the 40th Anniversary of the release of The Jam's first Polydor singles and LPs. This DVD features TV appearances and promo videos from those iconic LPs -- In The City and This is the Modern World.

Take one look at award-winning songwriter / artist Allee Willis and you see someone unafraid to be themselves. Dressed in a cacophony of prints and colors, her signature asymmetrical haircut and famed parties at her real-life Pee-Wee’s Playhouse, Allee didn’t waste any opportunity to tell you what she was about. But privately, Allee struggled with not fitting established gender and sexual norms. She buried herself in her work, until true love manifested her ultimate masterpiece - self-acceptance.