Eslinda Núñez

1925. José Raúl Capablanca, a famous Cuban chess player and employee of the Ministry of Foreign Affairs, arrives in Moscow for an international chess tournament. The trip, taking place under Machado's dictatorship, casts doubt on his future in this position. The film shows Capablanca's dramatic matches with Lasker, Tartakower, and Bogolubov, his tragic love for Bolshoi Theatre ballerina Sasha Mozhaeva, and a simultaneous game in which he lost to the very young Mikhail Botvinnik.

While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."

A Russian Literature professor at the University of Havana is ordered to work as a translator for child victims of the Chernobyl nuclear disaster when they are sent to Cuba for medical treatment. Based on a true story.

An American lesbian in Cuba explores gender through dance and film, blending personal experiences and cultural symbols with music and Revolutionary cinema and questions how lesbians fit into Cuban cinema.

The film takes place in 1850, Texas, United States. Louise, daughter of the wealthy plantation owner Poindexter, master of the hacienda Casa del Corvo, falls in love with a poor mustanger Maurice Gerald. The night their secret rendezvous happens, her brother Henry disappears. Suspicion in murder falls on Gerald, who was found covered in blood, with signs of struggle on the body and on Henry's cloak. One more minute, and an angry crowd would have Gerald lynched, but then the mysterious Headless Horseman appears...

An anthology film presenting the stories of five different women who struggle for identity and self-esteem in their love relationships. A bittersweet image of Cuban reality.

Traces episodes in the lives of three Cuban women, each named Lucía, from three different historical periods: the 1890s, the 1930s, and the 1960s.

A documentary about the 1968 film Lucía, featuring its director, Humberto Solás, and members of his cast and crew.

When her father goes missing, 13 year old Lili uses a spiritual ritual to find him but she gets it wrong and her life turns into a nightmare.

It is the story of a young man named Esteban, who was totally devoted to the cause of the Revolution against Fulgencio Batista. One day, Esteban is diagnosed with a cerebral aneurism, which causes him to take stock of his life as a revolutionary and to reconsider his relationships to his family--to his mother and brother, particularly--and his friends.

In the aftermath of the Bay of Pigs incident, Sergio chooses to stay behind in Cuba while his wife and family escape to neighboring Miami. Alone in a brave new world, Sergio observes the constant threat of foreign invasion while chasing young women all over Havana. He finally meets Elena, a young girl he seeks to mould into the image of his ex-wife, but at what cost to himself?

Director Humberto Solás, along with the leading ladies Raquel Revuelta, Eslinda Núñez and Adela Legrá, recall important moments of this classic of Latin American cinema, 'Lucía' (1968).

A widower is surprised to learn that his late wife lead a double life.

The adventure action film centers on a famous extreme sports blogger who, having arrived in Cuba, finds herself involved in the mysterious story of a document that disappeared many years ago, according to which America was supposed to return the Guantanamo base to Cuba. Both the special services and a serious businessman have been hunting for it for a long time. However, only her grandfather, former intelligence officer Leo Voronov, a retired KGB general, with whom she does not communicate, knows where this document is. In parallel with the action in our time, the film will also tell about the adventures of Voronov shortly before the Cuban Revolution in 1958.

Xavier Mina accepted the commission to lead a liberating expedition in support of General Morelos. He failed to arrive in Mexico until Morelos had died and the Mexican Congress (which in New Spain faced the absolutism of Fernando VII) was dissolved, but for eight months he directed a series of more or less brilliant military actions, in the face of the harassment of the Viceroy , Who finally got him arrested.

Julio César Arana, a rubber baron in the Putumayo region, who was characterized by being a callous, heartless, and debased personality, allies himself with foreign companies, to exploit rubber reserves in the Peruvian Amazon region. He stops at nothing, not even the extermination of indigenous tribes. Thus, the so-called crimes of Putumayo occur; the Amazonian communities rebel and resist.

Cuban peasants wield machetes in a violent uprising against Spanish authorities in the late 19th century.

A story about teenagers, their parents and teachers, the conflicts that can arise in today's Cuban society, and their solutions. The film tells the story of Matilde and Isabel, two young girls in ninth grade in the Cuban capital, who become close friends despite their differences in education, social behavior, and personality.

In an unassuming shop, a woman’s monotonous duties veil a narrative of concealed yearnings and silent verdicts.