Quando a parede cai

No Rio de Janeiro, a 13 km do Cristo Redentor, dois portugueses aventuraram-se na mais temida favela do Brasil, onde moram mais de 300.000 pessoas - o Complexo do Alemão. Em 2007, no período de maior tensão e violência no Rio de Janeiro, viveram a maior operação policial já realizada no estado, sentiram na pele como é a vida de um simples morador. O filme retrata este perigoso e complexo mundo, um universo paralelo inserido dentro de uma ordem maior, um mundo à parte, que segue uma ordem diferente da ordem global.

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A boxer in Rio's favelas opens a club to help keep kids out of the burgeoning drug trade.

The Favela Pacification Program was launched in 2008 to reduce crime and drug trafficking in Rio de Janeiro, Brazil. In April 2015 however, police shot and killed 10-year old Eduardo in Complexo do Alemão, causing uproar in that community. Alemão and other pacified communities began to realise that the program had become the very thing it was designed to destroy. Taking place in the build to the 2016 Olympic Games, this is the side of Rio that you have never seen before.

Documentary about the foreign tourism in Rocinha, the biggest Latin America's favela, which receives about 3.000 foreign tourists per month. They come to Rocinha looking for the most varied aspects, from the poorness to the violence, from the geography to the architecture, from the viewing to the atmosphere, from the curiosity to the welfarism.

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Sound is a journey. Each note opens a door, closes another. Instruments chart the course. Through a poetic and immersive lens, Sou Jazz shines a light on musicians from the Paraisópolis community, reaffirming the social and transformative power of art. The film invites viewers into a reflective, sensory exploration of the relationship between jazz and life on the margins.

Rio de Janeiro. September, 2008. Three men stalk the gloomy back-alleys of the city's notorious slums. Spiderman, a 28-year-old drug lord, embarks on a routine patrol through the shadowy streets of Coréia, the sprawling slum he controls. Inspector Leonardo Torres, a muscle-bound operative from Rio's drug squad, inches through the alleys of another shantytown, shots ringing out around him. And Pastor Dione, an evangelical preacher intent on ending Rio's drug conflict, trawls the slums for lost souls. With unprecedented access to some of Rio's most wanted men, Dancing with the Devil in the City of God tells the story of Rio's drug war through the eyes of three men locked into one of the bloodiest urban conflicts on earth. Written by Jon Blair and Tom Phillips

Brazil's "Red Command" drug cartel is considered a plague by the government. But for the people of the favelas they control, Red Command *is* the government. They’re the de facto leadership of the area. The gang has taken over the role of the authorities in their shanty towns, where the state has long abandoned them. Away Days got special access to the Rio favelas, hanging out out with young foot-soldiers, speaking to commanders, and seeing how civilians live between the gangs and the equally violent police militias.

The short documentary ‘Complexos‘ features intimate and emotional views on how residents of favelas in Rio de Janeiro use media and arts to raise their voices and act for justice, dignity and respect. ‘Complexos’ is part of a collaborative process between the Finland-based Anti-Racism Media activism Alliance (ARMA Alliance) and the favela-based audiovisual collective Cafuné na Laje.

The documentary shows the awakening of the poor youth to social consciousness in the identification of life that imitates art with art that imitates life. It is the São Paulo chapter of the cultural history of national rap in the voice of its main exponents.

The story of the Candeal favela in Salvador de Bahia, Brazil, where musician Carlinhos Brown carries out social and cultural initiatives that protect and enrich the lives of its inhabitants every day.

The women of the first Garífuna community in Honduras work hard for the future of their daughters. Surrounded by a dazzling landscape, they celebrate their identity and the importance of maternal figures.

Sixty-six adolescents, residents of Favela da Maré, were selected to participate in a dance show led by the choreographer Ivaldo Bertazzo, which incorporated their own daily experiences. Ten years later, directors David Meyer and Helena Soldberg search for some of the participants of this experience.

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Documentary addressing the composer Cartola and the transformations that took place in Morro Carioca and in Samba during his life. Founder of the Escola de Samba Estação Primeira de Mangueira, Cartola has his life and his music marked by his community and his School, far from the city His school, created as a playful and expressive center for the mangueirense, has now become a point of tourist attraction. This made work possible for the inhabitants of the hill, but it transformed the spirit of samba and its aesthetics.

Set in Rio de Janeiro's most notorious favelas, the underprivileged youth share their perspective on the extremely popular, pornographic favela funk music with respect to their personal (love) lives, situated in a lawless subculture of drug gangs, machismo, violence and sex.