Corsica

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The son of the wealthy Signor Della Corba loves one of his maids. Her brothers and father rebel at the idea of this union. But the girl is pregnant, and after the birth of the child, Della Corba's son decides to kidnap his mistress on Carnival Day. The brothers, having caught wind of the plan, kill him, then, in disguise, take him masked to his father's house, passing him off as a drunken friend. At dawn, Della Corba discovers her lifeless son under the mask. The maid having died in the meantime, he takes the child in and adopts him.

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A father shoots his son dead because, lured by the offer of a watch, he revealed to the police where his father had hidden smugglers who had come to ask for his hospitality.

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The driver of the Ajaccio-Bastia stagecoach received a bag of gold from the Treasury, which he was to transport. This became known to a band of bandits who were terrorizing the region. On a steep climb, they attacked the stagecoach, wounded the driver, stole the gold, unharnessed the horses, and left everyone behind. After regaining his strength, the driver went to find help. He alerted two gendarmes. With their assistance and that of a dog, they quickly discovered the bandits' hideout, which was then attacked. The brigands were taken prisoner, the gold recovered, and the police satisfied.

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In a world where vendettas are officially sanctioned, the people sometimes needed help in carrying out their vengeance. Sanada Hiroyuki stars as Sukeroku the Helper, a ‘cool and rambling yakuza’ that has made a business out of helping victims carry out their revenge. When he returns to his hometown to pay a visit to his mother’s grave he meets a deadly ronin who carries a secret which eventually leads him into a vendetta of his own.

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A seventeen-year-old boy and his younger sister’s dreams and aspirations are put on hold when their father is accused of murder.

After being bailed out of trouble by a member of the Kaijima Clan, Ryuhei dedicates himself to saving the Kajima’s lucrative lumber business.

Antoine and Laurent, old friends, spend their vacation in Corsica with their respective daughters: seventeen-year-old Louna and eighteen-year-old Marie. One evening at the beach, Louna seduces Laurent. Louna is in love, but for Laurent it was nothing more than a momentary distraction. Without revealing her lover's name, Louna confides in her father, who tries by any means to discover who his daughter's lover is. How long will the secret be able to be kept hidden?

Nathan, in his twenties and still studying, no longer feels like he belongs in his own life. To reflect on his uncertain future, he decides to take a solo vacation to Corsica. Under the scorching summer sun, the introverted young man meets Léana and Félix, with whom he shares a shabby room in a youth hostel. The duo welcomes him warmly, as if they were old friends, which unsettles Nathan. Initially distant, he gradually grows fond of the pair, who are the complete opposite of him. Little by little, an unexpected bond forms between them—one that deeply shakes him.

Ange and Julia return to the Corsican village where they grew up for the first time in ten years. They face the delicate task of telling their mother, Mado, who suffers from early-onset Alzheimer’s, about her move to a nursing home. But Mado, now full of spirit and vibrant personality, has every intention of deciding her own future…

A couple having marital problems goes on holiday around Corsica. At their vacation home they're haunted by disturbing ghostly visions of a young girl.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

Cultured Mario and outlaw Lucien, twins separated at birth, join forces to avenge their parents' death at the hands of evil Colonna. Because each feels all the same sensations experienced by the other, swordplay is difficult for them. Worse yet, raised very differently, they struggle to find common ground between their conflicting personalities. But to defeat their enemy, the two will have to overcome the obstacles and work as a team.

Navigating a nihilist millennial world where sugar-dating apps, hashtags and designer drugs are king, two sugar babies begin a murderous vendetta against Daddy. Attempting to stamp out patriarchal evils, Teddy and Rose must confront their own morality, or lack thereof. Daddy's Playground positions notions of power and feminine agency within the context of sex work and survivalism.

The tale of the famous vendetta, vengeance over the years between two families. For nearly nothing at the start, as always with Sicilians or Corsican people, from the underworld or not...