Boxing Match

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

During World War 2, Jewish men were forced to box for Nazi Entertainment. The winner got extra food, the loser went to the gas chambers. Based on true events, a Jewish American Olympian and his family struggle for survival in the midst of the Holocaust.

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

When Jessica Parker’s former high school boyfriend, superstar baseball player Chase Taynor, returns to town, she finds the inspiration to reinvent her struggling diner… and revisits the past to find something even better for the future.

With hard work and dedication on lock, a group of homeless men trains to compete in a global tournament — despite a cranky coach.

In a neighborhood overrun by crime, Enzo opens a judo school to help at-risk teens onto a different path and guide his son toward Olympic gold.

A young scientist is kidnapped and taken to a house where his former mentor, a professor, is conducting experiments on shrinking humans.

Gee Atherton ripping the Worlds course the day after winning the race, Robbie Bourdon stomping a 70 ft. flat spin and Fabien Barel dropping an insane, near vertical line in Morocco, that's right New World Disorder is back with it's 9th installment, "Never Enough." Filmed exclusively in Super 16mm and High Definition, the world premiere will screen September 24th, during the annual Interbike trade show in Las Vegas.

Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteorological.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

Scene 23, Slow pan The wind whistles over the dykes of the Willebroek Canal. Armand sighs. The viewer should feel goose bumps under their thick sweater. Make it clear that at this moment, Armand is craving a cup of Borain coffee. Scene 456, Armand's farm Armand puts down his coffee cup. Through the window, he sees a beautiful Romanian refugee with AIDS playing the cello in the beet field. Behind Armand, his wife, a former RTBF announcer, commits suicide by hitting herself with hot potatoes. Scene 2,347, sublime landscape of Flanders Armand can't take it anymore: will he choose the position of deputy for the Vlaamse Blok or that of puppeteer subsidized by the CUCF? No one can say.

Chris, a former tennis pro, takes a job as an instructor and befriends his wealthy young student, Tom. After being introduced to his family, Chris is soon engaged to Tom's sister, Chloe. Despite the professional and financial advantages that this relationship affords him, Chris becomes obsessed with Tom's fiancee, American actress Nola.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

On the Sorrento peninsula, orange and lemon groves stretch all the way to the coast. In the orange plantations, the high wooden frames are covered with mats to protect the trees from intense sunlight. The function of the artificial irrigation system is demonstrated. The oculation of trees is demonstrated in a young plantation. The oranges are cleaned on the spot, then sent to the laundry, cleaned, dried and made ready for dispatch. In a lemon plantation, many pickers stand on ladders on a tall tree and remove the fruit. The lemons are sorted, wrapped in tissue paper and packaged in home and large-scale factories. Before being exported, the goods are checked again for quality.

"De Pleintjes" is a documentary about Antwerp's street football culture. Rough areas such as Het Kiel, Borgerhout, Deurne and Stuivenberg are the backdrops to the social lives of thousands of youngsters. It's these areas where they grow up, learn about the world, and above all, dream of a better future.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The Detroit Pistons of the late 1980s and early '90s seemed willing to do anything to win. That characteristic made them loved — and hated. It earned them the title: Bad Boys.