reminiscence on the garden

An experimental video essay which uses circles and waves to explore neurodivergent experience.

Using a collage of found footage, this documentary essay examines humanity's conflicted relationship with fire - tracing its journey from control and mastery to destructive power, reflects on masculinity and the cost of progress and hubris.

YouTuber Jeffiot goes digging for the origins of skull trumpet / doot doot / mr skeltal, and ends up taking a trip to the early web heyday of animated gif art, and ruminating on creativity and legacy.

A short documentary that emerge at the center of round table debate, participating in it there's three students from the Superior School of Arts and Design, Caldas da Rainha - Portugal. This conversation go along with a video essay about Afrofuturism and Pop Culture. Also, during the debate, an interview with another student gives some real example of how afrofuturism can be applied when it comes to in taking control of the colonial narratives into a black person perspective.

A video essay by Mark Rappaport, which spans René Magritte and Michelangelo to Bonnie & Clyde. Let’s mask up to rob a bank! But make sure that you are home before the curfew.

Dedicated to the Children of Ukraine, victims of the brutal Russian invasion...Let everyone ask themselves and the leaders of their countries: what else has to happen, what arguments are needed that Ukraine is finally given the necessary military aid for Victory?

The film follows journeys of observational tours solicited by the Palestinian Museum and conducted by two professors from Birzeit University to collect photos of and information on the Palestinian Flora. The title is adapted from a collection of 123 images (circa 1900 to 1920) of wild flowers in Palestine found in the Matson Collection in the Library of Congress. Despite the tendency to trace the wild plants, the text in general aims at questioning the territorial extension of what is meant by the term “Palestinian”, while standing on insignificant topographical features of the (postcolonial) landscape in West Bank. Furthermore, it addresses photography as a practice and a tool of distributing and restricting information at once.

Divided into 26 parts, an attempt to remake James Benning's film, YouTube (2011) with similar internet footage after 13 years.

A filmmaker reconstructs a common memory about the formerly industrialized Lake Constance region, which was also largely built up by migration – and in recent years has mainly attracted people who do not like to pay taxes. The imprints speak, the fog. Without talking heads, in perspectives beyond the memorialized self-image of this region, classism becomes comprehensible.

floating images, abstractions, memories. silhouettes of a life lived in Jawaharlal Nehru University

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What could have happened – what should have happened – if two giants in film history, like Greta Garbo and Sergei Michajlovič Eisenstein, could have declared their love for each other? The world's most famous actress, an honorary Russian citizen of cinema for her many performances; the world's most radical director, who could have immortalized her face in one of his famous close-ups? Sphinx Garbo did not want to be alone: she just wanted to marry the great Sergei. Perhaps she could have played Trotsky or Pancho Villa in one of his films. Perhaps their friends Charlie Chaplin, Walt Disney and Josef von Sternberg would have approved their love. Maybe they could have had a child together. Maybe all this could still have happened, in a Mark Rappaport film.

A visual and interpretative journey through the filmography of Andrei Tarkovsky, in search of the hidden meaning behind the recurring presence of water — a central and mysterious element in his work. This video essay analyzes the scenes in which water appears, organizing them by theme: from everyday actions to metaphysical moments. An attempt to understand whether, behind the poetry of natural elements, lies a deeper message from the russian filmmaker.

Near Munich, in Bavaria, Germany, is the Schleißheim Palace, where French filmmaker Alain Resnais shot his film Last Year at Marienbad in 1960. Nearby is the Dachau concentration camp, where thousands of people were killed between 1933 and 1945. An essay about the present and the past, beauty and horror, life and death.

A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.

This year marks the 30th anniversary of film-maker Derek Jarman’s canonisation by an activist group of gay male 'nuns' known as the Sisters of Perpetual Indulgence. At the time in 1991, Derek Jarman was the most prominent person in the UK living openly with HIV. He was outspoken, radical and unapologetically queer.

A collage-style video essay that explores the idea of love through touch. Guided by fragments of films, paintings, photographs, and other visual images, a sensorial and poetic narrative is constructed around the protagonists of Alan Stephens Foster's painting "The Fall." Like a moving moodboard, the work connects different artistic and cultural expressions to portray gestures of affection, desire, care, and presence between diverse bodies. All of this through the hands.

A tribute to actresses, approaching their presence in and out the screen, humanizing the icons. From the Ukrainian Anna Sten to the French Anna Karina, we can see some close-up faces that marked the history of the cinema, and whose demand is more relevant than ever.

An extension of the Benign Violation theory of comedy developed by Tom Veatch and A. Peter McGraw and Caleb Warren. Source: The Cure (1917) Dir. Charles Chaplin and Edward Brewer

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