Barbara Hendricks

In 1988, Figaro magazine asked a few famous directors to direct a series of short movies to celebrate the 10 years of the revue. The movies have been released for the French revolution bicentenary. Includes: Werner Herzog's Les Gaulois, David Lynch's The Cowboy and the Frenchman, Andrzej Wajda's Proust contre la déchéance, Luigi Comencini's Pèlerinage à Agen, Jean-Luc Godard's Le dernier mot.

A political drama centered around Israel's pullout from the occupied Gaza strip, in which a French woman of Israeli origin comes to the Gaza Strip to find her long ago abandoned daughter.

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The film tells the story of classic black singing against the background of black emancipation in politics and society. This story stretches from the first successes of the bass Paul Robeson, who all his life regarded his voice as an instrument of liberation, to the young singing pupils of the Harlem School of Arts, who identify themselves with their origins in rejuvenated pride. The great African-American singers express their views, as do opera company directors and critics. Historical and contemporary film extracts and specially produced film sequences demonstrate the richness and variety of black singing.

This first-rate 1982 production of Verdi’s Falstaff marked the great 20th century Italian maestro Carlo Maria Giulini's return to opera conducting after more than a decade's absence. Renato Bruson leads a brilliant cast as the lovable fat knight Sir John Falstaff, going toe to toe in a series of hijinks with Katia Ricciarelli (Alice Ford) and Brenda Boozer (Meg Page).

The film tells the story of a love affair between a poor poet and an equally poor seamstress in 19th century Paris.

Live performance from the Opéra National de Lyon.

An old man is entrusted in curing a young girl struck by amnesia. He takes her on a healing trip, eccentric and joyous, to Ouagadougou by way of the Cape, Berlin, Mali, Belgium… In their travels full of surprises, they meet characters both remarkable and luminous, or ignorant, with set ideas, some fabulous creatures, and a text hidden deep in a continent that reveals a well-kept secret: Africa has something to tell us.

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

This lavish, cinematic realisation of Stravinsky's neo-classic masterpiece, performed in English, is filmed both in studio and on location. The imaginative richness in the music is complemented by costumes and sets which are, by turn, exquisitely garish and darkly grotesque to intoxicating effect.