Carnaval Brasileirinhas 2020

The Carnival of the Animals returns in a brand new version, directed by Gabriel Alloing, combining music, storytelling, and live visual creations. Composed by Camille Saint-Saëns in 1886, this iconic work is performed here by ten musicians from the Ensemble Est-Ouest and accompanied by original texts by Alex Vizorek, written especially for young audiences. Recorded at the Théâtre Libre in Paris's 10th arrondissement.

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The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.

Documentary about the rise and fall of Leandro de Itaquera Samba School, a cultural organization from São Paulo east end that had a major role during the profissionalization of Carnival competition in the city.

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Renilson: Life and Carnival" is a documentary that tells the story of one of the greatest cultural figures in the city of Acari, in Rio Grande do Norte. In the 1980s and 1990s, he had a major impact on the carnivals and performances of this small inland city, working in a community-focused way alongside friends and local people, with a strong sense of plurality and diversity.

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"É o Boi" is a documentary that narrates the origins, portrays the present and discusses the perspectives of carnival in the city of Porto Ferreira/SP. Celebrating a tradition that already is already 90 years old, the film is mainly made up of images taken during the Porto Ferreira's carnival and interviews with people who fight daily to keep this unique and at the same time typically Brazilian cultural manifestation alive. Made over almost a decade, "É o Boi" also portrays critical moments of this carnival in the countryside of São Paulo, including disagreements with public authorities that almost led to the carnival being banned and the impacts of the Covid-19 pandemic on the organization of celebrations.

Young lovers Orfeu and Eurydice run through the favelas of Rio during Carnaval, on the lam from a hitman dressed like Death and Orfeu's vengeful fiancée Mira and passing between moments of fantasy and stark reality. This impressionistic retelling of the Greek legend of Orpheus and Eurydice introduced bossa nova to the world with its soundtrack by young Brazilian composers Luiz Bonfá and Antonio Carlos Jobim.

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Discover the captivating origins of an iconic little pickup from the 1960s that was transformed into a 'triozinho' and captured the hearts of countless 'foliões' during Carnaval. Through heartfelt memories, interviews, and breathtaking landscapes, this documentary, directed by Daniel Bittencourt, beautifully reveals how a group of passionate music lovers gave birth to one of Linhares’ most cherished cultural symbols, straight from Vila de Regência.

Pelé, a retired nurse, revisits his memories as a performer in the Boi Tira-Teima group from Caruaru, Pernambuco. Between longing for the past and the impossibility of celebrating Carnival in the present, he imagines what it would be like to return to Carnival one last time.

Each person is a Carnival and Marina knows which one she is. On the slopes of Olinda she seeks the ecstasy of carnival revelry, the music, the shouting, the heat, the joy, the love. Her journey is seen through the eyes of ten different characters, and for each of them a director lends their artistic view. But in the midst of so many people, marching bands, encounters and misencounters, how can we find Carnival?

Juana, a young woman in her twenties sets out on a backpacking trip to the northwest of Argentina. Her aim is to find some places and people that appear in a series of photographs that she carries with her. As the adventure goes by, Juana finds out that the deepest meaning of the trip was but the simple fact that she has travelled through the experience itself.

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"The Mystery of the Black Domino" was the first film directed in Brazil by a woman, the pioneer Cleo de Verberena. Marcos and Virgílio are medical students and share the same room. At the end of the first night of carnaval, Marcos finds the corpse of a woman, dressed as a black domino, inside the closet and accuses Virgílio of murder. Virgílio defends himself by saying that that was Cleo, wife of Commander Fernando Almeida, and that he found her in the corso asking for help, but Marcos questions Virgílio about the veracity of the story. Lost Film.

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